$39.00
Shapeshifting through his vernacular worlds of sound and imagery, Milan artist and musician STILL (Simone Trabucchi)’s practice is defined by a unique, nomadic approach.
Previously known as Dracula Lewis, a project developing his personal take on ‘folk’ music, he has accumulated a number of releases on various seminal labels, alongside running Hundebiss Records. His new moniker, STILL, follows the unearthing of the histories that connect his hometown of Vernasca to Ethiopia and Jamaica, explored under his visual arts project Invernomuto as an in-depth fieldwork lead to ‘Negus’: a series of sculptures, installations, a book, and a long-feature experimental documentary, screened at Unsound 2016.
‘Negus’ revolves around a cleansing counter-ritual performed by Lee “Scratch” Perry in the Vernasca square where 80 years earlier, an effigy of Haile Selassie I was burned. The documentary then follows a trajectory connecting Italy’s overlooked colonial past seen through personal history to a reverberation of symbols in Ethiopia and Jamaica. Within STILL, he connects these research threads, evolving their sonic and linguistic aspects further, where ‘computerized riddims’ sustain a shared gospel channelled through a polyphony of voices. - PAN
Label: Pan (3) – PAN 80 |
Format: Vinyl, LP, Album |
Country: Germany |
Released: 21 Sep 2017 |
Genre: Electronic, Reggae |
Style: Experimental, Dub, Dancehall |
$45.00
Five pieces for Computer Controlled Modular Synthesizer and Digital Signal Processing. Composed and recorded from February 2010 – April 2011 in Brooklyn, New York. ‘esstends-esstends-esstends’ is a collection of spatial compositions in which audio focal points shift between external and internal emanation sources. The intent with this work is to escape the stereo image and create an activated listening space of expanded spatialization. Using just intoned pitch combinations to produce difference tones and harmonic distortions, sound materials are created that emanate from both the playback speakers and inner ear of the listener. By engaging the listener’s sense of aural perception and sound localization in relationship to compositional structure, these pieces act to reframe the listening experience and encourage an engagement with, not only the form and aesthetic of the music, but the sonic space a recorded piece of music projects. Higher amplitude will help to reveal. - Bandcamp
Label: Pan – PAN 23, Pan (3) – PAN 23.LP |
Format: Vinyl, LP |
Country: Germany |
Released: 2012 |
Genre: Electronic |
Style: Noise, Experimental, Musique Concrète, Drone |
$45.00
Further departing from both the cinematic abstraction of ‘Piteous Gate’ and the hectic drums of ‘Damaged Merc’, Berlin producer M.E.S.H’s new full-length, ‘Hesaitix’, is marked by its hyper-ornamented rhythms and a sense of pensive, moonlit spaces.
The atmosphere has shifted; the radical deconstruction of previous releases has given way to subtler interventions, building new structures in strange territories. Shifting from the meditative to states of manic unease, Hesaitix is an unnerving injection into both the social space of club music and the interior space of digital audio fantasy. – PAN
“The images conjured are potent and surreal—two good descriptors for M.E.S.H.'s music, incidentally—and are as good as any an entry point into his rich, complex second album. Other M.E.S.H. records—including his 2015 debut LP, Piteous Gate—were narrow beam; Hesaitix is the full spectrum.” – Resident Advisor
“Hesaitix has a more refined quality to it, more confident. It creates spaces for you to exist in temporarily - or be trapped in, which is my theory. It’s like being in a warehouse rave, but in absolute darkness, with powerful flashes of sound that evoke the effect of searchlights” – The Quietus
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Title: |
Hesaitix |
Label: |
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Format: |
Vinyl, LP, Album |
Pressing: |
Europe |
Release Date: |
2017 |
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Catalog No: |
PAN 82 |
Condition: |
New |