About

Boards Of Canada’s third album for Warp Records, The Campfire Headphase, was released in 2005. The album featured fifteen tracks, including "Peacock Tail", "Chromakey Dreamcoat," and "Dayvan Cowboy". 

“Blurring the boundaries between rock and techno is a smart move, because BoC have always made music that deserved to appeal beyond the electronic audience. You can imagine fans of My Bloody Valentine/Cocteau Twins-style dreampop falling head over heels for ... Headphase, or devotees of the Cure and Radiohead wallowing in its exquisitely textured melancholy. BoC can also be seen as heirs to the psychedelic tradition, grandchildren of Syd Barrett and the Incredible String Band. The connection comes through not just in the duo's obsession with childhood or their frankly goofy song titles, but also in the stereophonic delirium of their production. On 'Oscar See Through Red Eye' and 'Slow This Bird', sounds pan back and forth across the speakers, the drift and swirl making you melt into a voluptuous disorientation.” – The Guardian

About Boards of Canada:

"Boards of Canada are a Scottish electronic music duo consisting of brothers Michael Sandison and Marcus Eoin.

BoC's sound is a product of their use of analogue equipment, mix of electronic and conventional instrumentation, use of distorted samples as well as live and recorded lyrics, and their layering and blending of these elements. For example, the duo have revealed that they use many old tape machines, such as those manufactured by Grundig; and it can be said that this is one of the key factors that contributes to their vintage sound. Because they avoid a purely synthetic sound, their music is often described as having a warm, emotive quality often meant to inspire nostalgia. This is helped by the use of samples from 1970s television shows and other media prevalent in the era of the brothers' shared childhood, especially the nature-inspired documentaries produced by the National Film Board of Canada.

Brief interludes or vignettes feature prominently in BoC's music. Such songs are often weaving melodies or speech accompanied by atmospherics to capture a specific moment or mood. They often last less than two minutes, but, as BoC state, "we write far more of [these] than the so-called 'full-on' tracks, and, in a way, they are our own favourites".BoC have written an enormous number of such fragments as well as full-length tracks, most of which have been held back from release. It does not appear that their music is made exclusively for commercial release; rather, albums seem to be the result of selecting complementary songs from current work. For instance, Geogaddi's allegedly involved the creation of 400 song fragments and 64 complete songs, of which 22 were selected (possibly 23, if the final track of complete silence is included). Says Marcus: "The idea of the perfect album is this amorphous thing that we're always aiming at […] the whole point of making music is at least to aim at your own idea of perfection."

Interviews with the Sandison brothers provide some insight into their creative process. They have cited several acts that have influenced their work including Joni Mitchell, The Incredible String Band ("we have all the String Band records […] our rural sensibilities are similar"), The Beatles ("[they] really became enthralling to us through their psychedelism"), and My Bloody Valentine ("even if we don't sound like them, there's a connection in terms of the approach to music").

They have also expressed a strong interest in the power of subliminal messaging and their work is full of cryptic messages including references to numerology and cult figures such as David Koresh of the Branch Davidians. When questioned about their aims in making such references, BoC express themselves in neutral terms ("We're not religious at all [...] and if we're spiritual at all it's purely in the sense of caring about art and inspiring people with ideas.") while remaining fascinated with the ability of music to influence the minds of others ("[We] do actually believe that there are powers in music that are almost supernatural. I think you actually manipulate people with music...")."

- Wiki

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