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Eiji Nakayama
Aya's Samba

Studio Mule

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$48.00 SGD
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$48.00 SGD

About

- A TAV Essential Listening Album -

Japanese bassist Eiji Nakayama was a member of Elvin Jones’ Jazz Machine for over a decade, had toured with Don Friedman, and composed a multitude of acclaimed records. But of all his accomplishments, perhaps Eiji Nakayama is best known as the inspiration for Johnny's Disk Record, which was founded when owner Ken Terui saw the esteemed bassist live. 

Fittingly, Nakayama’s debut album was also the Japanese label’s first release in 1978. Entitled Aya’s Samba, this LP was an exquisitely melancholic post-bop and modal effort, flourished with Afro-Brazilian and Latin flair. Joined by drummer Takaaki Atsumi, pianist Atsushi Sakuraba and tenor saxophonist Kenji Takahashi - Nakayama leads four mellow masterpieces that are as graceful as they are wistful. Standouts include its classic samba-tinged title track and smoky ballad ““Yellow Living”. - The Analog Vault

Johnny’s Disk Record was an independent jazz label run by the owner of Jazz Cafe Kaiunbashi No Johnny located in Rikuzentakata city in Iwate prefecture, Japan. The legendary label released a string of albums of high quality but down-to-earth music, spanning from modern jazz, avant-garde jazz to left-field pop. albums such as “Farewell My Johnny / Left Alone” and “Aya’s Aamba” has reached cult status among fans as some of the best works to come out of the japanese jazz scene.

Aya’s Samba was a debut effort by bassist Eiji Nakayama, who played as part of Elvin Jones’ Jazz Machine and toured with Don Friedman. This album is an important release in the Johnny’s Disk catalogue, not only because it is the first ever release, but also because the owner hearing the band play was the reason why the label came to be. “Aya’s Samba” is a mellow jazz samba in minor key that’s considered a japanese jazz classic. slow ballad “Yellow Living” is drenched in melancholy with emotive keys and sax notes, while the dreamy “Sea Sea town” impresses with a captivating, expressive sax solo. the 4 tracker ends with “far-away road,” an uptempo tune with rhythmic keys. – Mule Musiq

Label:

 Johnny's Disk Record – JD-01, Studio Mule – STUDIO MULE 13

Format:

 Vinyl, LP, Album, Reissue

Reissued:

 2019 (Original: 1978)

Genre:

 Jazz

Style:

 Contemporary Jazz,  Modal, Post Bop, Japanese Jazz