About

Violinist, composer, and arranger Hiroki Tamaki presents a majestic musical tapestry inspired by the teachings of Indian spiritual philosopher Bhagwan Shree Rajneesh. Layering his own vocals in rich harmony and weaving in the ethereal synthesizer work of Fumitaka Anzai (of TPO and Urusei Yatsura fame), Tamaki creates a soundscape of mysticism and spiritual balance.

The album features progressive rock-influenced tracks such as “The Songs of Mahamudra” and “Meditation,” alongside hidden gems of Japanese acid folk like “River” and “Beautiful Song,” both of which were selected for the acclaimed compilation Nippon Acid Folk 1970–1980 (Time Capsule). 

A rare and visionary work that bridges cosmic philosophy and musical experimentation. — (via SoundOhm)

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Tokyo-born violinist Hiroki Tamaki channels the spiritual teachings of Bhagwan Shree Rajneesh into a quietly visionary LP, originally issued in 1983 and now reissued for the first time. Working with synth maestro Fumitaka Anzai, Tamaki creates a meditative fusion of layered vocals, shimmering electronics and devotional folk minimalism.

'Kawa' and 'Sora' offer hushed melodic gestures and ambient texture, while 'Mahamudra No Shi' leans towards prog-folk with swirling spoken word and swelling strings. 'Beautiful Song', featured on Nippon Acid Folk 1970-1980, retains its status as a cult classic-its mix of cosmic harmony and gentle psychedelia setting the tone for 'Ai' and the synth-rich 'Meditation'. Closing piece 'Umi' floats through misty resonance, sealing a record that feels like a private mantra, ritualistic yet human. Quietly stunning and spiritually charged, this is Tamaki at his most free and focused. — (via Juno)

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Label: Nipponophone 
Series: J-Digs
Format: Vinyl, LP, Album, Reissue, Stereo
Country: Japan
Reissued: 2025 / Original: 1980
Genre: Rock, Electronic, Folk
Style: Psychedelic Rock, Soft Rock, Japanese

File under: Japanese Folk / Rock
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