The 16th entry to our mix series is brought to you by Isa Ong, the man behind the stunning Claude Glass debut on Syndicate late last year - Isekai. His contributions to local music have reached far and wide via his long running, deep involvement in bands likeAmateur Takes Control, sub:shaman and Pleasantry. In this mixtape, Claude Glass takes us through an intense 45 minutes of pure rage rave, throwing conventions out the window and screaming straight into your soul. You aren't doing this right if you're not squirming inside. Scroll down for the interview.
Thanks for doing this for us! Big honour. You said this was your first mixtape - how'd you go about approaching this?
Thanks for having me! I had so much fun putting this together, especially since it was my first ever mixtape. It was a pretty daunting task too (even though it’s only 45 minutes).
I suppose I approached it to similar to how I’d usually go about planning a live set for one of my bands – it’s always been a mixture of sustaining the audience’s attention, creating a narrative through the tracklist, and having enough peaks and troughs for listeners to cling on to. Since I’m not a DJ, this was pretty much the only exercise I could tap into as far as creating a mixtape.
For this one in particular, all I knew was that I wanted it to sound bold, powerful and had some very in-your-face moments. I’ve come to realize that I’ve always gravitated towards percussion-heavy tracks and rhythmic/groove-oriented ones – even across indie pop, experimental rock and pop. I wanted to present a set of tracks that I felt married that rhythmic-centric approach with a manic, crazed and almost absurd edge to it.
It was really different for me, actually. It definitely felt easier doing up a track-by-track playlist like the one I did for SGCR, as I didn’t have to worry as much about the literal transitions between songs.
This is of course coming from a non-DJ haha, so I’m going to sound noob, but I found myself thinking a lot more about the elements that comprised the intro and outro of songs, as it really allowed me to create some contrast between songs, as far as transitions go. I think that contrast helps create drama and/or tension (hopefully). Similar to songwriting and arranging, to me, it’s always about how sections work relative to each other, and that I suppose, creates flow and prevents monotony.
Overall this feels like an even deeper dive into the world of Isekai - there's that feeling of being helplessly thrust into situations beyond your control that sticks out to us. It tells a pretty intense story - could you speak a little about the narrative you chose to go with here?
Thanks for giving the EP a listen! Really appreciate that! You’re absolutely right about how its connection to Isekai - I had a similar feeling putting this together too, although I would’ve loved throwing in some older schmaltzy jazz vocal tracks, but they were just too difficult for me to include in the mix.
I’d say the mix’s (and Isekai’s) narrative relates quite closely to what I had mentioned before about contrast and tension. I just wanted to create something that felt manic and unpredictable yet beautiful all at the same time. I think it’s about capturing that feeling of being taken on a ride, with all its twists and turns, and how there’s a certain joy in embracing that ride for all that it is.
The ebb and flow of the whole mix is erratic, but also relentlessly strong and steady at the same time. How'd you go about making your selections and how did you decide where they'd live in the mix?
I tried my best to select tracks that were hard-hitting, bold and had a lot of interesting sections to them. Most of the tracks also felt more like songs to me in terms of its arrangement, structure and instrumentation, rather than stuff tailored for the dance floor. I suppose it’s just something I tend to gravitate towards, being more a songwriter myself, and largely because I know nothing about the purist’s side of house, techno or drum and bass and I really won’t pretend to.
Each track’s position in the mix essentially boiled down to its overall feel, and how their intros and outros felt like to me. Just as an example, in order to make things feel more interesting (at least to me), I paired up drum outros with vocal intros, and that seemed to create more colour and texture in the transition.
I’d say I only knew what the start and end tracks were, and everything else in between was determined by its overall feel, and how successful I could be at crafting their transitions. I knew I wanted to start strong from the get go, just to give a taste of how the rest of the mixtape would sound, and I knew I didn’t want the entire mix to be completely electronic either, so Machine Girl seemed perfect. And I for some reason wanted to end the mix with a drum and bass thing, so that happened too. I did use certain tracks from Ian Chang and Dos Monos purely for how stark they’d sound beside other tracks. Just for a little colour and fun in between.
Any closing words?
It was really fun putting it together! I’d definitely love to learn some other ways of doing this rather than that caveman Ableton Live method I showed you haha.
Tracklist: • (0:00 - 2:44) Machine Girl - This Is Your Face on Dogs • (2:44 - 4:36) Show Me the Body, Moor Mother - Everything Hate (here) • (4:36 - 7:48) Zach Hill - The Primitives Talk • (7:48 - 10:23) Jigga - Nitya • (10:23 - 14:12) 33EMYBW - Adam Bank • (14:12 - 18:06) Ecko Bazz - Nightmare song • (18:06 - 20:30) Arca - Rip the Slit • (20:30 - 22:37) Giant Swan - 55 Year Old Daughter • (22:37 - 23:35) Ian Chang - Swarm • (23:35 - 25:58) Lightning Bolt - The Metal East • (25:58 - 28:18) Dos Monos - Mammoth vs. Dos Monos • (28:18 - 31:42) Jockstrap - Robert • (31:42 - 34:59) Loraine James, Le3 bLACK - London Ting // Dark As Fuck • (34:59 - 37:17) Amnesia Scanner - AS Chaos (feat. Pan Daijing) • (37:17 - 39:54) Deli Girls, Leech - loaded gun • (39:54 - 41:48) Hudson Mohawke - Spruce Illest
It's hard to know where to begin with 2020 - with all the anxieties and uncertainty that came with the pandemic. With that also allowed a much-needed pause to all the human activity, that for a long time felt like a loop, numbing our sensitivity to the precious gift of life.
Thankfully, music has helped us to communicate those intricate emotions, connect us to each other, bring about pathways of different perspectives and allow a certain ease to life. We could not ask for more to have the opportunity to spend 2020 in a record store, listening to all the amazing artists both past and present. Thank you for the gift of love! Here's a list, in no particular order, of some of our favourite releases this year - both in terms of reissues and new music.
“It’s not the notes you play, it’s those you leave out,” - Thelonious Monk
The legendary jazz pianist’s 1968 concert at Palo Alto High School, recorded by a janitor and shelved for decades, captures some of the fiercest, most spirited versions of his quartet’s core repertoire. There were no plans to preserve the one-off concert, but a school janitor asked if he could record the set if he were to tune the piano (New York Times 17/9/20). Luckily for us, this special moment was allowed to be captured and 52 years later, Impluse! Records along with Legacy Recordings decided to release this gem for our ears. In true Monk style, hearing this record in 2020 still exhibits his spirit of creativity and shows us what "style" really means. Unique and inspiring! P.S. - Big up to the Janitor, whose name can't be found.
This is a no brainer for us! Many have came through the vault looking for this throughout the year from different age groups - seeing their faces light up upon checkout brings a smile to us. It's truly a special LP for all music lovers dedicated from the one and only Nujabes.
This 2005 LP is still regarded as one of his finest albums, and it was the last studio album the prolific producer completed before his untimely passing in 2010. Here it gets the reissue treatment, appearing on vinyl for the first time, thanks to the Hydeout Production crew. Modal Soul presents a heartfelt spin on that jazzy hip hop sound back in the early 2000s - classic warm sounds of vintage samplers, perfectly curated loops, along with soul touching melodies that flow throughout the whole LP seamlessly. Featuring some notable collaborations with both rappers and singers such as Terry Callier and Apani B, a must listen if you have not heard it! In our opinion, a timeless LP.
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Black Jazz Records | Real Gone Music Reissues
Real Gone Music reissued some rare and extremely hard-to-find titles from the Black Jazz Catalog this year! The legendary Black Jazz Records was founded in 1969 in Oakland, California fronted by Gene Russell and Dick Schory. Home for many emerging African-American artists ranging from all sorts of styles such as Soul-Jazz, Free Jazz and spiritual Jazz. These reissues sounded mint to us and do justice to the complex sonic qualities presented by Black Jazz Records.
The legacy continues to live on with a new generation of listeners discovering its catalogue through prominent samples in Hip-Hop. Hints of Soul-Jazz , Free-Jazz, Funk and sprinkles of the spiritual can be found in most of the artists on their roster, truly makes for a special listen throughout. A must check out for all Jazz lovers!
Piano man Walter Bishop Jr here with the strong follow up to Gene Russel's first outing on Black Jazz! A full album of original pieces recorded in 1971 that showed Black Jazz's commitment and quality as a label. Uplifting soul-jazz at its finest.
"Think Herbie Hancock's '60s Blue Note recordings gently polished with a soul jazz sheen; this is some tasty stuff that's been hard to find for way too long." - Real Gone Music
Hear, Sense and Feel lands right in that sweet spot between free jazz, afrocentric explorations of the Art Ensemble of Chicago and rhythm-rooted soul jazz. A wonderful excursion you'll be very glad you plunged into!
Grooves for days here on this great jazz-funk collection, compiled by soul, funk and rare groove specialistsDJ Yoshizawa Dynamite and DJ Chintam. Guiding you through some of the best and rarest jazz funk and rare groove tunes produced in Japan between 1968 and 1980, needless to say this compilation is noteworthy and deserving of a place on your shelf! Shoutout to Zujago for the excellent in-depth feature about this compilation!
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Blue Note Tone Poet Series
The excellent sounding Blue Note Tone Poet Series was born out of Blue Note President Don Was’ admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Mastered from the original tapes by Kevin Gray (Cohearent Audio) and vinyl is manufactured at Record Technology Incorporated (RTI). An amazing series - pressing is done with plenty of TLC and it really shines when you place your needle on each record. Definitely a winner for 2020!
Recorded in 1963 - The Kicker was actually the first album by vibraphonist Bobby Hutcherson but for some reason lost to time it was shelved. It was later then released in 1999 on CD and lucky for us, through the tone poet series, the music is revived on vinyl! A sequel to guitarist Grant Green’s masterpiece Idle Moments, The Kicker features the same all-star line up with saxophonist Joe Henderson, pianist Duke Pearson, Green on guitar, Bob Cranshaw on bass and Al Harewood on drums. Phenomenal album and an essential one for any serious Blue Note fan!
An underrated from the guitarist's remarkable catalogue on Blue Note! Recorded in 1962, first released in 1980 and now available to us in true quality, this top-shelf band puts the blue in blue note! Sonny Clark on piano, Sam Jones on bass, and, in one of his only appearances with Green, Art Blakey on drums - going straight in from the very start and riding it smooth and tight all the way through. Absolute perfection!
This year, we were also finally blessed with an official and excellent sounding reissue of the final, and most contemporary sounding album from the legendary Hokkaido pianist behind Scenery and Mellow Dream. Ryo Fukui's A Letter From Slowboat was lovingly remastered at half speed and put out to the world by We Release Jazz.
"This album was recorded on January 25th and 26th 2015 at Sapporo jazz club Slowboat, a venue founded by Ryo Fukui in 1995 where he played countless times. It is a magnificent and very personal contemporary jazz offering, fluid, skillful, and full of breathtaking solos. 100% love! With Takumi Awaya (bass) and Ittetsu Takemura (drums)." - We Release Jazz
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Verve / Acoustic Sounds Reissues
"Verve's answer to the Tone Poets" sees classics from the catalogue being given the audiophile grade treatment they deserve in 2020! Utilising the skills of the top mastering engineers and the unsurpassed production craft of Quality Record Pressings, all titles will be mastered from the original analog tapes, pressed on 180-gram vinyl and packaged by Stoughton Printing Co. in high-quality tip-on gatefold jackets. Definitely a series to watch out in 2021 and a blessing for all Jazz Lovers in 2020!
Here we have John Coltrane's most culturally significant albums, A Love Supreme for the spiritual wanderers and Ballads for the romantics. Without a doubt, one of the most prolific figures in Jazz next to Miles Davis, Coltrane's influence continues to be heard in today's music and beyond. If you've held off from getting a copy of these absolute essentials for whatever reason, 2020 just gave you a very good reason to give in!
Classic 1959 Nina Simone here in audiophile quality! Both albums here are 100% certified timeless, covering such important issues like race and equality, and remain as vital and relevant as ever years later.
John Scofield's outing for ECM Records this year almost didn't get its fair rotation at the vault this year, but thanks to a friend at the vault, we had a listening session and boy were we glad we did! Absolutely classy and non intrusive, yet full of spirit and intricacies from the guitarist and backing trio. The whole LP was recorded in just one day, celebrating the music of friend and mentor Steve Swallow.
Yanti Bersaudara, aka the Yanti sisters here with their spiritual and magical album from 1971! Released by a dedicated label La Munai Records, also responsible for the reissue of Harry Rosli's Titik Api. Perfect for getting in touch with the strong Sundanese cultural heritage we have here in our region. The sisters were from Bandung (West Java) and were known for their beautiful voices and unique harmonies. A highly mesmerising and slightly psychedelic listen that only gets better as you go deeper into the album.
Blending numerous styles from her youth, Nubya Garcia takes us on a journey here with her 2020 release on concord jazz. Garcia has truly earned her place in UK jazz with this one. The mood on 'Together Is A Beautiful Place To Be' exemplifies what Source is really about - "being okay with reaching out to people and supporting one another." A much needed notion for getting through this year!
We got introduced to this album late in 2020 and we got to say that artwork is as striking as it gets, a head-turner for sure! The music doesn’t disappoint either and makes for a great listen throughout. Devin Brahja Waldam - Saxophonist, drummer, Composer / Artist out of New York City. Here he leads the ensemble BRAHJA, where they have been playing in one form on another since 2008. The group currently consists of 10 musicians coming out of Montreal, NYC, Chicago and Washington DC.
Overall the whole LP has an addictive quality to it, a cross between Kamasi Washington, Joe Henderson and a sprinkle of Pharoah Sander's spirit. The melodies draw you in like a crafty snake charmer, addressing both the dark moments and the brighter side of things. Thank you to RR Gems, a label from Estonia pushing experimental sounds for releasing such a gem! Perfect LP to sum up 2020 - Highly recommended!
Psychedelic / Synth-wave/ Video-game music inspired outfit from Taipei! Here on their full-length debut Mystery - brothers Hom Yu and Jiun Chi put together seven tracks of celestial sounding psychedelia that fits perfectly into the catalogue of one of our current favourite labels - Gurugurubrain.
Largely based around samples, synths and a steady grooved out bass-line, Mystery is definitely worth a listen from start to end, with each listening session bringing about a special insight into the mystery world they have created.
Meitei closes his trilogy of lost Japanese moods with his transportive form of ambient music, taking you through a journey of delicately crafted moods and emotions. Once again, Meitei continues his focus on a Japan that has Long ceased to be. Fractured Piano chords, nostalgic vocal chants and processed rhythmic patterns, Kofū is a special listen from start to end and a lovely conclusion to his trilogy.
Released by one of our favourite labels @kitchen_label - LP sounds amazing and the packaging & design is immaculate, complete with a 16 page insert!
Definitely fans of the artists we have released on our sidecar label here, so here's Hail Nothing! The anticipated 2nd album by @dotgifdotgifis also the 2nd release on TAV Records, and their love song to the void couldn't have come at a more fitting time.
Released right around circuit breaker, it's a literal ode to chaos and nothingness, and boy was it felt. A truly refined sound by the duo, working with Jason Tan on production to lay down a solid foundation for Weish’s haunting vocals and poignant lyrics. Lovely artwork by @marcgabrielloh perfectly capturing the mood of the LP.
Spirits almost didn't make it to TAV before 2020 came to a close - delays due to the lockdowns put pressing plant Dublin Vinylin a real pickle. But boy did they deliver despite this! Excellent quality once again, we couldn't have asked for more. Perfect way to close out 2020 on TAV Records here, with Intriguantdishing out his 3rd album for our label's 3rd offering!
Driven by 90s breakbeats, shaped 808s, imagined club sounds and bass-heavy Burial-like textures, Spirits is aimed both at late-night vanguards and personal home listening rooms.
To celebrate the arrival of the LP, he's recorded a mix that's perfect for your NYE house party with your 8 socially distanced friends or loved ones. Put it on and turn it up! Check it out here.
A breath of fresh air from one of our favourite bands in Singapore! HUTM has played for a fair few of our events now, from The Analog Assembly, to OutIn and our Anniversary Livestream on SGCR most recently. This EP was a lovely little surprise from the group this year, pressed on 7’’ at 33rpm. A bit more of a lighter mood in the instrumentation on this one, while lyrically retaining the signature HUTM wistfulness as they touch on themes like loss and resignation. Hard times for the time being only!
Through our many musical interactions at the vault, George has personally taught us to seek the meditative qualities in all sorts of music through our short but sweet listening sessions together. His release on Ujikaji this year is definitely fiercely experimental, and also begs the question; what's behind the smokescreen? Read more in our interview with George here.
Another experimental one that got our interest, this time from the jazz world! A bridge between generations of the Chicago vanguard, currently playing in Makaya Mcraven’s combo and in the Art Ensemble of Chicago, Junius Paul pushes forward as a creative Musician, carrying with him the spirit and knowledge he’s gathered from those who came before him. The freedom expressed on Ism perfectly captures Paul’s artistic roots, while also nodding to his collective & current experience. A must listen for fans of the Chicago jazz scene!
The debut album from Avishai Cohen’s exuberant band Big Vicious! A wonderful record to listen to on a cloudy, drippy day like this. Textures from electronica, ambient and psychedelia are part of the blend, with grooves and beats from rock, pop, trip hop and more. The group’s jazz beginnings root the entire record, making for a wonderful stylistic excursion.
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Thanks for checking out our top 20! If you'd like to peep at more of what we like, follow along on our instagrampage where we post store updates, new arrivals and snippets of what's playing in store. Big thank you to everyone who has supported our shop and kept us going during this crazy year. Have a happy new year, and see you back here when the earth completes this rotation!
Just wanted to express a big thank you to everyone who tuned in to our anniversary livestream, came by the store over the past 2 weekends, all the artists who took their time off to spend it with us, crew from BCUBE and team from SGCR for making this all happen. Thank you!!!
Big love to our partners Singapore Community Radio for the awesome editorials and solid partnership putting the event together. Shoutout to BCUBE as well, the unofficial champion of the local scene here amplifying voices and instruments for years. Thank you for making the livestream possible!
Congrats to all the winners as well and to everyone who participated in the giveaways, and welcome to all the new members! We hope to continue to provide a place for everyone to discover music as we continue to learn more with you. 💃💃
Both parts of the stream are archived on Singapore Community Radio's YouTube channel.
Relive the streams here:
Part 1 ft. MZA, RAH and Darren Dubwise
Part 2 ft. Hanging Up The Moon, Intriguant and .gif
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In case you missed them, we've linked the excellent editorials on Singapore Community Radio's newly launched website here. Have a look!
1. A rare interview with store owner Sharon on the Outs and Ins of TAV through our five years and beyond!
The legendary jazz pianist’s 1968 concert at Palo Alto High School, recorded by a janitor and shelved for decades, captures some of the fiercest, most spirited versions of his quartet’s core repertoire. There were no plans to preserve the one-off concert, but a school janitor asked if he could record the set if he were to tune the piano (New York Times 17/9/20). Luckily for us, this special moment was allowed to be captured and 52 years later, Impluse! Records along with Legacy Recordings decided to release this gem for our ears. In true Monk style, hearing this record in 2020 still exhibits his spirit of creativity and shows us what "style" really means. Unique and inspiring! P.S. - Big up to the Janitor, whose name can't be found.
