The Beatles ‎– Sgt. Pepper's Lonely Hearts Club Band

Sgt. Pepper’s Lonely Hearts Club Band, originally released 50 years ago on June 1st, 1967, in England, and the following day in the U.S. The new Pepper comes in various packages: single and double CDs, a deluxe box of four CDs and two DVDs (containing videos and 5.1 surround mixes of the original album), as well as a double LP that, like most versions here, includes several of the album’s original developing and alternate tracks. All editions feature a stereo remix by Giles Martin (George Martin died in 2016, at 90) and Abbey Road audio engineer Sam Okell. The ambition might seem a bit of a risk or even redundant. After all, Sgt. Pepper has been considered by many as not just rock’s greatest moment, but also as a central touchstone for the 1960s – an exemplar for a generation that was forging new ideals, and granting themselves new permissions, including the use of psychedelic drugs. The Beatles had already done a lot to make that change possible, but Sgt. Pepper – coming along at a time when many thought the Beatles superfluous, in the face of other new adventurous bands and records – crystallized it all. Langdon Winner later wrote in The Rolling Stone Illustrated History of Rock & Roll: “For a brief while, the irreparable fragmented consciousness of the West was unified, at least in the minds of the young.” 

Additionally, Sgt. Pepper‘s groundbreaking sonics – its mix of pioneering textures, complex composition and inventive recording techniques –also won the album standing as a legitimate art form that revised and extended classical music’s archetypes. (This achievement also imbued much of rock itself with a new prestige and aspiration.) In part, the unprecedented acclaim resulted from Paul McCartney’s insistence on the album as a conceptual song cycle that existed as a whole entity: The Beatles, posed in ornate Victorian brass-band military costumery on the cover, were playing a fictional band, singing from perspectives free of any indebtedness to their prior musical sensibility and well-established images. (Ringo Starr later described it as “a bunch of songs and you stick two bits of ‘Pepper’ on it and it’s a concept album. It worked because we said it worked.”)– Rolling Stone