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Moderat [Modeselektor + Apparat]

BPitch Control

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$48.00 SGD
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$48.00 SGD


- A TAV Essential Listening Album - 

A sensational self-titled debut record from three of Germany’s most influential electronic music producers, Modeselektor (Gernot Bronsert and Sebastian Szary) and Apparat (Sascha Ring). Released on BPitch Control in 2009, this astonishing album features the best of both worlds - a nimble melding of Modeselektor’s boundary-pushing, floor-ready electro and techno, alongside Apparat’s emotive, introspective washes of experimental pop and glitchy IDM.

This compelling combination worked more symbiotically than anyone could have expected, culminating in the trio’s most accessible work here. Moderat is filled with cerebral yet catchy club music that blurs the lines between early dubstep and minimal techno - seamlessly reconciling insular textures with the thumping grooves of a populist party. - The Analog Vault

An album representative of the sound of Berlin. The album, a collaboration between Moderat and Apparat, and joined by Busdriver, the Californian rapper, the German reggae heroes Seeed and the dub poet Paul St. Hilaire, brings together the confluence of IDM, techno, dubstep, electro, glitch, and hip hop. Bass heavy, it alternates between clean and grit. If anything, buy this album for the anthem "A New Error", which opens the album.

Moderat is the self-titled first studio album by electronic music project Moderat, consisting of Modeselektor (the duo of Gernot Bronsert and Sebastian Szary) and Apparat (aka Sascha Ring). It was released in May 2009 on BPitch Control.

“Modeselektor's music is built on a combination of glitch, electro, and hip-hop thump and it's all about thrust and action-- the art of dropping heavy bass and making people go apeshit in a club. Apparat, meanwhile, tends to look inward. He utilizes more conventional pop structures that are wrapped in shoegaze synths and layers of ….. Of course, it's this aesthetic dissimilarity that makes the record an exciting prospect. And the good news is that (for the most part) they pulled it off. Long stretches of Moderat find the three producers locked into a healthy creative symbiosis that accentuates the best parts of their individual styles. The record's best tracks, like first single "A New Error", illustrate the balance. It bounces along with the muscular energy we expect out of Modeselektor without ignoring the warm astral qualities of an Apparat song. Others, such as standout "Seamonkey", pull off the same feat with even more complexity. The song opens with a minute-plus of nasty, walloping bass and just when you start to wonder if that's all there is, it unfurls into something much more intricate. – Pitchfork

"In recording Moderat’s self-titled album, the three men began by renting studio space at the legendary Berlin Hansa studios (where bowie recorded heroes) in order to record the album in analog with the help of the studio’s vintage tube technology and an old EMI console from 1972, restored especially for Moderat. American software designer, Joshua Kit Clayton, was hired to program a superb reverb algorithm specifically for the recording process of this album." - BPitch Control


About Moderat:

“Moderat are Modeselektor and Apparat.

Hardly anybody has brought electronic music from Berlin to the farthest flung corners of the world with more passion and enthusiasm than these two heavyweights.

Modeselektor – Gernot Bronsert and Sebastian Szary – are bass music heroes. Together with a veritable army of collaborators, guest artists and with their two labels Monkeytown and 50 Weapons, they have built a broad network. They assimilate and process the tiniest vibrations in the global bass continuum and at the same time, their wobbly salvos and their oblique sense of humour are unmistakable. They became known to a select audience through their records on BPitch Control with which they catapulted themselves out of the Berlin 4/4 cosmos, whilst simultaneously reflecting the raw and full-on spirit of the 1990s Berlin club scene.

Apparat (real name: Sascha Ring) could hardly be more opposite. He fuses tricky electronics with heartfelt and auspicious pop. Together with T.Raumschmiere, he founded Shitkatapult. From early on, Apparat realised that the LP was his preferred form of expression. With each album, he reinvented himself on a personal, stylistic and social level: gradually bringing ever more strata of his emotional persona to light, exploring previously unknown musical styles and involving guest musicians in the process.

In 2002, Sascha, Gernot and Sebastian met for the first time. At that point in time, Apparat and Modeselektor were well established in the Berlin music scene. Sascha had already released his debut album and Gernot and Sebastian, a series of 12”s. Their shared studio time wore them down to such an extent, that they were forced to shelve the project almost immediately. But the foundations were laid and the three of them were able to present the fruits of their labour: the “Auf Kosten der Gesundheit” EP. Eleven years later, one still can have a sense of the sparks that must have flown in the studio: complex beats wrestling with furious bass and reduced rap elements.

Six years went by before they got together again. In the mean time both acts had established sensationally successful careers. In 2005, Modeselektor’s debut album “Hello, Mom!” gained them international recognition at light speed. Pitchfork rejoiced and Thom Yorke constantly mentioned them. Their second album featured vocals from Otto von Schirach, Maximo Park and… Thom York. Modeselektor stormed the festival stages and were honoured by Beatport and Resident Advisor.

Apparat had not just one but two breakthrough albums: in 2006 and together with Ellen Allien, he founded the “Orchestra of Bubbles”, with which the two of them explored the language of song. In 2007 he released “Walls”, his first time working with a band. He developed a live show that fused together acoustic and electronic, and club and pop music. Just as with Modeselektor, Apparat is the epitome of the Berlin sound, but nonetheless lifts the sounds of the city to another level. Significantly, both acts toured with Radiohead.

In 2008, Gernot, Sebastian and Sascha came together once again. Their eponymous debut album was released on April 20, 2009. Busdriver, the Californian rapper, the German reggae heroes Seeed and the dub poet Paul St. Hilaire joined them on a several songs. Perhaps the secret of Modeselektor’s and Apparat’s collaboration lies in the fact that they never even tried to get close to one another. Modeselektor’s thundering bass rumbles in the cellar, Apparat’s sensitive and subtle melodies float high in the eaves. The fact that what one assumes to be incompatible actually communicates, is what makes Moderat so unique. Moderat is not just a studio project: with a set of visuals created for these concerts by Pfadfinderei, they toured all five continents.

With Monkeytown and 50 Weapons, Modeselektor created a highly potent label empire, which unites the music scene’s old heroes with crazy bass kids. The two of them have curated a whole stage at the Melt! Festival a number of times and have released their third album. Apparat travelled the world with the freshly re-formed Apparat Band. He relinquished his position as auteur for the first time by becoming part of a theatre performance and in the album that resulted, released the raw and mostly unedited sessions.” – Monkeytown Records

Item description:


Moderat [ Modeselektor + Apparat ]




BPitch Control


Vinyl, LP, Album



Release Date:





IDM, Techno, Dubstep, Electro