About

A TAV Essential Album.

Note: A 33 1/3 rpm version of this album is also available here.

The original master tapes for this title had not been used since 1980 previous to this reissue. Also, for this Analogue Productions reissue the decision was made to master and present this album as it was originally mixed to master tape. With very few exceptions all versions of this title to date, including the original, have had the channels incorrectly reversed. With this version, you'll hear this title as it was intended to be heard, without the channels reversed. And again, those reissues you've heard up until now - definitely still breathy, warm and rich - were made from something less than the master. Prepare to hear the veil removed.

“Mono & Stereo magazine's reviewer Matej Isak says Chad Kassem's efforts via his Quality Record Pressings pressing plant "goes beyond simple vinyl revival." "What can I say? I have a few different copies of this album and this release is of a completely different nature of sound. … Isak also raves, "Everything is even more subtle and present. Astrud's vocals finally got the needed three-dimensionality and 'spirit' and Getz's saxophone breathes out of proportion. When compared to other pressings, for example, Astrud is a mere statue. Here, she came alive with the feeling of real life-size. ... With 45 RPM benefits, the album gained better transients and a sense of atmosphere. It moves you more intimately and straight to the core."  A Mono & Stereo Strictly Vinyl Analog Award winner.” – Acoustic Sounds / Mono & Stereo

“Getz/Gilberto is a 1964 jazz-bossa nova album by American saxophonist Stan Getz and Brazilian guitarist João Gilberto, featuring composer and pianist Antônio Carlos Jobim. Its release helped fuel the bossa nova craze in the United States and internationally, becoming the first Grammy Award-winning album from non-American artists. It brought together Stan Getz, who had already performed the genre on his LP Jazz Samba, João Gilberto (one of the creators of the style), and Jobim, a celebrated Brazilian composer (and also one of the main creators of the genre), who wrote most of the songs in the album. It became one of the best-selling jazz albums of all time, and turned Astrud Gilberto, who sang on the tracks "The Girl from Ipanema" and "Corcovado", into an internationally celebrated musician. The painting on the cover is by Olga Albizu.

It won the 1965 Grammy Awards for Best Album of the Year, Best Jazz Instrumental Album - Individual or Group and Best Engineered Album, Non-Classical. "The Girl from Ipanema" also won the award for Record of the Year in 1965. This was the first time a jazz album received Album of the Year. It was the only jazz album to win the award until Herbie Hancock's River: The Joni Letters 43 years later, in 2008.

JazzTimes (11/94, pp. 88–89) - "...essential for all serious jazz collections...served as proof that it is possible for music to be both artistically and commercially successful...this relatively sparse setting with the great Getz perfectly fit the music, resulting in a true gem..." Vibe (12/99, p. 158) - Included in Vibe's 100 Essential Albums of the 20th Century. In 2012, Rolling Stone ranked the album number 447 on its list of The 500 Greatest Albums of All Time. It was listed by Rolling Stone Brazil as one of the 100 best Brazilian albums in history.[6] The album was inducted into the Latin Grammy Hall of Fame in 2001. The album was included in Robert Dimery's 1001 Albums You Must Hear Before You Die.” – Wiki

Astrud Gilberto says that her husband, Joao, informed Stan Getz that she "could sing at the recording." Creed Taylor recalls that it took Getz's wife, Monica, to get both Astrud and Joao into the recording studio; Mrs. Getz had a sense that Astrud could make a hit. And Getz himself is on record saying that he insisted on Astrud's presence over the others' objections. So who's right? What does it matter? The Gilbertos, Getz and the legendary Antonio Carlos Jobim followed up the bossa nova success of Jazz Samba with this, the defining LP of the genre. With one of the greatest hit singles jazz has ever known - each one who hears it goes "Ahhh!".

Originally released in 1963.

Features of this audiophile reissue:

• Numbered, Limited Edition
• Cut from the original analog master tapes
• 200 Gram, 45rpm 2LP
• Pressed at Quality Record Pressings

Musicians:

• Stan Getz, tenor saxophone
• Joao Gilberto, guitar, vocals
• Astrud Gilberto, vocals
• Antonio Carlos Jobim, guitar, piano
• Milton Banana, drums
• Tommy Williams, bass

 Tracklist: 

Item description: