Sam Rivers Contours (Blue Note Tone Poet Series)
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Saxophonist & flutist Sam Rivers followed-up his striking debut Fuchsia Swing Song with the tremendous album Contours, which was recorded at Rudy Van Gelder’s Englewood Cliffs, NJ studio in 1965 with a top flight band featuring Freddie Hubbard on trumpet, Herbie Hancock on piano, Ron Carter on bass, and Joe Chambers on drums. The quintet explored four of Rivers’ engaging original compositions—“Point of Many Returns” “Dance of the Tripedal” “Euterpe” & “Mellifluous Cacophony”—with a profound spirit of freedom and innovation while keeping a foot firmly planted in post-bop. — (via Label)
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On Contours, his second Blue Note album, tenor saxophonist Sam Rivers fully embraced the avant-garde, but presented his music in a way that wouldn't be upsetting or confusing to hard bop loyalists. Rivers leads a quintet featuring trumpeter Freddie Hubbard, pianist Herbie Hancock, bassist Ron Carter, and drummer Joe Chambers through a set of originals that walk a fine line between probing, contemplative post-bop and densely dissonant avant-jazz. Each musician is able to play the extremes equally well while remaining sensitive to the compositional subtleties. Rarely is Contours anything less than enthralling, and it remains one of the high watermarks of the mid-'60s avant-garde movement. — (via AllMusic)
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About the Blue Note Tone Poet Series:
The Blue Note Tone Poet Series was born out of Blue Note President Don Was’ admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the “Tone Poet,” on board to curate and supervise a series of reissues from the Blue Note family of labels.
Extreme attention to detail has been paid to getting these right in every conceivable way, from the jacket graphics and printing quality to superior LP mastering (direct from the master tapes) by Kevin Gray to superb 180 gm audiophile LP pressings by Record Technology Inc. Every aspect of these Blue Note/Tone Poet releases is done to the highest possible standard. It means that you will never find a superior version. This is IT.
Blue Note Records’ Tone Poet Audiophile Vinyl Reissue Series is produced by Joe Harley and features all-analog, mastered-from-the-original-master-tape 180g audiophile vinyl reissues in deluxe gatefold packaging. Mastering is by Kevin Gray (Cohearent Audio) and vinyl is manufactured at Record Technology Incorporated (RTI).
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Label: Blue Note
Series: Blue Note Tone Poet Series
Format: Vinyl, LP, Album, Reissue, Stereo, 180g, Gatefold
Reissued: 2019 / Original: 1967
Genre: Jazz
Style: Free Jazz, Post Bop
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- Regular price
- $65.00 SGD
- Regular price
-
- Sale price
- $65.00 SGD
- Unit price
- per
Couldn't load pickup availability
About
Saxophonist & flutist Sam Rivers followed-up his striking debut Fuchsia Swing Song with the tremendous album Contours, which was recorded at Rudy Van Gelder’s Englewood Cliffs, NJ studio in 1965 with a top flight band featuring Freddie Hubbard on trumpet, Herbie Hancock on piano, Ron Carter on bass, and Joe Chambers on drums. The quintet explored four of Rivers’ engaging original compositions—“Point of Many Returns” “Dance of the Tripedal” “Euterpe” & “Mellifluous Cacophony”—with a profound spirit of freedom and innovation while keeping a foot firmly planted in post-bop. — (via Label)
—
On Contours, his second Blue Note album, tenor saxophonist Sam Rivers fully embraced the avant-garde, but presented his music in a way that wouldn't be upsetting or confusing to hard bop loyalists. Rivers leads a quintet featuring trumpeter Freddie Hubbard, pianist Herbie Hancock, bassist Ron Carter, and drummer Joe Chambers through a set of originals that walk a fine line between probing, contemplative post-bop and densely dissonant avant-jazz. Each musician is able to play the extremes equally well while remaining sensitive to the compositional subtleties. Rarely is Contours anything less than enthralling, and it remains one of the high watermarks of the mid-'60s avant-garde movement. — (via AllMusic)
—
About the Blue Note Tone Poet Series:
The Blue Note Tone Poet Series was born out of Blue Note President Don Was’ admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the “Tone Poet,” on board to curate and supervise a series of reissues from the Blue Note family of labels.
Extreme attention to detail has been paid to getting these right in every conceivable way, from the jacket graphics and printing quality to superior LP mastering (direct from the master tapes) by Kevin Gray to superb 180 gm audiophile LP pressings by Record Technology Inc. Every aspect of these Blue Note/Tone Poet releases is done to the highest possible standard. It means that you will never find a superior version. This is IT.
Blue Note Records’ Tone Poet Audiophile Vinyl Reissue Series is produced by Joe Harley and features all-analog, mastered-from-the-original-master-tape 180g audiophile vinyl reissues in deluxe gatefold packaging. Mastering is by Kevin Gray (Cohearent Audio) and vinyl is manufactured at Record Technology Incorporated (RTI).
↓
Label: Blue Note
Series: Blue Note Tone Poet Series
Format: Vinyl, LP, Album, Reissue, Stereo, 180g, Gatefold
Reissued: 2019 / Original: 1967
Genre: Jazz
Style: Free Jazz, Post Bop
⦿
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