The Oscar Peterson Trio We Get Requests | 45rpm 2LP
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About
A TAV Curator’s Pick.
“When Jim Davis started producing records at Verve, he changed the company's recording philosophy toward its most prolific instrumentalist. Where Norman Granz had produced countless Oscar Peterson albums dedicated to the popular song, Davis was more interested in making albums closer to how the Peterson trio sounded live. His first Peterson records were the legendary London House sessions. By the time of this album, there had been no personnel change in the trio for five years - so it is no surprise that the rapport among the musicians here is telepathic.” – Acoustic Sounds
“This 1964 studio session features the Peterson trio with bassist Ray Brown and Ed Thigpen, a group that had been together for five years by then and performed like a well-oiled machine. The repertoire is mostly pop songs of the day, including bossa nova tunes and film themes, and the treatments are fairly brief, with emphasis placed squarely on the melodies. Even in their lightest moments, though, the group demonstrates some of the qualities that made it among the most influential piano trios in jazz, a group that could generate tremendous rhythmic energy and a sense of developing musical detail. For all his legendary force, Peterson possesses a subtle rhythmic sense, and here he infuses even "People" with an undercurrent of swing.” – Elusive Disc
“This 1964 set can polarize jazz lovers. Many find it the consummate recording of this trio, which had been together five years when it was taped. Others think the repertory is trivial. Peterson chose for this set such popular favorites as "Quiet Night of Quiet Stars (Corcovado)," "People," "The Girl from Ipanema," "The Days of Wine and Roses," and "My One and Only Love." Balancing these chestnuts are some slightly less familiar standards: "Have You Met Miss Jones?," "D & E," "You Look Good to Me," and "Time and Again." Here's the formula: Peterson usually makes a clear statement of the tune up front, then goes off on one or more of his incredible variations, manipulations that give him a chance to show off his fleet, refined, and graceful fingerwork. Bassist Ray Brown and drummer Ed Thigpen are virtuosos in their own rights, but also know how to fit in as part of the ensemble. To say that the three are tightly knit is to understate the obvious.” – SoundStage! Network
Musicians:
- Oscar Peterson, piano
- Ray Brown, bass
- Ed Thigpen, drum
Item description:
Artist:
The Oscar Peterson Trio
Title:
We Get Requests
Label:
Format:
2 × Vinyl, 12", 45 RPM, Album, Limited Edition, Remastered, Stereo, 200gm
Pressing:
US
Release Date:
This reissue: 2011 | Original - 1964
Genre:
Jazz
Style:
Bop, Swing, Piano
Catalog No:
AP-8606
Condition:
New
Share
- Regular price
- $95.00 SGD
- Regular price
-
- Sale price
- $95.00 SGD
- Unit price
- per
About
A TAV Curator’s Pick.
“When Jim Davis started producing records at Verve, he changed the company's recording philosophy toward its most prolific instrumentalist. Where Norman Granz had produced countless Oscar Peterson albums dedicated to the popular song, Davis was more interested in making albums closer to how the Peterson trio sounded live. His first Peterson records were the legendary London House sessions. By the time of this album, there had been no personnel change in the trio for five years - so it is no surprise that the rapport among the musicians here is telepathic.” – Acoustic Sounds
“This 1964 studio session features the Peterson trio with bassist Ray Brown and Ed Thigpen, a group that had been together for five years by then and performed like a well-oiled machine. The repertoire is mostly pop songs of the day, including bossa nova tunes and film themes, and the treatments are fairly brief, with emphasis placed squarely on the melodies. Even in their lightest moments, though, the group demonstrates some of the qualities that made it among the most influential piano trios in jazz, a group that could generate tremendous rhythmic energy and a sense of developing musical detail. For all his legendary force, Peterson possesses a subtle rhythmic sense, and here he infuses even "People" with an undercurrent of swing.” – Elusive Disc
“This 1964 set can polarize jazz lovers. Many find it the consummate recording of this trio, which had been together five years when it was taped. Others think the repertory is trivial. Peterson chose for this set such popular favorites as "Quiet Night of Quiet Stars (Corcovado)," "People," "The Girl from Ipanema," "The Days of Wine and Roses," and "My One and Only Love." Balancing these chestnuts are some slightly less familiar standards: "Have You Met Miss Jones?," "D & E," "You Look Good to Me," and "Time and Again." Here's the formula: Peterson usually makes a clear statement of the tune up front, then goes off on one or more of his incredible variations, manipulations that give him a chance to show off his fleet, refined, and graceful fingerwork. Bassist Ray Brown and drummer Ed Thigpen are virtuosos in their own rights, but also know how to fit in as part of the ensemble. To say that the three are tightly knit is to understate the obvious.” – SoundStage! Network
Musicians:
- Oscar Peterson, piano
- Ray Brown, bass
- Ed Thigpen, drum
Item description:
Artist: |
The Oscar Peterson Trio |
Title: |
We Get Requests |
Label: |
|
Format: |
2 × Vinyl, 12", 45 RPM, Album, Limited Edition, Remastered, Stereo, 200gm |
Pressing: |
US |
Release Date: |
This reissue: 2011 | Original - 1964 |
Genre: |
Jazz |
Style: |
Bop, Swing, Piano |
Catalog No: |
AP-8606 |
Condition: |
New |
Share
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