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Mad About Records present the first worldwide reissue of Guilherme Coutinho E O Grupo Stalo's self-titled album, originally released in 1978. Guilherme Coutinho started playing at the age of five and, at the age of seventeen, he was already part of Os Mocorongos and Os Iguanos, both as an amateur. But he soon became a group leader, playing in several nightclubs in Belém (Pará), until he settled in the Paraense Assembly, where he lived for more than 15 years. He was a musician who played for high society, he was a businessman who had the best instruments, besides always making his own arrangement for the songs. His favorite formation was piano, bass, and drums, as well as a singer. But, for some time, he even used a recorder as playback to give greater sound texture. The first performance was at Pinheirense in Icoaraci. The 1970s were at the height of the clubs in Belém, such as the Tuna, Yacht Club, and the Paraense Assembly. At the carnival, there was Guilherme at the head of his group, with rhythmists and a brass section, playing not only the greatest hits but supporting local composers. He was the musical director of Leila Pinheiro's first professional show, at Teatro da Paz. In his career, he released three albums: Guilherme Coutinho and Curtição, Busca-se, and Guilherme Coutinho and Grupo Stalo. Guilherme's last two shows took place on Friday, August 19, 1983, at the Theatro da Paz, through the Pixinguinha Project, and at the old Gemini Blues nightclub. On the morning of Saturday, August 20, Guilherme Coutinho died of a heart attack. Guilherme Coutinho E O Grupo Stalo was released on the Erla, an obscure Brazilian label, which curiously pressed only 7" singles, but this Guilherme Coutinho album is an exception. An LP that became one of the most sought after in Brazilian music. It was generating a cult for sound innovation, a kind of lo-fi tropicalism. One of the most sought-after records in Brazil and one of country's best-kept secrets. – Forced Exposure

London, England: Early 1970's. The airwaves ruled by a mixture of Novelty Pop and Glam by day, Progressive Rock by night. Down at the Disco every night finishes with Jeff Beck's “Hi Ho Silver Lining” if you're lucky, all 11 minutes of “Freebird” if you're not.

Not the best time to release an uncompromising and highly creative foray into Latin Jazz territory. The Robin Jones Seven “El Maja” unsurprisingly falls into that limbo known as “between the cracks”.

Cue a decade later, it's the beginning of the 1980's, a tough decade with tough dancefloors. Two-tone, Punk, Funk, Northern Soul and some Heavy, Heavy Dub. And Jazz. Jazz For dancing. Jazz for cutting up your mates with your moves. Combat Jazz. One of the essential tools for any aspiring Jazz DJ was this re-discovery; a dig from the dustiest part of the basement piece of wax that's just chock full of Latin Jazz Burners!

Back in the night of the day there was only one store that had a decent supply of these must have treasures: Fusions Records run by DJ Paul Murphy. “They came into the stock room and as fast as I could put them on the shelves they were snapped up.”

With originals now going for a wallet busting $400 (and up!) Jazz Room Records are pleased to make this long lost classic available once more.

A groundbreaking album, "El Maja" was released by The Robin Jones Seven in 1972.

Robin Jones: "My early recordings all crossed the lines musically between Afro-Cuban and Afro-Brazilian music. I made two such albums that were released by Apollo Sound in the 1970s: "Denga" and "El Maja". Uptempo, four hundred feet or more on the floor stompers like “El Maja”, “Carica Papaya”and the track that Robin himself said is the first recorded Samba tune in the UK: “Batucada Da Vida” are complemented by the Afro-Boogaloo of “The Wailer”, the soulful grooves of “Chant Afrique” and a particular highlight being the funk drenched “Atlas”. - Bandcamp

1967 album from the legendary Brazilian singer, composer & producer, Marcos Valle. Arranged by Eumir Deodato. Superior high-quality audio reproduction - mastered from original tapes. - Linear Notes | Mr Bongo

"Soul Jazz Records are re-releasing Airto Moreira’s classic album ‘Samba de Flora’, out of print for 30 years ever since its original release in 1988. The album is very limited to just 1000 copies only, pressed on both vinyl and CD."

"...The impact of Airto Moreira in both the world of American jazz and in Brazilian music is unparalleled. At the start of the 1970s Airto was invited to join Miles Davis’ groundbreaking ‘electric’ group, which with albums such as the seminal ‘Bitches Brew’ helping Davis regain his title from John Coltrane as the most important jazz artist of all time." - Soul Jazz Records

Golden-era, 1977, Brazilian jazz-funk-fusion album from the legendary, Azymuth.

Lush Rhodes, soaring synths and fusion guitars from Malheiros and Bertrami combine with the inimitable drum grooves from Ivan “Mamao” Conti that create the signature Azymuth sound.

The album moves from mellow soulful moods, into screaming disco-jazz-fusion, samba funk, synth boogie and ends with a tough 160bpm Batucada workout.

This is actually the first Azymuth album that we have released on Mr Bongo, which came as a surprise to us too.

Official Mr Bongo reissue. Licensed from Warner Music. - Mr Bongo