About

Hammond B3 organist Big John Patton’s 1966 soul jazz manifesto Got A Good Thing Goin’ was a showcase for the deep rapport between Patton and guitarist Grant Green who had appeared on all of Patton’s prior Blue Note dates from his 1963 debut Along Came John to the 1965 classic Let ‘Em Roll. Here the dynamic duo are backed by Hugh Walker on drums and Richard Landrum on congas for a 5-song set of unrelenting soul power. Side A kicks off with the Patton-Green originals “The Yodel” and “Soul Woman” while Side B presents versions of Duke Pearson’s “Amanda,” Sam Cooke’s “The Shake,” and the Marvin Gaye hit “Ain’t That Peculiar” which was penned by Smokey Robinson. — (via Label)

—

Grant Green always brought out the best in Big John Patton. Almost any record that featured the guitarist and organist was dominated by their scintillating interplay, and it always sounded like they were trying to top each other's blistering, funky solos. Patton and Green rarely sounded better than they did on Got a Good Thing Goin', a 1966 session that functioned as a showcase for the pair's dynamic interaction and exciting, invigorating solos.

In particular, the duo's mastery is evident because there are no horns to stand in the way — only drummer Hugh Walker and conga player Richard Landrum provide support, leaving plenty of room for Green and Patton to run wild. All five numbers — two originals by Patton and Green, two pop covers ("Ain't That Peculiar," "Shake"), and Duke Pearson's "Amanda" — are simple blues and soul-jazz songs that provide ample space for the guitarist and organist to stretch out. And they do stretch out — as a pair, they have never sounded so fiery or intoxicating. Fans of hard bop may find the songs a little too simple, but hot, up-tempo soul-jazz rarely comes any better than it does on Got a Good Thing Goin'. — (via AllMusic)

—

About the Blue Note Tone Poet Series:

The Tone Poet Audiophile Vinyl Reissue Series was born out of Blue Note President Don Was’ admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley, a.k.a. the “Tone Poet,” on board to curate and supervise a series of reissues from the Blue Note family of labels.

Extreme attention to detail has been paid to getting these right in every conceivable way, from the jacket graphics and printing quality to superior LP mastering (direct from the master tapes) by Kevin Gray to superb 180g audiophile LP pressings by Record Technology Inc. Every aspect of these Tone Poet releases is done to the highest possible standard. It means that you will never find a superior version. This is IT.

This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180g vinyl at Record Technology Inc. (RTI), and packaged in a deluxe tip-on gatefold jacket.

↓
Label: Blue Note
Format: Vinyl, LP, Album, Reissue, Stereo, Gatefold, 180 Gram
Reissued: 2026 / Originally Released: 1966
Genre: Jazz
Style: Soul-Jazz

File under: Blue Note Tone Poet
⦿