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TAV's Top 20 of 2020!

TAV's Top 20 of 2020!

It's hard to know where to begin with 2020 - with all the anxieties and uncertainty that came with the pandemic. With that also allowed a much-needed pause to all the human activity, that for a long time felt like a loop, numbing our sensitivity to the precious gift of life.

Thankfully, music has helped us to communicate those intricate emotions, connect us to each other, bring about pathways of different perspectives and allow a certain ease to life. We could not ask for more to have the opportunity to spend 2020 in a record store, listening to all the amazing artists both past and present. Thank you for the gift of love! Here's a list, in no particular order, of some of our favourite releases this year - both in terms of reissues and new music.

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Thelonious Monk - Palo Alto | Impulse!

“It’s not the notes you play, it’s those you leave out,” - Thelonious Monk

The legendary jazz pianist’s 1968 concert at Palo Alto High School, recorded by a janitor and shelved for decades, captures some of the fiercest, most spirited versions of his quartet’s core repertoire. There were no plans to preserve the one-off concert, but a school janitor asked if he could record the set if he were to tune the piano (New York Times 17/9/20). Luckily for us, this special moment was allowed to be captured and 52 years later, Impluse! Records along with Legacy Recordings decided to release this gem for our ears. In true Monk style, hearing this record in 2020 still exhibits his spirit of creativity and shows us what "style" really means. Unique and inspiring! P.S. - Big up to the Janitor, whose name can't be found.

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Nujabes - Modal Soul | Hydeout Productions

This is a no brainer for us! Many have came through the vault looking for this throughout the year from different age groups - seeing their faces light up upon checkout brings a smile to us. It's truly a special LP for all music lovers dedicated from the one and only Nujabes.

This 2005 LP is still regarded as one of his finest albums, and it was the last studio album the prolific producer completed before his untimely passing in 2010. Here it gets the reissue treatment, appearing on vinyl for the first time, thanks to the Hydeout Production crew. Modal Soul presents a heartfelt spin on that jazzy hip hop sound back in the early 2000s - classic warm sounds of vintage samplers, perfectly curated loops, along with soul touching melodies that flow throughout the whole LP seamlessly. Featuring some notable collaborations  with both rappers and singers such as Terry Callier and Apani B, a must listen if you have not heard it! In our opinion, a timeless LP. 

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Black Jazz Records | Real Gone Music Reissues

Real Gone Music reissued some rare and extremely hard-to-find titles from the Black Jazz Catalog this year! The legendary Black Jazz Records was founded in 1969 in Oakland, California fronted by Gene Russell and Dick Schory. Home for many emerging African-American artists ranging from all sorts of styles such as Soul-Jazz, Free Jazz and spiritual Jazz. These reissues sounded mint to us and do justice to the complex sonic qualities presented by Black Jazz Records.

The legacy continues to live on with a new generation of listeners discovering its catalogue through prominent samples in Hip-Hop. Hints of Soul-Jazz , Free-Jazz, Funk and sprinkles of the spiritual can be found in most of the artists on their roster, truly makes for a special listen throughout. A must check out for all Jazz lovers!

Walter Bishop Jr. – Coral Keys

Piano man Walter Bishop Jr here with the strong follow up to Gene Russel's first outing on Black Jazz! A full album of original pieces recorded in 1971 that showed Black Jazz's commitment and quality as a label. Uplifting soul-jazz at its finest.

"Think Herbie Hancock's '60s Blue Note recordings gently polished with a soul jazz sheen; this is some tasty stuff that's been hard to find for way too long."
- Real Gone Music

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The Awakening - Hear, Sense and Feel

 

Hear, Sense and Feel lands right in that sweet spot between free jazz, afrocentric explorations of the Art Ensemble of Chicago and rhythm-rooted soul jazz. A wonderful excursion you'll be very glad you plunged into! 

 
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VA - Wamono A – Z Vol. 1

Grooves for days here on this great jazz-funk collection, compiled by soul, funk and rare groove specialists DJ Yoshizawa Dynamite and DJ Chintam. Guiding you through some of the best and rarest jazz funk and rare groove tunes produced in Japan between 1968 and 1980, needless to say this compilation is noteworthy and deserving of a place on your shelf! Shoutout to Zujago for the excellent in-depth feature about this compilation! 

 

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Blue Note Tone Poet Series



The excellent sounding Blue Note Tone Poet Series was born out of Blue Note President Don Was’ admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Mastered from the original tapes by Kevin Gray (Cohearent Audio) and vinyl is manufactured at Record Technology Incorporated (RTI). An amazing series - pressing is done with plenty of TLC and it really shines when you place your needle on each record. Definitely a winner for 2020! 


Bobby Hutcherson – The Kicker 



Recorded in 1963 - The Kicker was actually the first album by vibraphonist Bobby Hutcherson but for some reason lost to time it was shelved. It was later then released in 1999 on CD and lucky for us, through the tone poet series, the music is revived on vinyl! A sequel to guitarist Grant Green’s masterpiece Idle Moments, The Kicker features the same all-star line up with saxophonist Joe Henderson, pianist Duke Pearson, Green on guitar, Bob Cranshaw on bass and Al Harewood on drums. Phenomenal album and an essential one for any serious Blue Note fan!



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Grant Green – Nigeria

 

An underrated from the guitarist's remarkable catalogue on Blue Note! Recorded in 1962, first released in 1980 and now available to us in true quality, this top-shelf band puts the blue in blue note! Sonny Clark on piano, Sam Jones on bass, and, in one of his only appearances with Green, Art Blakey on drums - going straight in from the very start and riding it smooth and tight all the way through. Absolute perfection!


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Ryo Fukui – A Letter From Slowboat | We Release Jazz



This year, we were also finally blessed with an official and excellent sounding reissue of the final, and most contemporary sounding album from the legendary Hokkaido pianist behind Scenery and Mellow Dream. Ryo Fukui's A Letter From Slowboat was lovingly remastered at half speed and put out to the world by We Release Jazz.

"This album was recorded on January 25th and 26th 2015 at Sapporo jazz club Slowboat, a venue founded by Ryo Fukui in 1995 where he played countless times. It is a magnificent and very personal contemporary jazz offering, fluid, skillful, and full of breathtaking solos. 100% love! With Takumi Awaya (bass) and Ittetsu Takemura (drums)." - We Release Jazz

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Verve / Acoustic Sounds Reissues



"Verve's answer to the Tone Poets" sees classics from the catalogue being given the audiophile grade treatment they deserve in 2020! Utilising the skills of the top mastering engineers and the unsurpassed production craft of Quality Record Pressings, all titles will be mastered from the original analog tapes, pressed on 180-gram vinyl and packaged by Stoughton Printing Co. in high-quality tip-on gatefold jackets. Definitely a series to watch out in 2021 and a blessing for all Jazz Lovers in 2020! 


John Coltrane –  A Love Supreme / Ballads



Here we have John Coltrane's most culturally significant albums, A Love Supreme for the spiritual wanderers and Ballads for the romantics. Without a doubt, one of the most prolific figures in Jazz next to Miles Davis, Coltrane's influence continues to be heard in today's music and beyond. If you've held off from getting a copy of these absolute essentials for whatever reason, 2020 just gave you a very good reason to give in!  

 

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Nina Simone – Pastel Blues / I Put A Spell On You 

Classic 1959 Nina Simone here in audiophile quality! Both albums here are 100% certified timeless, covering such important issues like race and equality, and remain as vital and relevant as ever years later.




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John Scofield - Swallow Tales | ECM Records

John Scofield's outing for ECM Records this year almost didn't get its fair rotation at the vault this year, but thanks to a friend at the vault, we had a listening session and boy were we glad we did! Absolutely classy and non intrusive, yet full of spirit and intricacies from the guitarist and backing trio. The whole LP was recorded in just one day, celebrating the music of friend and mentor Steve Swallow.

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Yanti Bersaudara – ST | La Munai Records

 

Yanti Bersaudara, aka the Yanti sisters here with their spiritual and magical album from 1971! Released by a dedicated label La Munai Records, also responsible for the reissue of Harry Rosli's Titik Api. Perfect for getting in touch with the strong Sundanese cultural heritage we have here in our region. The sisters were from Bandung (West Java) and were known for their beautiful voices and unique harmonies. A highly mesmerising and slightly psychedelic listen that only gets better as you go deeper into the album. 

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Nubya Garcia – Source

 

Blending numerous styles from her youth, Nubya Garcia takes us on a journey here with her 2020 release on concord jazz. Garcia has truly earned her place in UK jazz with this one. The mood on 'Together Is A Beautiful Place To Be' exemplifies what Source is really about - "being okay with reaching out to people and supporting one another." A much needed notion for getting through this year!



 

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Brahja – Brahja | RR GEMS



We got introduced to this album late in 2020 and we got to say that artwork is as striking as it gets, a head-turner for sure! The music doesn’t disappoint either and makes for a great listen throughout. Devin Brahja Waldam - Saxophonist, drummer, Composer / Artist out of New York City. Here he leads the ensemble BRAHJA, where they have been playing in one form on another since 2008. The group currently consists of 10 musicians coming out of Montreal, NYC, Chicago and Washington DC.

Overall the whole LP has an addictive quality to it, a cross between Kamasi Washington, Joe Henderson and a sprinkle of Pharoah Sander's spirit. The melodies draw you in like a crafty snake charmer, addressing both the dark moments and the brighter side of things. Thank you to RR Gems
, a label from Estonia pushing experimental sounds for releasing such a gem! Perfect LP to sum up 2020 - Highly recommended!



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Mong Tong – Mystery | Guruguru Brain

 

Psychedelic / Synth-wave/ Video-game music inspired outfit from Taipei! Here on their full-length debut Mystery - brothers Hom Yu and Jiun Chi put together seven tracks of celestial sounding psychedelia that fits perfectly into the catalogue of one of our current favourite labels - Gurugurubrain.

Largely based around samples, synths and a steady grooved out bass-line, Mystery is definitely worth a listen from start to end, with each listening session bringing about a special insight into the mystery world they have created.



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Meitei – Kofu | Kitchen Label

Meitei closes his trilogy of lost Japanese moods with his transportive form of ambient music, taking you through a journey of delicately crafted moods and emotions. Once again, Meitei continues his focus on a Japan that has Long ceased to be. Fractured Piano chords, nostalgic vocal chants and processed rhythmic patterns, Kofū is a special listen from start to end and a lovely conclusion to his trilogy.

Released by one of our favourite labels 
@kitchen_label - LP sounds amazing and the packaging & design is immaculate, complete with a 16 page insert! 

 

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.gif – Hail Nothing | TAV Records

Definitely fans of the artists we have released on our sidecar label here, so here's Hail Nothing! The anticipated 2nd album by @dotgifdotgif is also the 2nd release on TAV Records, and their love song to the void couldn't have come at a more fitting time.

Released right around circuit breaker, it's a literal ode to chaos and nothingness, and boy was it felt. A truly refined sound by the duo, working with Jason Tan on production to lay down a solid foundation for Weish’s haunting vocals and poignant lyrics. L
ovely artwork by @marcgabrielloh perfectly capturing the mood of the LP.

 

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Intriguant – Spirits | TAV Records


 
Spirits almost didn't make it to TAV before 2020 came to a close - delays due to the lockdowns put pressing plant Dublin Vinyl in a real pickle. But boy did they deliver despite this! Excellent quality once again, we couldn't have asked for more. Perfect way to close out 2020 on TAV Records here, with Intriguant dishing out his 3rd album for our label's 3rd offering!

Driven by 90s breakbeats, shaped 808s, imagined club sounds and bass-heavy Burial-like textures, Spirits is aimed both at late-night vanguards and personal home listening rooms. 

To celebrate the arrival of the LP, he's recorded a mix that's perfect for your NYE house party with your 8 socially distanced friends or loved ones. Put it on and turn it up! Check it out here.


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(Very) Honourable Mentions:

Narrowing down our top picks is always a challenge here at the vault, so here's some more favourite records were played here repeatedly: 

Hanging Up The Moon - For The Time Being



A breath of fresh air from one of our favourite bands in Singapore! HUTM has played for a fair few of our events now, from The Analog Assembly, to OutIn and our Anniversary Livestream on SGCR most recently. This EP was a lovely little surprise from the group this year, pressed on 7’’ at 33rpm. A bit more of a lighter mood in the instrumentation on this one, while lyrically retaining the signature HUTM wistfulness as they touch on themes like loss and resignation. Hard times for the time being only!

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George Chua - Smokescreen | Ujikaji



Through our many musical interactions at the vault, George has personally taught us to seek the meditative qualities in all sorts of music through our short but sweet listening sessions together. His release on Ujikaji this year is definitely fiercely experimental, and also begs the question; what's behind the smokescreen? Read more in our interview with George here. 



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Junius Paul - Ism | International Anthem



Another experimental one that got our interest, this time from the jazz world! A bridge between generations of the Chicago vanguard, currently playing in Makaya Mcraven’s combo and in the Art Ensemble of Chicago, Junius Paul pushes forward as a creative Musician, carrying with him the spirit and knowledge he’s gathered from those who came before him. The freedom expressed on Ism perfectly captures Paul’s artistic roots, while also nodding to his collective & current experience. A must listen for fans of the Chicago jazz scene!

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Avishai Cohen - Big Vicious | ECM Records

The debut album from Avishai Cohen’s exuberant band Big Vicious! A wonderful record to listen to on a cloudy, drippy day like this. Textures from electronica, ambient and psychedelia are part of the blend, with grooves and beats from rock, pop, trip hop and more. The group’s jazz beginnings root the entire record, making for a wonderful stylistic excursion.



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Thanks for checking out our top 20! If you'd like to peep at more of what we like, follow along on our instagram page where we post store updates, new arrivals and snippets of what's playing in store. Big thank you to everyone who has supported our shop and kept us going during this crazy year. Have a happy new year, and see you back here when the earth completes this rotation! 

George Chua on the makings of Smokescreen - "peace in the midst of the maelstrom"

George Chua on the makings of Smokescreen -

George makes his special come back on modular synth inspired by the writings of Paul Virilio, the figure of Liu Bai Yuan in Wuxia films along with the global information war we are experiencing.

Through our many musical interactions at the vault, he has personally taught us to seek the meditative qualities in all sorts of music through our short but sweet listen-ing sessions together. Luckily for us, we now have the opportunity to go deeper with George and pick at his approach - a detached, but informed practice with the foreign but familiar.

George Chua - Smokescreen | Ujikaji Records

1. Hi George! To begin, we just wanted to say congrats on the imminent release of Smokescreen! Could you start off with a little about yourself and your musical pilgrimage?

Hi TAV! Kind of hard to talk about oneself. Maybe this works: 2020 is the year that our national paper deems art as least essential but it is also the year I am coming back to be more active in making art. Both music and other forms. I am currently working on a project dealing with the body and I am going to dance a culture-less dance.

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2. We are always really happy to catch you visiting the vault, especially listening to music together! Have record stores been an important place for your musical search? Could you recall a memorable experience or a particular album that was formative for you?

Record stores were a big part of my formative years. DADA Records and BigO magazines (when it was still Xeroxed) were like open portals to other worlds during my teenage years.

Dada Records

Picture - Straits Time Article  (December 21st, 2015 ) 

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3. With that said, how do you take inspiration from the music you have grown to love and at the same time shape your own? We read that for Smokescreen you worked with a modular synth — could you elaborate more on the choice of instrument and your relationship to it?

I don’t think about inspiration much. I just pursue my obsession without waiting for anyone to give me permission. Being a full-time artist for nine years before my long break, I've learned the only way to be patient is not to wait for inspiration.

I started using modular synths because there are sonic experiments that I would like to conduct that only a customized modular system can satisfy. I was also sick of using the computer.

My relationship with my modular synth this season is one of detachment. Having worked with it for countless hours. I want to look at it with new eyes every time I use it. I no longer fiddle with it but look at it like a foreign object that I am very familiar with.

George Chua Live Performance | Quiet Hours | Evening Chants Dec' 2019

Photo was taken from Evening Chant's Facebook Page
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4. We are also curious to know how you approach electronic music with a sense of improvisation, especially when working with a particular instrument. Do you work with loops? How do you know when a particular track is ready?

The tyranny of function is what plagues the majority of electronic music that claims to be forward-thinking. It is ultimately very rule base in how the music progresses and breakdown. As DJ tools to serve a particular purpose and created to please. I am a fan of techno music and have great respect for that sort of tradition. (yes I think it has become traditional though I enjoy it.) But as an artist, I question that in my music.

If you meant sampled loops, there are none. There are sequences that loop itself in a wobbly way though. My recent music is usually never ready. It almost feels like the listener starts listening in halfway through a conversation that ends abruptly. I think the sentiments that complete the album is enough rather than ready. It is in a state of uncertainty and never ready. It is the electronic device that has no more energy in the Eveready battery ad, yet continues to fight on with a mysterious surge of energy.

Photo Taken from George Chua's Discogs Page

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5. Since working on a modular, we would assume that you cannot save presets and every moment would always be slightly different. How then would you approach a recording session?

The difference is what I am interested in and being a kind of rhythm (very broken) music, it is the slightly different that makes it human. Nature never creates perfect straight lines and I like to inject that into cold machine music.

Also, this album has a No Wave sensibility inform by my love for the kind of structure and rhythm of No Wave music particularly the band DNA. (Their drummer Ikue Mori has released lots of underrated solo albums with drum machines. Go check it out!) What goes into the recording session is a lot of gut feel and intuition. Mix with calculated patching of the modular system.

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6. With this being your first set of original music in more than a decade, what propelled you to put out Smokescreen now?

Time and chance happens to all. I felt like I have been making lots of music all these while. Every concert I play it's a new piece of music I don’t revisit again. With the instigation of Ujikaji, there was mention of making an album in 2017 that lead to a performance at Arts Science Museum and the creation of this album which was completed in 2018. I am as surprised that this music is going to be released this year when Ujikaji contacted me that they are releasing it this year.

ArtScience Late: Ujikaji Presents George Chua & Wu Jun Han | 2017

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7. We read that the album was inspired by the writings of Paul Virilio, could you enlighten us a little about his work and how you apply concepts of non-music to sound.

It may take pages to talk about his work but suffice to say that his writings create a kind of framework to understand the times we live in, so this is like an imagined soundtrack among countless possible imagined ones.

Paul Virilio

Photo was taken from Thought Leader | Mail & Guardian

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8. After listening to your first single “Neo Punggol”, we can’t help but envision motifs of dystopia and chaos. What’s the significance of Punggol to you and why focus on that in this track?

The dystopia vibe could be a result of the very fun video by Avis. Both dystopia and utopia live on the same plane like pleasure and pain. I hope to transcend that. Punggol is a place my father used to work at decades ago when it was still rural and rustic. My childhood memory of Punggol is very different. Today it has a Truman show vibe to it. While the music feels chaotic because of the abrupt shift in the rhythm yet if you focus on a still point in the music, you can find peace in the midst of the maelstrom.

George Chua - Neo Punggol

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9. We can also hear small little vocal snippets behind “Neo Punggol”, could you explain how you go about choosing samples or recording them for Smokescreen if any? How do you interplay it with your sound and know when to bring things in and out.

My choice of samples is intuitive in nature. I have a module in my system that works like a radio with samples inside. Like a radio you can tune in to the various “stations” and samples will start from a midpoint as in a song that is playing on the radio that you tuned into. So what you heard that sound like an intentional choice on my part is a mix of intuitive modulating and patching with serendipity.

In this album, the rhythms I use are not just musical but what I imagine the rhythm of a fight is like. It is the movement of warfare and physical combat. When the face is within range, it time to punch and there is no time to think.

Everything is mix live, the only post-production is the editing of the length and mastering.

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10. Smokescreen is getting released by Ujikaji, who has been pushing experimental sounds in Singapore for a long time now. What has your relationship with the label been like?

Mark from Ujikaji is a wonderfully passionate music fan, archivist, and friend. Also, I am a regular customer of his mail order service and have played in many Ujikaji concert events. It’s been lots of great fun being part of what the label is doing all these years

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11. Could you name some of your personal favorites from the Ujikaji catalog?

I enjoy all the releases and many are by fellow musicians who make really interesting music. These two are the ones I played the most on my turntable : 

The Observatory remix album (interesting takes on Obs music) and Spectral Arrows by Marco Fusinato.

The Observatory - Behind These Eyes: The Catacombs Remixes

Marco Fusinato - Spectral Arrows

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12. Lastly, what would you like to impart to listeners when they dig into Smokescreen?

I have no message and nothing, in particular, to impart except an impenetrable question for the world we live in, shrouded with secrecy and a lack of transparency. What is behind the Smokescreen?

Smokescreen is out on 16th September 2020 

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