About

Beacons of Ancestorship is Tortoise's sixth full-length album, and their first release of new material since 2004's It's All Around You. In the interim, the group also released and toured behind the 2006 career retrospective box set A Lazarus Taxon, and an album of covers with vocalist Will Oldham by the likes of Elton John, Bruce Springsteen, Richard Thompson, and The Minutemen, entitled The Brave and the Bold. Additionally, the individual members have kept busy with various other projects, including but not limited to Exploding Star Orchestra, Bumps, Fflashlights, and Powerhouse Sound.

A characteristic Tortoise album is one that traverses an encyclopedia of styles and reference points, a document of where musical intersections and dialogue are occurring at a given moment in time. Beacons of Ancestorship is no different, with nods to techno, punk, electro, lo-fi noise, cut-up beats, heavily processed synths, and mournful, elegiac dirges. We see these ideas working out in compositions like “High Class Slim Came Floatin' In,” an eight-minute track which playfully references the world of ecstatic rave and dance culture with a curiously ambivalent, multi-part suite overlaid with robotic, machine-sounding melodies that stop and start in several different time signatures before the song’s ultimate resolution; and again in “Yinxianghechengqi,” which begins as a straightforward uptempo math-rocker before steadily accelerating into a wall of fuzzy atonal sqwonk. - Thrill Jockey

“At their best, Tortoise make academic genre-exercises sound brawny and visceral, and the first half of Beacons finds them firing on all circuits. The first six songs are pretty much straight fire, especially "Northern Something", with its icy clockwork percussion and a hyperactive bass line that throbs like a tooth ache. If it sounds a little French Touch-y, that's appropriate: Dance music has always been in Tortoise's arsenal, but it takes center stage here. Thrust and lift, pause and glide, are favored over tricky atmosphere. It's modular music, with static and rushing analog synths interpenetrating around crisp, cyclical percussion.” - Pitchfork

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