Maki Asakawa Maki Asakawa
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About
- A TAV Essential Listening Album -
Maki Asakawa (浅川 マキ? Asakawa Maki, January 27, 1942 – January 17, 2010) was a Japanese jazz and blues singer, lyricist and composer. Born in Mikawa (now part of the city of Hakusan), Ishikawa Prefecture, after graduating high school she worked for a time as a teller in the local national pensions office before moving to Tokyo. Particularly influenced by the styles of Mahalia Jackson and Billie Holiday, she began her career singing at US Army bases and at cabarets.
Asakawa made her debut recording, "Tokyo Banka/Amen Jiro" with Victor in 1967. After appearing in a series of concerts organized by underground playwright Shuji Terayama in 1968, she signed with Toshiba, presently EMI Music Japan, and released the popular songs, 夜が明けたら (Yo ga aketara; At the Break of Dawn) and かもめ (Kamome; Gull) in 1969. Her debut album, 浅川マキの世界 (Asakawa Maki no Sekai; Maki Asakawa's World), was released in 1970. In addition to writing and composing, she also released cover versions of US traditional folk and blues, freely rendered into Japanese, such as "Asahi no ataru ie (朝日のあたる家)" (The House of the Rising Sun). - Wiki
Inspired by the records of Billie Holiday, Nina Simone and Mahalia Jackson - Japanese jazz and blues singer, lyricist and composer Maki Asakawa left her office job to pursue her passion – ultimately culminating in her become an icon for Japanese urban counterculture. She may have started singing in clubs and U.S. military bases, but by the end of her lengthy career, she had close to 30 albums to her name.
This 2015 double LP from UK-based Honest Jon’s compiles many of Asakawa’s finest works from 1969 to 1986. Ranging from the blues and R&B to psychedelia and spiritual jazz, this excellent survey of the Japanese crooner’s discography is filled with moody gems. Standouts include the taiko meets trombone sorrow of “Nemuru No Ga Kowai,” her Japanese-language rendition of Bessie Smith’s “Blue Spirit Blues,” and the sitar-driven chants of “Govinda.” — The Analog Vault
‘A good place to start… Her basic sound and image were interior-life bohemian, and in some ways she was cagey with her talent. She didn’t belt or improvise broadly. She picked a limited range of notes and climbed into them, applying a pinch of vibrato, letting her voice fade and crackle. These tracks clearly demonstrate her guiding desire, which was to explore the possibilities of the slow blues in the late 20th century, whatever that might mean.
Some of the most intense recordings she made were English-language covers or Japanese rewrites of American jazz standards, blues songs and spirituals, backed by only acoustic guitar and drums. She sang slowly, as if there were weights on her. And after a while of her working and your listening, you’ll hear it: the way she connects intimately with her task but keeps something private for herself’ (New York Times). - Label
Share
- Regular price
- $55.00 SGD
- Regular price
-
- Sale price
- $55.00 SGD
- Unit price
- per
About
- A TAV Essential Listening Album -
Maki Asakawa (浅川 マキ? Asakawa Maki, January 27, 1942 – January 17, 2010) was a Japanese jazz and blues singer, lyricist and composer. Born in Mikawa (now part of the city of Hakusan), Ishikawa Prefecture, after graduating high school she worked for a time as a teller in the local national pensions office before moving to Tokyo. Particularly influenced by the styles of Mahalia Jackson and Billie Holiday, she began her career singing at US Army bases and at cabarets.
Asakawa made her debut recording, "Tokyo Banka/Amen Jiro" with Victor in 1967. After appearing in a series of concerts organized by underground playwright Shuji Terayama in 1968, she signed with Toshiba, presently EMI Music Japan, and released the popular songs, 夜が明けたら (Yo ga aketara; At the Break of Dawn) and かもめ (Kamome; Gull) in 1969. Her debut album, 浅川マキの世界 (Asakawa Maki no Sekai; Maki Asakawa's World), was released in 1970. In addition to writing and composing, she also released cover versions of US traditional folk and blues, freely rendered into Japanese, such as "Asahi no ataru ie (朝日のあたる家)" (The House of the Rising Sun). - Wiki
Inspired by the records of Billie Holiday, Nina Simone and Mahalia Jackson - Japanese jazz and blues singer, lyricist and composer Maki Asakawa left her office job to pursue her passion – ultimately culminating in her become an icon for Japanese urban counterculture. She may have started singing in clubs and U.S. military bases, but by the end of her lengthy career, she had close to 30 albums to her name.
This 2015 double LP from UK-based Honest Jon’s compiles many of Asakawa’s finest works from 1969 to 1986. Ranging from the blues and R&B to psychedelia and spiritual jazz, this excellent survey of the Japanese crooner’s discography is filled with moody gems. Standouts include the taiko meets trombone sorrow of “Nemuru No Ga Kowai,” her Japanese-language rendition of Bessie Smith’s “Blue Spirit Blues,” and the sitar-driven chants of “Govinda.” — The Analog Vault
‘A good place to start… Her basic sound and image were interior-life bohemian, and in some ways she was cagey with her talent. She didn’t belt or improvise broadly. She picked a limited range of notes and climbed into them, applying a pinch of vibrato, letting her voice fade and crackle. These tracks clearly demonstrate her guiding desire, which was to explore the possibilities of the slow blues in the late 20th century, whatever that might mean.
Some of the most intense recordings she made were English-language covers or Japanese rewrites of American jazz standards, blues songs and spirituals, backed by only acoustic guitar and drums. She sang slowly, as if there were weights on her. And after a while of her working and your listening, you’ll hear it: the way she connects intimately with her task but keeps something private for herself’ (New York Times). - Label
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