$39.00
In Spades is the eighth studio album by American alternative rock band The Afghan Whigs, released on May 5, 2017 on Sub Pop Records. - Wiki
“Cleromancy” isn’t a word one normally finds in rock lyrics. Then again, In Spades – the forthcoming album by The Afghan Whigs, from which the new song “Oriole” hails – is defined only by its own mystical inner logic. The term means to divine, in a supernatural manner, a prediction of destiny from the random casting of lots: the throwing of dice, picking a card from a deck. From its evocative cover art to the troubled spirits haunting its halls, In Spades casts a spell that challenges the listener to unpack its dark metaphors and spectral imagery. – Sub Pop
“As ever, Dulli spends the majority of In Spades teetering on that shaky precipice where romance turns to rancor, and pillow talk leads to restraining orders. But like a master genre filmmaker, he’s always got a couple of new tricks up his sleeves to keep us on our toes. “Birdland” honors his tradition for slow-burning, cinematicscene-setters, but rather than gently immerse us into his nocturnal netherworld, we’re pushed right in by staccato shocks of harmonium and operatic vocal gasps, like strobe-lit flickers of an image that take you a few moments to process into a fluid moving picture. “We’re coming alive in the cold,” Dulli declares, like a beast reawakened and ready to do damage once again.
In Spades clocks in at just 10 songs in 36 minutes, but feels as expansive and substantial as a double-album statement. And that’s thanks in large part to coolly paced, multi-sectional songs like “Arabian Heights” and “Light As a Feather,” where Dulli masterfully ratchets up the tension before unleashing his fevered howl at just the right moment (while reminding us that the Whigs are the rare rock band that can pull liberally from ’70s Blaxploitation funk without sounding like they’re making a jokey porno soundtrack).” – Pitchfork
Item description:
Artist: |
Afghan Whigs |
Title: |
In Spades |
Label: |
Sub Pop |
Format: |
Vinyl, LP, Album, 180 Gram |
Pressing: |
USA |
Release Date: |
05 May 2017 |
Genre: |
Rock |
Style: |
Alternative Rock |
Catalog No: |
SP1150 |
Condition: |
New |
$30.00
The magnificent ego of Father John Misty makes his music seem really important. The music is not really that important, of course, but when you hear that smooth and gentle soft-rock with his olden croon centered so perfectly on every pitch, it seems like it is, in the way that narcissists or the canon of classic rock seem important. This outsized persona bursting forth from singer-songwriter Josh Tillman is full of self-mythology descended straight from Bob Dylan, dripping with a painted-on significance: His greatest passion is his thoughts. The autofiction of his songwriting imparts its own patina of truth, something that seems unassailable if you subscribe to the man, the voice, the facial hair. He strolls through his own songs like a melancholy king finding every opportunity to catch his reflection. – Pitchfork
Label: Sub Pop – SP1245
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Format: Vinyl, LP, Album
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Country: US
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Released: 2018
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Genre: Rock
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Style: Alternative Rock, Folk Rock
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$39.00
“"Born on a Gangster Star" flirts with a pop sensibility, but through the prism of Shabazz Palaces’s fire and fury. For the Palaceer, that sense is all about how the groove is moving, and the supernatural telepathy that occurs amongst his cohort. Appearing here, in body or in spirit, are Julian Casablancas, Thundercat, Darrius Willrich, Gamble and Huff, Loud Eyes Lou, Thaddillac, Ahmir, Jon Kirby, Sunny Levine, and Blood. The story belongs to Quazarz, but the air and darkness belong to us.” – Bandcamp
Item description:
Artist: |
Shabazz Palaces |
Title: |
Quazarz: Born On A Gangster Star |
Label: |
Sub Pop |
Format: |
Vinyl, LP, Album |
Pressing: |
US |
Release Date: |
14th July 2017 |
Genre: |
Electronic, Hip Hop |
Style: |
Conscious, Experimental |
Catalog No: |
SP 1210 |
Condition: |
New |
$39.00
Ishmael Butler and Tendai “Baba” Maraire of Shabazz Palaces have always been proud iconoclasts, consistently breaking ground in spaces once thought incompatible with hip-hop. They were among the few rap acts signed to Sub Pop; they were pretty much the only rap artists to ever perform at the avant-garde Big Ears festival in Knoxville. This adventurous spirit continues down the Butler family line with Ishmael’s son Jazz, aka Lil Tracy. It seems that Jazz’s work has had a profound effect on his father’s project; in recent interviews, Butler cites his own son as an influence.
As one of the original members of the GothBoiClique, Tracy is an important figure in the development of “emo rap,” and what’s fascinating about Shabazz’s new album The Don of Diamond Dreams is the degree to which Ish seems to be learning from the new generation. Like polarizing label mates clipping., Shabazz’s brand of “alternative” hip-hop is not so much opposed to the mainstream as it is reflective of it, absorbing tangents of influence from trap, Auto-Tuned R&B, chopped and screwed, and other variants. Their lyrics are often shaped by the hip-hop hegemony too, playing off Rap Caviar tropes and taunting the Top 40 with a tongue-in-cheek braggadociousness, the kind that lets you know that Butler is still the same MC who told us he was cool like that all those years ago.– Pitchfork
Label: Sub Pop – SP 1335 |
Format: Vinyl, LP, Album |
Country: USA & Europe |
Released: 17 Apr 2020 |
Genre: Electronic, Hip Hop |
Style: Conscious, Leftfield |
$36.00
Ishmael Butler’s free-form hip-hop project continues to defy convention with a pair of companion albums that view contemporary America as though it were a strange and hostile planet. - Pitchfork
Label: Sub Pop – SP 1185 |
Format: Vinyl, LP, Album |
Country: US |
Released: 14 Jul 2017 |
Genre: Electronic, Hip Hop |
Style: Conscious, Experimental |
$30.00
A TAV Curator’s Pick.
Lese Majesty is the second studio album by American hip hop duo Shabazz Palaces, originally released in 2014 by Sub Pop. Shabazz Palaces the experimental hip-hop duo led by Ishmael Butler, aka Palaceer Lazaro (formerly Butterfly of jazz–hip hop group Digable Planets) and multi-instrumentalist Tendai "Baba" Maraire, son of Mbira master Dumisani Maraire.
“Herein bumps and soars Lese Majesty, the new sonic action of Shabazz Palaces. Honed and primal, chromed and primo. A unique and glorified offering into our ever-uniforming musical soundscape. Lese Majesty is a beatific war cry, born of a spell, acknowledging that sophistication and the instinctual are not at odds; Indeed an undoing of the lie of their disparate natures.
Lese Majesty is not a launching pad for the group’s fan base increasing propaganda. It is a series of astral suites, recorded happenings, shared. A dare to dive deep into Shabazz Palaces sounds, vibrations unfettered. A dope-hex thrown from the compartments that have artificially contained us all and hindered our sublime collusion.
These reveries were sent to Palaceer Lazaro and Fly Guy ‘Dai in the year of gun beat battles in excess; In a succession of days, whilst walking in dreams and in varied transcendental states….(every minute of every day is filled with observation and composition. In action). Songs are committed and gathered by robots at Protect and Exalt Labs, a Black Space in Seattle, Washington.
The visual features of Lese Majesty are resultant of the gleanings of fellow Constellationaire, Nep Sidhu.
The Black Constellation squads up, protects and exalts the messages within, and colludes accordingly. We thank you.” – Sub Pop
“Spectacular, way-out hip-hop. Ishmael Butler and Tendai Maraire's music seems totally without precedent, and even if sometimes it's just too weird to enjoy, more often it's genuinely thrilling. …
Lese Majesty, his second album as one half of Shabazz Palaces, has found itself lauded in some quarters as "the future of hip-hop" – not a phrase that anyone was in a rush to append to Snoop Dogg's pop-reggae inspired Reincarnated, or indeed the goings-on at Cypress Hill's Smokeout festival and Medical Marijuana Expo.
Lese Majesty's predecessor, 2011's Black Up, was an album noted for its denseness and complexity. Reviewers struggled to find anything else even on rap's outer fringes to liken it to. If you wanted a comparison from the rock world, you might suggest that Butler and Tendai "Baba" Maraire's work has a similar relationship to hip-hop as Captain Beefheart's late-60s ouevre did to the blues: it takes a heavily codified genre and warps it so dramatically that the result bears almost no resemblance to its musical roots. To extend the Beefheart metaphor further, you could claim that Lese Majesty is to Black Up what 1969's Trout Mask Replica was to its predecessors, the point where the music snips any last slender ties to commerciality and ventures out into the unknown. Breakbeats are chopped up until they frequently lurch from one deeply unfunky time signature to another. Virtually none of the tracks have anything you would describe as a standard structure.” – The Guardian
Item description:
Artist: |
|
Title: |
Lese Majesty |
Label: |
|
Format: |
Vinyl, LP, Album Vinyl, 12", Single Sided, Etched Vinyl, 7", 45 RPM |
Pressing: |
US |
Release Date: |
2014 |
Genre: |
Hip Hop, Electronica |
Style: |
Conscious, Dub, Experimental |
Catalog No: |
SP1044 |
Condition: |
New |