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On Tame Impala’s fourth album, Parker addresses the eternal enemy of perfectionists everywhere: time. He struggled with it himself, considering The Slow Rush arrives five years after Currents, the album that made his one-man band more famous than he could’ve imagined. Parker has toured arenas, headlined mega-festivals, worked with Travis Scott and Kanye West, more or less ditched the skinny scarves, and had the rare honor of being covered by Rihanna (and making her dance like this). He intended to release The Slow Rush just before headlining Coachella last April, but he didn’t feel like it was ready yet. You could sense that flux in the album rollout: First single “Patience” hinted at a yacht-rock direction but ultimately didn’t make the cut; second single “Borderline” was trimmed and beefed up for the LP; and the whole thing was remastered following a November 2019 listening party, where he couldn’t stop noticing things he wanted to tweak. Given time, Parker will tinker.

Clearly, all the tinkering paid off. The Slow Rush is an extraordinarily detailed opus whose influences reach into specific corners of the past six decades, from Philly soul and early prog to acid house, adult-contemporary R&B, and Late Registration. I have to marvel that all this sound and history comes from Parker alone, picking every string and twisting every knob. He’s always used strong melodies and riffs to anchor his more unconventional structures, but there seems to have been a slight shift in perspective: Working with hip-hop producers got him thinking more about samples—how they unite music of different eras and genres under one roof. - Pitchfork