ECM Records
Gary Burton – Seven Songs For Quartet And Chamber Orchestra
$39.00
ECM Records
Gary Burton – Seven Songs For Quartet And Chamber Orchestra
$39.00
Sounding as fresh today as it did in 1973, Seven Songs places the Gary Burton Quartet in an orchestral context, with compositions of Michael Gibbs – inspired by Messiaen and Charles Ives as well as Miles and Gil Evans – and exceptional soloing by Mick Goodrick, Steve Swallow and Burton himself. The production is exemplary: Seven Songs set a new standard for recordings of orchestral jazz. - Press Release
““Nocturne Vulgaire” sets the album’s plaintive tone with a groundswell of strings, into which Burton drops his mercurial sound. This delicate blend of mallets and bows continues unabated in “Arise, Her Eyes” (Steve Swallow), the only non-Gibbs number on the album. Mick Goodrick’s steady strums and Ted Seibs’s cymbal-heavy drumming make the most of the tender “Throb,” as Burton’s vibes glow like phosphorescent blood in the piece’s ambulatory body. “By Way Of A Preface” spins the album’s densest song. Its abstract beginnings carry over into a gorgeously perpetual solo from Goodrick, while Swallow makes his memorable mark in the pensive confines of “Phases.” The vast open fields that underlie “The Rain Before It Falls” give way to the chromatic wonders of “Three,” in which Burton and Goodrick’s relays emerge with all the inevitability of a final word.” - All About Jazz
Featured artists:
Gary Burton - Vibraharp
- Michael Goodrick - Guitar
- Steve Swallow - Bass
- Ted Seibs - Drums
- Members of the NDR-Symphony Orchestra, Hamburg
Item description:
|
Artist: |
|
|
Title: |
Seven Songs For Quartet And Chamber Orchestra |
|
Label: |
|
|
Format: |
Vinyl, LP, Album, Repress |
|
Pressing: |
Germany |
|
Release Date: |
This reissue: - | Original - 1974 |
|
Genre: |
Jazz |
|
Style: |
Contemporary Jazz |
|
Catalog No: |
ECM 1040 ST |
|
Condition: |
New |
Related products
-
Blue Note / Elemental Music
'Baby Face' Willette – Face To Face | 2016 Reissue
$39.00
Visit product page →“"Face to Face", recorded in 1961, was one of two sessions he did for Blue Note (the second "Stop and Listen" was reissued last year) and features Fred Jackson on tenor, the fine R+B/jazz guitar of Grant Green and drummer Ben Dixon. The 6 tunes presented are all Willette originals with the exception of "Whatever Lola Wants". The beefy tones of tenor man Jackson, another long forgotten player, are always on display and he contributes a number of sly, witty solos. Equal space is afforded to Green and his blues-rooted, single note runs mesh perfectly with those of Willette.” – All About Jazz
“Face to Face boasts a mighty meat and potatoes soul-jazz lineup: Green on guitar, Fred Jackson on tenor, and drummer Ben Dixon. Comprised of six cuts, five of them are Willette originals. The evidence of the rough and rowdy side of Willette's playing is evident from the opener, "Swinging at Sugar Ray's." His approach to the B-3 is far more percussive than Jimmy Smith's, each note is a distinct punch; not only in his solos, but in his chord and head approaches. His solo is a nasty, knotty blues sprint that encompasses gospel licks and R&B fills, too. The other notable thing about the cut is Green's guitar break that shows a side of him we seldom got to hear early on, where he's bending strings, playing in the high register, and using intense single-note runs. It's nearly a breathless way to open a record. Things slow down on the blues "Goin' Down" that features a nice emotive solo by Jackson. The mambo-infused "Whatever Lola Wants" by Richard Adler and Jerry Ross comes next and includes some beautiful stop-and-and start moves in the melody, as well as beautiful call and response between Jackson and Willette, while Dixon's drums shift around the outside before the whole thing breaks down into a groover.” – All Music
Item description:
Artist:
'Baby Face' Willette
Title:
Face To Face
Label:
Blue Note , Elemental Music
Format:
Vinyl, LP, Album, Limited Edition, Reissue, Remastered, Stereo, 180 gr
Pressing:
Europe
Release Date:
This reissue: 2016 | Original: 1961
Genre:
Jazz
Style:
Hard Bop
Catalog No:
ST-84068, ERLP 1037
Condition:
New
-
Blue Note
'Big' John Patton – 'The Way I Feel'
$39.00
Visit product page →For his third album on Blue Note, Big John Patton decided to expand his band to quintet. Retaining the services of his longtime colleagues, guitarist Grant Green and drummer Ben Dixon, he hired tenor saxophonist Fred Jackson (who also played on the previous work "Along Came John") and trumpeter Richard Williams. – All Music
Label: Blue Note – BST 84174, Elemental Music – ERLP 1040
Series: Blue Note Collection –
Format: Vinyl, LP, Album, Reissue, 180 Gram
Country: Europe
Released: 2016
Genre: Jazz
-
TAV Records
.gif - Hail Nothing
$40.00
Visit product page →.gif have earned critical comparison to the likes of Bjork, Yukimi Nagano, The xx and Portishead, but the illustrious pair have managed to retain a fresh and unique dynamic to their chimerical sound, one that proved so compelling that the pair began filling a void of their own making within the Singaporean music scene.
Following the acclaim of their past releases, .gif's sophomore LP HAIL NOTHING still showcases the haunting vocals, deft lyricism and obsidian production that has become their distinctive sound. The album is named after a line in Ernest Hemingway' s A Clean Well Lighted Place - "Hail nothing full of nothing, nothing is with thee."
The duo digs deeper on HAIL NOTHING; an ode to chaos and nothingness, a love song to the void. Expanding on their synth-driven soundscapes, haunting vocals and poignant lyrics, the album also features guests Bani Haykal and Usaama Minhas.The Analog Vault is supremely honoured to be working with .gif for their first-ever vinyl release on TAV Records.
Label: Tav Records – AV002LP
Format: Vinyl, LP
Country: Singapore
Released: 24 APR 2020
Genre: Electronic
-
Dead Oceans
A Place To Bury Strangers – Transfixiation
$39.00
Visit product page →In spite of the noisy aura it's drawn around itself, there's not much mystery to A Place To Bury Strangers. The New York band has been dishing out slight variations on the same sonic blitzkrieg since its self-titled 2007 debut; the only thing that's changed is the fine tuning. On the group's fourth album, Transfixiation, all of APTBS' trademarks are in evidence. Deadpan vocals float through apocalyptic static. The volume bleeds out. Cacophony reigns. - NPR
Label: Dead Oceans – DOC099
Format: Vinyl, LP, Album
Country: UK, Europe & US
Released: 2015
Genre: Rock
Style: Indie Rock, Noise, Shoegaze
