You have probably seen their stickers lying around the store and have been wondering who See You At One (Aka SYAO) is - They are a local collective with strong ties with the music and skate culture, focusing their energy on the spirit of creation, whether be it through producing clothes, uploading videos or feeding the experiential internet source with fresh ideas. During these times, SYAO has also been supporting the local community by showcasing different creatives on their social media platforms and also releasing a monthly mix called Frequency, where they get artists, producers, and DJs to curate a musical story every month!
Here are some of the mixes we've been diggin'
In this edition of Select's, we decided to hit up the elusive people from See You At Oneto pick out 6 titles from our Online Catalog that is sure to nourish your curious palette. The picks highlight some of the forgotten gems at the vault ranging from Doom, Spiritual Jazz, New-wave Funk, and Leftfield Electronica, truly representing their musical mood as a collective. All picks here are hypnotic in some way and we suggest taking the time to zone into each album at your own pace :) Check it out!
“Don’t you want music you could just boogie to? This is it. Never found the lyrics to the songs but they sound kinda sinister despite the feel-good tunes… Also, the guys in the band were called Billy Jaguar and Gel Valiery. After Valiery died, Jaguar became a priest, making gospel music.”
“You’ll need earphones/headphones for this because if your ears like tickling, this is the trippy record for you. Each sound has so much clarity, panning in and out of your left and right speakers. Every song is a sonic version of an M.C. Escher illusion…you just don’t know where a track is headed until it springs on you! ”
“A lot of songs on the album were previously unreleased. It’s similar to the Foodman album in that it tickles your ears but has a ‘reflective’ quality to it thanks to the synths. The journal that came with the release is also worth a read, which Cowley describes as “graphic accounts of one man’s sex life”.
“The album sounds as if Voigt recorded a party his neighbors were having, and he’s doing that from his bedroom because he wasn’t invited. The reverb makes it so hypnotic that the recording sounds better than the actual party. If Wagner and Schoenberg went to the clubs in late 90s Germany, this is probably what they would come up with—and indeed some of the music samples their work.”
“It’s brooding, progressive, intoxicating drone/noise territory—and the beautiful album cover pretty much illustrates the content quite accurately. It’s like a soundtrack to a death march heading towards the peak of a mountain... appropriate given the situation of the world.”
“The way she plays the harp on this record is out of this world! Or, ahem, transcendent (you can hear her plucking the shit out of the strings at some point). It’s amazing harmonic stuff and although the arrangements aren’t as grand as it was in her previous albums it’s a solid record. When you’re in need of spiritual rejuvenation, have a listen.”
*Also please check out their latest thread offerings via their webpage! They are doing free local deliveries so don't miss out on some crisp clothing
There are many different motivations for Vinyl collectors out there from the purist who believes vinyl LPs reign above all, the librarian who loves archiving and finding the rarest, the casual who collects records every now and then or the musical conductor, aka the DJ who finds joy in presenting their valuable finds. Everything comes from the sheer love of music, and Ichiro (aka Itch) is all of the above in our opinion.
The motivation to do what they do as vinyl collectors give the musical journey a sort of focus, allowing one to learn from the chosen path. It can be broad, it can be zoned in or even both, no matter what there's always something to take away! So let's dig into the mind of collector DJ Itch and see where this mystical motivation comes from and leads to.
Hi Itch! Thank you for doing this interview, could we start off with just a little bit about yourself?
Hi Analog Vault, thank you for asking me for this interview. I’m Itch, a DJ and a vinyl collector, and have been actively collecting vinyls inspired by the passion for “local exotic funk a-go-go” music from the ’60s to early ’80s in Singapore, Nusantara, and around the region. The music genres I’ve been collecting are A-Go-Go, Hala-Hala, Melayu-Indo grooves, Chinese Disco, Pop Yeh Yeh, Asian City-pop, and so on. My DJ set specializes in Asian sound and exotic music introducing forgotten local music gems from the past to modern listeners, and brings back nostalgic vibes for old-timers. My vinyl collection journey started from early 2017 when I visit Red Point Record Warehouse to purchase some second-hand Jazz or relaxing music vinyls. But, the owner recommended me to listen to locally produced funky music, and when I listened to it first, it was quite an addictive exotic funky tune that I haven’t heard before. From that day, my digging journey of local gems has started.
* Treasure Hunting with an Itch - Photo Credit Rizman Putra
Yes! we have always noticed your great collection of rare South-east Asian titles from attending some of your gigs! Could you expand a little more about this particular interest and what is your motivation behind this research initiative?
My interest came from after knowing about a Golden Era of Music scene back in 60s/70s Singapore. For many years, I’ve been listening to many kinds of music, and always enjoyed listening to Jazz or Motown soul music in 70s, but I didn’t know much about the same era music scene in Singapore. This curiosity motivated me to start listening to those music from online or YouTube. The vinyl collection of South-East Asian vinyls started when my DJ friend from Japan, Yohei Hasegawa, introduced me to vintage record shop in Singapore, which also helped me to open my journey of digging “local exotic funk a-go-go” vinyl records!
*Recent finds of SEA titles by Itch
1. Saloma - Entah Di-Mana EP
*Recent finds of SEA titles by Itch
2. Mahani Mohd & Jopie - 1000th Ku Nantikan
With that in mind, how do you go about choosing which ones go into your record bag and which ones remain when digging for SEA titles? Is there a particular mood or sound that you usually look for?
Choosing vinyl is the most difficult part. When you start digging, I just look through the shelves randomly and check any title I’ve been searching for. If I find it, those will straight go into my record bag! If not, I sometimes ask the shop owner for any recommendation or new stock, then search from that stack. But my budget is limited on one visit, so I just select those which can be used in the DJ event. The interesting part of digging is to find the dope groove music from the cheaper second-hand records! I try not to buy the expensive one. When I go digging, I just focus on the music produced in 60s to 80s from around the region which can be used on my DJ mix. Recently, I’ve been listening to soul and funk music from Malaysia in 70s, and there many wonderful covers and original songs.
We are also curious as to how you would organize them in your own personal space. Would it be by the era, style, mood, or region?? It's always nice to have a system in place for easier navigation especially for a DJ like yourself.
Never knew that my record collection can become so big in three years, and its always problematic to organize these records in my space. Currently I organize by its region (Singapore, Malaysia, Indonesia, Japanese, others), then after that will put those in alphabetical order or its musical style. Otherwise, it’s difficult to remember where I put the vinyls. But, usually I always keep my favorite vinyls in my DJ bag, so I can listen to it anytime!
Apart from that, we also realized your love for Japanese City-pop and Funk, where you also have your very own night called “NightCap”. Could you tell us a bit about what the style means to you and maybe one of your favorite City-pop albums for a much-suggested listening.
Yes, “Nightcap”, my monthly night at White Label Records, is a good platform to introduce some of my favorite Japanese City-pop music mixed with Malay Funk or Nanyang Chinese Disco. Am happy that this monthly event turned one in February! As an Asian rare groove DJ, and as a Japanese, I wanted to share some of my Japanese rare groove music collection (Japanese Funk & Japanese city-pop). Some funk and boogie music produced in Japan have great vibes! Tatsuro Yamashita’s “Sparkle” (included in the LP album ‘For You’) and Miki Matsubara’s “Stay With Me” (EP) have been played every time at “Nightcap”, and always happy to see the audience singing together! My favorite City-pop albums will be Tatsuro Yamashita’s “SPACY”, Ruriko Ohgami’s “Typhoon Lady”, Taeko Ohnuki’s “Sunshower”, and so on…
We are always fascinated with collectors who purposefully dig for old records that are super rare to find, it's almost like a treasure hunt. Could you share a little about your focus on your musical journey recently? Is there a DJ / Collector / or ethos that you are inspired by? Maybe one or two rare records that you’ve been wanting to find as well.
Yes, digging vinyls especially the old ones are like treasure hunt! Recently, I’ve been focused on more Malay and Singapore soul and funk from 70s and 80s; Ahmad Nawab, Uji Rashid, Rahimah Rahim, Sharifah Aini, Anita Sarawak, Carefree, Flybaits, etc). Their music has wonderful soul, groove, and boogie with a bit of exoticness, and they can blend well with Japanese City-pop at my events.
I was first inspired by NADA, a sound duo comprised by Safuan Johari and Rizman Putra, who reinterpret Malaysian traditional music with modern technology. I learned a lot about 60s to 80s Malaysian music from them and inspired me to DJ. Then, I always get inspired by music selection by my favourite DJs, Iramamama, Vinylheavy, Tiko Disko, Yuichi Kishino, Hibiki Tokiwa, Yohei Hasegawa, etc.. Their music help expand my music knowledge about Asian music!
To end it off, We would like to say that you are one of the rare music lovers out there with such a sincere and genuine approach. Each record probably brings its own memories and experience back to you. Could you maybe tell us what do these records mean to you at the end of the day and how does it gel into your everyday life?
From these vintage records, each record has its own music culture history and these music brings back the vibes from those era into our daily life. Besides the music, the design or fashion from those era can be seen from the vinyl record, which is interesting part of the vinyl digging experience! Singapore has developed and changed very fast, but through the vinyl record I still can see how Singapore was before. Each vinyl has its own history and story.
A mix by DJ Itch for our Mix series - Providing an all Vinyl mix, picking flavours from the South-East Asian Region, songs and melodies that are nostalgic to all of us here.
- The End -
Thank you Itch for taking your time off and shining some light onto some of these musical gems. By doing this interview it has inspired us to always keep the musical search going! So much to learn from the past and so much to look forward to at the same time. Hopefully through reading this, it will inspire you to go on your own musical search and continue to keep your curious nature alive. Keep the fire burning :)
You can find out more about DJ Itch aka Ichiro via the mediums below! Please also check out his weekly mix that he has been doing during the Circuit Break era called "Stay Home Singapura". We Highly recommend to put them on for some time travels and spot on vibes.
As part of Memphis record label Stax Records, massive 60th anniversary reissue campaign they have reissued the soundtrack to blaxploitation film Sweet Sweetback's Baadasssss Song.
Written, produced, directed and even starring Melvin Van Peebles himself in 1971. The film's soundtrack featured a then unknown Earth, Wind and Fire who had worked alongside Van Peebles to compose the soundtrack together. The soundtrack had also foreshadowed the use of sampling in hip hop through alternating hymn-based vocalization and jazz rhythms.
The film was ahead of its time in that Van Peebles had considered the soundtrack as an integral part of the film as quoted, "Most filmmakers look at a feature in terms of image and story or vice versa. Effects and music [...] are strictly secondary considerations. Very few look at film with sound considered as a creative third dimension. So I calculate the scenario in such a way that sound can be used as an integral part of the film."
El Michels Affair will be paying tribute to the Wu-Tang Clan once more with the follow up to their underground cult classic Enter The 37th Chamber. Recorded completely analog, Return To The 37th Chamberwill cover more Wu classics reinterpreted for the live band.
They'll be taking on classic tracks like '4th Chamber' and 'Wu-Tang Aint Nuthin to Fuck Wit', even deeper cuts like Ol Dirty Bastard’s 'Snakes', Raekwon’s 'Verbal Intercourse', and 'Shaolin Brew', from Wu-Tang's 1994 St. Ide’s Hip Hop endorsement campaign.
Several Big Crown labelmates will be featured such as Lee Fields providing vocals on 'Snakes' and Shannon Wise of The Shacks for their version of 'Tearz'. Also making an appearance on their cover of the Method Man joint 'All I Need' is Lady Wray. Original interludes will be interspersed throughout the record to tie the album together giving it a proper cinematic narrative as all El Michels Affair records do.
The vinyl edition of the album will feature 4 different hand painted covers. Originally painted on two sewn together flour sacks in Accra, Ghana by two of Ghanaian Mobile Cinema scene's legendary artists and regular contributors to the Deadly Prey Gallery in Chicago, Heavy J and Stoger.
The album will drop on 14th April. Check out 'Verbal Intercourse' off the album below.
Mayer Hawthorne and Jake One's brand of infectious boogie and G-funk inspired music will be back with the release of their sophomore album, Tuxedo II. With the debut of their lead single '2nd Time Around' off their latest album on the Jimmy Kimmel Show, the duo have announced the album will be available on 24th March via Stones Throw Records.
Hustle! Reggae Disco which was originally released in 2002 will be back in print with an expanded edition featuring five additional tracks across 3LPs. It features reggae versions of original funk and soul classics in a disco style and went on to be one of their best selling compilations, not to mention it was also featured heavily in early Grand Theft Auto games.
Some of its highlights include reggae disco covers of seminal classics by Anita Ward (‘Ring My Bell’), Chaka Khan (‘I’m Every Woman’), Michael Jackson ‘Don’t Stop ‘til You Get Enough,’ Sugarhill Gang (‘Rappers Delight’).
Release date is set for 3rd March.
Check out Xanudu and Sweet Lady's cover of Sugarhill Gang's 'Rappers Delight' off the album below.
01. Blood Sisters – Ring My Bell 02. Derrick Laro and Trinity – Don’t Stop Til You Get Enough 03. Chariot Riders – Do It Nice & Easy 04. Black Harmony – Don’t Let It Go To Your Head 05. Latisha – I’m Every Woman 06. Ernest Ranglin – In The Rain 07. Family Choice – Reggae Beat Goes On 08. Risco Connection – Ain’t No Stopping Us Now 09. Xanadu and Sweet Lady – Rappers Delight 10. Sharon Forrester – Love Don’t Live Here Any More 11. Carol Cool – Upside Down 12. One Blood – Be Thankful For What You’ve Got 13. Charmaine Burnett – Am I The Same Girl
Just announced is Thundercat's third album titled Drunk to be released through Flying Lotus' Brianfeeder label. This release follows 2015's The Beyond / Where The Giants Roam and will be released on CD, digital and a 4xLP deluxe vinyl box set.
The 23-track album features the grammy winning singer/bassist's friends Kendrick Lamar, Pharrell, Wiz Khalifa, Kamasi Washington and of course Flying Lotus. His first single Show You The Way also features yacht rock favorites Kenny Loggins and Michael McDonald.
The vinyl box set comprises of four red LPs housed in psychedelic artwork inner sleeves. Set to be released on 10th March, while digital/CD release will be on 24th February.
Check out the first single Show You The Way below.
Through Tidal Waves Music Funkadelic's live performance at Meadowbrook, Rochester, Michigan in 1971 will be released for the first ever on wax. This is the band's only official in-concert recording which features a star studded line up of George Clinton, Fuzzy Haskins, Calvin Simon, Grady Thomas, Ray Davis, Tyrone Lampkin, Eddie Hazel, Billy Bass Nelson, Bernie Worrell & former Isaac Hayes sideman Harold Beane.
Consisting of clear recordings taken from the soundboard master tapes, described as ‘Jimi Hendrix, James Brown & Sun Ra making a love-child live on stage’. The package will be on double LP, with an OBI strip limited to 1,000 copies.
Funkadelic's long out of print compilation album, Finest, will also be reissued. It comprises of 16 carefully selected tracks spanning from a six-year period between 1970 - 1976. Several often overlooked tracks will be featured alongside the band's more well known standards such as “Hit It and Quit It,” “You and Your Folks, Me and My Folks,” and “Cosmic Slop”. Pressed from the original analogue master tapes onto double vinyl.
Both releases are scheduled to drop on the 6th of January. Listen to both albums below.