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Pan Daijing, a Chinese artist now based in Berlin, discovered techno on her first trip to Europe, when she was 20. But unlike many who have had a similar epiphany in Berghain's dark halls, Daijing didn't suddenly dedicate herself to dance music. "It's not so much 'music,' but 'sound,'" she told RBMA last year. "Sound has always been the thing I've been the most interested in." Or maybe "noise" is a better way of putting it, as her interests in industrial and experimental music have been a major part in the intense, sexually charged performances she's become known for. All of which is to say that Daijing has taken a roundabout path to making techno, which gives her second release an interesting angle. A Satin Sight isn't light on rhythmic force, but the drums are sometimes utilized more for their sonic blasts than time keeping. "What I like about techno is the energy," Daijing said in that same interview. "Whether you're making it, playing it, listening to it or dancing to it, it's an energy exchange. – Resident Advisor