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Two selections are with a trio (bassist Oscar Pettiford joins Charles on "Black Coffee"), while the other six are with a septet taken from his big band of the period. Key among the sidemen are David Newman (soloing on both tenor and alto) and trumpeter Joseph Bridgewater; highlights include Quincy Jones' "The Ray," "My Melancholy Baby," "Doodlin'," and "Undecided." Ray Charles should have recorded in this setting more often in his later years – All Music