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George Chua on the makings of Smokescreen - "peace in the midst of the maelstrom"

George Chua on the makings of Smokescreen -

George makes his special come back on modular synth inspired by the writings of Paul Virilio, the figure of Liu Bai Yuan in Wuxia films along with the global information war we are experiencing.

Through our many musical interactions at the vault, he has personally taught us to seek the meditative qualities in all sorts of music through our short but sweet listen-ing sessions together. Luckily for us, we now have the opportunity to go deeper with George and pick at his approach - a detached, but informed practice with the foreign but familiar.

George Chua - Smokescreen | Ujikaji Records

1. Hi George! To begin, we just wanted to say congrats on the imminent release of Smokescreen! Could you start off with a little about yourself and your musical pilgrimage?

Hi TAV! Kind of hard to talk about oneself. Maybe this works: 2020 is the year that our national paper deems art as least essential but it is also the year I am coming back to be more active in making art. Both music and other forms. I am currently working on a project dealing with the body and I am going to dance a culture-less dance.

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2. We are always really happy to catch you visiting the vault, especially listening to music together! Have record stores been an important place for your musical search? Could you recall a memorable experience or a particular album that was formative for you?

Record stores were a big part of my formative years. DADA Records and BigO magazines (when it was still Xeroxed) were like open portals to other worlds during my teenage years.

Dada Records

Picture - Straits Time Article  (December 21st, 2015 ) 

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3. With that said, how do you take inspiration from the music you have grown to love and at the same time shape your own? We read that for Smokescreen you worked with a modular synth — could you elaborate more on the choice of instrument and your relationship to it?

I don’t think about inspiration much. I just pursue my obsession without waiting for anyone to give me permission. Being a full-time artist for nine years before my long break, I've learned the only way to be patient is not to wait for inspiration.

I started using modular synths because there are sonic experiments that I would like to conduct that only a customized modular system can satisfy. I was also sick of using the computer.

My relationship with my modular synth this season is one of detachment. Having worked with it for countless hours. I want to look at it with new eyes every time I use it. I no longer fiddle with it but look at it like a foreign object that I am very familiar with.

George Chua Live Performance | Quiet Hours | Evening Chants Dec' 2019

Photo was taken from Evening Chant's Facebook Page
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4. We are also curious to know how you approach electronic music with a sense of improvisation, especially when working with a particular instrument. Do you work with loops? How do you know when a particular track is ready?

The tyranny of function is what plagues the majority of electronic music that claims to be forward-thinking. It is ultimately very rule base in how the music progresses and breakdown. As DJ tools to serve a particular purpose and created to please. I am a fan of techno music and have great respect for that sort of tradition. (yes I think it has become traditional though I enjoy it.) But as an artist, I question that in my music.

If you meant sampled loops, there are none. There are sequences that loop itself in a wobbly way though. My recent music is usually never ready. It almost feels like the listener starts listening in halfway through a conversation that ends abruptly. I think the sentiments that complete the album is enough rather than ready. It is in a state of uncertainty and never ready. It is the electronic device that has no more energy in the Eveready battery ad, yet continues to fight on with a mysterious surge of energy.

Photo Taken from George Chua's Discogs Page

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5. Since working on a modular, we would assume that you cannot save presets and every moment would always be slightly different. How then would you approach a recording session?

The difference is what I am interested in and being a kind of rhythm (very broken) music, it is the slightly different that makes it human. Nature never creates perfect straight lines and I like to inject that into cold machine music.

Also, this album has a No Wave sensibility inform by my love for the kind of structure and rhythm of No Wave music particularly the band DNA. (Their drummer Ikue Mori has released lots of underrated solo albums with drum machines. Go check it out!) What goes into the recording session is a lot of gut feel and intuition. Mix with calculated patching of the modular system.

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6. With this being your first set of original music in more than a decade, what propelled you to put out Smokescreen now?

Time and chance happens to all. I felt like I have been making lots of music all these while. Every concert I play it's a new piece of music I don’t revisit again. With the instigation of Ujikaji, there was mention of making an album in 2017 that lead to a performance at Arts Science Museum and the creation of this album which was completed in 2018. I am as surprised that this music is going to be released this year when Ujikaji contacted me that they are releasing it this year.

ArtScience Late: Ujikaji Presents George Chua & Wu Jun Han | 2017

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7. We read that the album was inspired by the writings of Paul Virilio, could you enlighten us a little about his work and how you apply concepts of non-music to sound.

It may take pages to talk about his work but suffice to say that his writings create a kind of framework to understand the times we live in, so this is like an imagined soundtrack among countless possible imagined ones.

Paul Virilio

Photo was taken from Thought Leader | Mail & Guardian

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8. After listening to your first single “Neo Punggol”, we can’t help but envision motifs of dystopia and chaos. What’s the significance of Punggol to you and why focus on that in this track?

The dystopia vibe could be a result of the very fun video by Avis. Both dystopia and utopia live on the same plane like pleasure and pain. I hope to transcend that. Punggol is a place my father used to work at decades ago when it was still rural and rustic. My childhood memory of Punggol is very different. Today it has a Truman show vibe to it. While the music feels chaotic because of the abrupt shift in the rhythm yet if you focus on a still point in the music, you can find peace in the midst of the maelstrom.

George Chua - Neo Punggol

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9. We can also hear small little vocal snippets behind “Neo Punggol”, could you explain how you go about choosing samples or recording them for Smokescreen if any? How do you interplay it with your sound and know when to bring things in and out.

My choice of samples is intuitive in nature. I have a module in my system that works like a radio with samples inside. Like a radio you can tune in to the various “stations” and samples will start from a midpoint as in a song that is playing on the radio that you tuned into. So what you heard that sound like an intentional choice on my part is a mix of intuitive modulating and patching with serendipity.

In this album, the rhythms I use are not just musical but what I imagine the rhythm of a fight is like. It is the movement of warfare and physical combat. When the face is within range, it time to punch and there is no time to think.

Everything is mix live, the only post-production is the editing of the length and mastering.

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10. Smokescreen is getting released by Ujikaji, who has been pushing experimental sounds in Singapore for a long time now. What has your relationship with the label been like?

Mark from Ujikaji is a wonderfully passionate music fan, archivist, and friend. Also, I am a regular customer of his mail order service and have played in many Ujikaji concert events. It’s been lots of great fun being part of what the label is doing all these years

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11. Could you name some of your personal favorites from the Ujikaji catalog?

I enjoy all the releases and many are by fellow musicians who make really interesting music. These two are the ones I played the most on my turntable : 

The Observatory remix album (interesting takes on Obs music) and Spectral Arrows by Marco Fusinato.

The Observatory - Behind These Eyes: The Catacombs Remixes

Marco Fusinato - Spectral Arrows

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12. Lastly, what would you like to impart to listeners when they dig into Smokescreen?

I have no message and nothing, in particular, to impart except an impenetrable question for the world we live in, shrouded with secrecy and a lack of transparency. What is behind the Smokescreen?

Smokescreen is out on 16th September 2020 

- The End -

Anablog Roundup - July 2020 Round 1

Anablog Roundup - July 2020 Round 1

This coming week is going to fly by faster than the entirety of Circuit Breaker — we are, after all, knee-deep in the General Elections and we’re only days away from voting.

I’m not going to be parroting voting issues here — that’s not what you’re here for — but the information overload is certainly an effect of this pivotal period, and there’s nothing better than stepping away from your laptop and diving into your record collection for a good minute.

This week, Nick and Leon have rounded up crates of records that shine in jazz excellence, unsurprisingly, and there’s a healthy mix of current releases and reissues to dig into to get the blood flowing (if you’re not already watching Hammer Time wink wink).

Let’s get it.

Sachiko Kanenobu – Misora | Light In The Attic

The resurgence of Sachiko Kanenobu is one of the more heartening consequences of our YouTube crate-digger age — unearthed obscure treasures, forgotten over the decades, uploaded for online consumption. Cue “where has this music been all my life” comments from gobsmacked YouTube users.

The Japanese musician released Misora in 1972, amidst a wave of poetic singer-songwriters discovering their voice in a post-war society rebuilding itself (the compilation Even A Tree Can Shed Tears is the perfect gateway into that scene). Misora remained her only full-length effort, recorded with the creative assistance of peers Haruomi Hosono and Eiichi Ohtaki, but it had only flourished in appreciation within secretive circles of music nerds outside of Japan. While it has been reissued in limited quantities over the years, it’s gotten its proper due with Light in the Attic.

Now that Kanenobu has enjoyed a renewed path in her career, performing select shows around the world and attaining a young, newer audience, now’s a good a time as any to delve into the earthy magic of Misora, a gentle and sweeping album so captivating at any time of day. This LITA reissue comes prepared with an extensive interview with her. 

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Shirley Scott – One For Me | Arc Records

 

Jazz organ is remarkably enjoyable, but with its historic association with the marketable genre tag known as “easy listening”, it’s also a bit of a challenge to find the musicians who creatively pushed jazz forward with the instrument. We already covered the inimitable Dr. Lonnie Smith in the previous roundup, but Gilles Peterson’s Arc Records has made the search much easier with this new reissue.

A labor of love from “Queen of the organ” Shirley Scott, a prolific and highly versatile jazz musician and composer, One For Me glides along smoothly — even as the performances recorded herein come across less like rehearsed parts and more like collaborative explorations. Scott uses the organ and mellotron with a deft textural touch, allowing saxophonist Harold Vick to occupy the space with terrific immediacy. This is undoubtedly Scott’s album, with maximized creative control on a recording fully self-funded, after years of working on projects subjugated by stuffy (and sexist) record executives. Let her words speak for themselves:

“All of the music recorded in this album is both personal and very purposeful to me because it is the first step toward honesty about what and how I want to play. I’ve done a lot of other albums, a lot of different ways for a lot of different people and now, with the help of the Creator, in whom all things are possible, I have done one for me too.”

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Sault – 5 / 7 | Forever Living Originals

Sault remains a mystery — all we know about them is they reside in the UK and are led by artist Dean “Inflo” Josiah — but when the music’s this gripping, the allure is merely a bonus.

5 and 7 are two albums the group dropped in succession last year, a collection of immensely spirited funk tunes that feel transported straight out of the 1970s, with an urgency that’s eternally relevant. The group’s newest album, Untitled (Black Is), was only just released and it’s an essential listen for these times.

While that title might take a while to be issued on wax, 5 and 7 are albums you should immerse yourself with while there’s still time — they’re only going to get bigger, so now’s the perfect chance to get a headstart.

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Kaytranada – Bubba | RCA

No other album quite personified the freewheeling energy of 2016 (well most of it) like 99.9%, the infectious debut of producer Kaytranada. The only producer bold enough then to harness the power of Craig David, Anderson .Paak and BADBADNOTGOOD on a Gal Costa-sampling dance album — seriously, what a visionary — this album still slaps, but Bubba arrives in 2020 a different beast.

The focus remains on the dancefloor, but the techniques Kaytranada employs are different. Gone are the days of being a solitary producer hunched over his laptop — Bubba is a piece of work birthed from a fully-fledged studio, and the tracks are the result of extensive in-person collaborations (the list includes Kali Uchis, Masego, Mick Jenkins, Charlotte Day Wilson, amongst others).

It’s a dense R&B and afrobeat-inflected album to groove to, and it works equally as an enveloping listening experience and a perfect mood-setter for any ordinary work task.

 

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Jeff Parker – Suit For Max Brown | Intl Anthem

While International Anthem hosts a vast array of exciting young artists, many of whom reside in Chicago, a name like Jeff Parker sticks out not just for his veteran status but for his immense contribution to the city’s flourishing underground music scene.

A member of pivotal post-rock group Tortoise, Parker has also contributed to the experimental sounds of Chicago — notably with label Thrill Jockey Records — and with his new home, he’s advanced his own musical language. It doesn’t get any better than Suite for Max Brown, where he effortlessly bridges the sounds of older jazz and funk with avant-garde digital techniques he’s amassed over his career. The final product is a constant conversation between what he dubs as “man vs machine”, with live improvisations backed by intuitive drum loops.

For an album personally dedicated to his mother, it’s expectedly tender and heartfelt, and unexpectedly short: the 39 minutes will be over before you know it. Buy it on vinyl and cherish every minute it’s on your turntable.

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Ed Longo & Applied Arts Ensemble – The Other Fantasy | Early Sounds Recordings

The mention of the musicians involved might suggest a heady or complex experience listening to The Other Fantasy, but that is far from the real thing.

A recent phenomenon that you can find online are musicians inspired by Weather Channel music — essentially, the smoothest jazz music you can conjure, inflected by celestial synths, and a pressing need to relax. It’s corporate mood music of the highest order, and this space is explored by a collective of seasoned jazz musicians in The Other Fantasy.

There’s lots of slap bass and flute magic to dig into here — but the centrepiece on this EP is ‘A Palm in the Closet’, which dares you to manifest the island breeze in your bedroom, even if it faces a multi-storey carpark.

 

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The Koreatown Oddity – A Beat At The Table | Strictly Cassette

Yes, you’re not seeing things — that album title looks familiar, but it’s not the only thing this project shares with A Seat at the Table, the 2016 opus by Solange.

The Koreatown Oddity is an MC, producer, and a familiar face in the indie rap scene of Los Angeles. He’s notably made contact with the larger hip-hop community on his latest effort Little Dominiques Nosebleed, a raw and focused documentation on life in his neighborhood. 

This little curio, however, was initially issued on cassette to small and captive fanfare in 2018. It’s a distillation of the impact Solange’s masterwork had on him — reworking snippets of the album into a brisk 19-minute beat tape. Now pressed on fancy coke bottle clear vinyl, The Koreatown Oddity unearths new magic from an album already teeming with boundless depths.

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Angel Bat Dawid – The Oracle | Intl Anthem

We treat the experience of listening to music as something restorative, but Angel Bat Dawid believes it’s even greater. “The Egyptians used the power of sound to move objects. I believe that sound technology can move things. Sound is more powerful than we can imagine,” she speaks in a conversation with writer Emma Warren you must read.

It’s hard not to get engulfed by the world she meticulously crafts here, and the effect of listening to The Oracle feels like intruding into a spiritually-powered improvised jam session. The disbelief will set in once you read that Bat Dawid recorded every instrument on this album, save for a drum track on ‘Cape Town’. Bat Dawid masterfully uses catharsis as a foundation, and The Oracle ends up an intense and unfettered meditation on Black identity.

International Anthem’s discography is an extraordinary deep dive into modern jazz and improvised music — The Analog Vault’s got a few others stocked too — and the heights The Oracle achieves tower like a cathedral all on their own. Do not miss!!

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THE END

Anablog Roundup - June 2020

Anablog Roundup - June 2020

The good people at The Analog Vault — the breezy selectors with the most immaculate tastes in town, Leon and Nick — have already got you covered over social media with their new arrivals.

Every few weeks, there’s always a new shipment of wax goodies to be discovered, and it’s no surprise that the choices cover so many bases that sorting through them all might be a tad overwhelming for some of you.

With this assumption, this is where I’ll be coming in, shining a light on just a handful of the stellar picks that the TAV team has brought in. If your post-CB budget is tight — whose isn’t, really? — this is exactly the place to be. (plus the store’s extended their 15% discount if that helps)

Ghostpoet – I Grow Tired But Dare Not Fall Asleep | Play It Again Sam

It only feels like yesterday when a certain 27-year-old who went by the enigmatic name of Ghostpoet shook the UK with Peanut Butter Blues & Melancholy, an unwieldy title for an album brimming with brisk and captivating wordplay, courtesy of Ghostpoet’s spoken word-style delivery.

Even till today, Ghostpoet refuses to go by genre — he once defiantly called it a “marketing tool”, and frankly he’s got a point there — but he’s been steadfast in waxing lyrical about despair and malaise in everyday life that rarely feels tiring.

While his early work is rooted in a charming late-night combination of fluctuating hi-hats and aquatic synths, with a persistent low-end punctuating each line of wisdom, his latest album I Grow Tired But Dare Not Fall Asleep is driven entirely by the analog, with angular post-punk guitar work that has added a new dimension to his body of work.

Recommended if you like: King Krule, later-day Nick Cave and the Bad Seeds, Sleaford Mods, Radiohead (especially if you love In Rainbows)

Altin Gun – Gece

A country with a rich and deep trove of psych-rock treasures like Turkey has got record collectors and musicians worldwide entranced. Altin Gun has taken their niche interest into overdrive. They’re a beacon for a new breed of Anatolian rock, where dusty psych-rock collides with traditional Turkish folk music (if you want to dig further, archival label Finders Keepers is a good start to explore some of the genre’s high points).

Based in the Netherlands, Altin Gun places the spotlight back on Turkey’s folk songbook, with expressive new arrangements of songs frequently overlooked outside of the country’s borders. Gece is their second album, and the band draws upon an even more expansive palette of sounds: the percussive magic of ‘Leyla’ resembles most closely to the hypnotic grit that first inspired the band, but album closer ‘Süpürgesi Yoncadan’ is a propulsive and playful synth-pop ditty.

The only thing that unites these disparate sounds are their burning compatibility for the dance floor — while you’re still stuck in your bedroom, you might as well fashion one just for this album anyway.

RIYL: Selda, King Gizzard and the Lizard Wizard, Goat, Kikagaku Moyo

Greentea Peng – Rising | Different Recordings

 

Nope, it’s not Ice Green Tea (this joke must be tired by now so allow us to make it for the very last time, we promise), but Greentea Peng’s status has been brewing in the British R&B underground for a while now.

Since 2019, the name has been synonymous with a moody, playlist-friendly form of the genre, one that’s been given a robust platform through video series Colors (Greentea Peng’s appearance has raked over 5 million views alone).

Listening to the aptly-named Rising, it’s really not hard to see why: Greentea is remarkably skillful in allowing her voice to drift cooly overproduction that never overpowers her. Even as countless R&B singers attempt to project a detached presence to their work, Greentea never falters in making her intimate words sound impassioned. This long-awaited pressing on translucent green vinyl has only been out for a few months, but it’s unlikely to last on the shelves for long.

RIYL: ELIZA, Raveena, Kali Uchis, Jorja Smith

 

Against All Logic – illusions of Shameless Abundance / Alucianao

It’s no surprise that with 2017-2019 (also available in-store), Against All Logic has excelled once again. Beginning as an outlet for Nicolas Jaar’s scattered rhythmic blueprints, inspired by the bygone days of Chicago house and disco, the project is now an engaging facet of his ever-growing discography.

But unlike the nostalgic sounds of his first album, the AAL of 2020 is a much tougher beast, and this 12” single is the perfect launchpad into his harsh vision of the dancefloor. Featuring two original tracks, not included in the 3LP album, Jaar flexes his array of distorted, militant synth pads with the help of music iconoclasts Lydia Lunch and FKA Twigs, along with mysterious contributor Estado Unido.

Pressed on a generous 45rpm spread, this single alone will give your speakers a proper workout.

RIYL: Helena Hauff, Tzusing, VTSS, Skee Mask

Masumi Hara – 4 X A Dream | Numero Group

Over the past three years alone, independent labels all over the world have been generous in excavating master tapes of old Japanese albums for new reissues that rival $100+ original pressings.

This ongoing campaign has only revealed a sliver of the creative spark that thrived in the country from the 1970s to the present. The genre of “city pop” alone, first discovered by YouTube sleuths and vaporwave producers, has engaged an entirely new (and wholly international) generation of listeners, which we’ll get to in a bit. Meanwhile, artists instilling their own revolutionary takes on jazz, ambient, folk and new wave have been dutifully celebrated, but an artist like Masumi Hara stands as a unique example crossing these already-malleable boundaries.

4 X A Dream is a heady combination of chunky dub basslines, icy synths, ghostly tribal percussions and a commanding performance by the multi-media artist. It’s unlike anything you’ve heard, really, but Hara manages to be playful enough for these songs to be enchanting upon first listen. This masterfully-crafted reissue by Numero Group is the perfect gateway into his work.

RIYL: Yasuaki Shimizu, Nightclubbing-era Grace Jones, Yellow Magic Orchestra, Talking Heads. 

 

Coastlines – Coastlines | Flower Records

With the tumultuous events of now, it’s imperative to plug out once in a while for your mental health. You’ll need a proper soundtrack for these fleeting periods, and it has arrived in this intoxicating 2LP package.

A collaboration between two esteemed Japanese musicians, producer Masanori Ikeda and keyboard player Takumi Kaneko, this self-titled effort is immediately evocative of 80s jazz-fusion — behaving like a distant counterpart of the breezy Pacific — but with a pronounced sensibility for modern house and Balearic sounds, complete with steel pans and lightweight piano chords. Simply put, if Pacific was made for fancy yachts, Coastlines is primed for the beach clubs.

This is an album best experienced cranked up with the window open and a tropical cocktail on hand. Trust us when we say this album has the power to gently nudge off the weight of the world, even if it’s just for an hour.

RIYL: Seaside Lovers, Hiroshi Sato, Azymuth, the albums Pacific and The Aegean Sea.

 

VA – Pacific Breeze 2 | Light In The Attic

Japan going three-for-three on this list, unsurprisingly. And it is with Light In The Attic, whose ongoing Japan Archival Series have led the way in unearthing Japan’s heritage of eclectic and groundbreaking music.

The first Pacific Breeze compilation compiled treasures across the city pop spectrum — from infectious boogie tunes to offbeat studio experiments — and Pacific Breeze 2 is evidence that one release was simply not enough to capture its range. True enough, this edition tells a story of its own, beginning with artists like Bread & Butter and Eiichi Ohtaki — both rooted in the summery folk-pop sounds of the Laurel Canyon — who helped lay the foundations for the nebulous genre.

Across the board, there’s plenty to dig into. While city pop favorites like Anri, Kikuchi Momoko, Piper, and Junko Ohashi are present, the tracklist offer delights from Sadistics (who emerged from the ashes of Sadistic Mika Band, one of the country’s biggest glam rock outfits) and Mystery Kindaichi Band (a terrific one-off disco/funk project with little in the way of backstory), amongst other iconoclasts.

RIYL: If the first Pacific Breeze was your thing, this is simply unmissable.

 

Moses Sumney – Grae | Jagjaguwar

 

A distinct and unwavering vision is the calling card for Moses Sumney, whose debut Aromanticism found an immediate audience in 2017.

Grae is something else, a two-part project of unfiltered ambition — the old saying goes that artists have their entire lives to prepare for their first album, and 2-3 years for their second. Sumney evidently made every waking minute of those years count to pour his heart and soul into this. The list of collaborators is breathtaking too: James Blake, Jill Scott, Daniel Lopatin, Shabaka Hutchings, Thundercat, Nubya Garcia, FKJ, Xiu Xiu’s Jamie Stewart — and that’s barely covering the whole lot of talent here.

The album is full of broad strokes of musical delights, with a distinct art rock sound that shapeshifts with inflections of strings, flutes, synths, and even organs. If you caught Sumney at Laneway 2018 and saw a glimpse of his potential, trust us when we say it’s beautifully realized here.

RIYL: Sufjan Stevens, Janelle Monae, Solange, James Blake

- The End -

Selects' Series - See You At One

Selects' Series - See You At One

You have probably seen their stickers lying around the store and have been wondering who See You At One (Aka SYAO) is - They are a local collective with strong ties with the music and skate culture, focusing their energy on the spirit of creation, whether be it through producing clothes, uploading videos or feeding the experiential internet source with fresh ideas. During these times, SYAO has also been supporting the local community by showcasing different creatives on their social media platforms and also releasing a monthly mix called Frequency, where they get artists, producers, and DJs to curate a musical story every month! 

Here are some of the mixes we've been diggin' 

 

In this edition of Select's, we decided to hit up the elusive people from See You At One to pick out 6 titles from our Online Catalog that is sure to nourish your curious palette. The picks highlight some of the forgotten gems at the vault ranging from Doom, Spiritual Jazz, New-wave Funk, and Leftfield Electronica, truly representing their musical mood as a collective. All picks here are hypnotic in some way and we suggest taking the time to zone into each album at your own pace :) Check it out!

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Grupo Controle Digital - A festa e nossa


“Don’t you want music you could just boogie to? This is it. Never found the lyrics to the songs but they sound kinda sinister despite the feel-good tunes… Also, the guys in the band were called Billy Jaguar and Gel Valiery. After Valiery died, Jaguar became a priest, making gospel music.”

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Foodman - Moriyama

“You’ll need earphones/headphones for this because if your ears like tickling, this is the trippy record for you. Each sound has so much clarity, panning in and out of your left and right speakers. Every song is a sonic version of an M.C. Escher illusion…you just don’t know where a track is headed until it springs on you! ”

Truly Hypnotic!!

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Patrick Cowley - Mechanical Fantasy Box

“A lot of songs on the album were previously unreleased. It’s similar to the Foodman album in that it tickles your ears but has a ‘reflective’ quality to it thanks to the synths. The journal that came with the release is also worth a read, which Cowley describes as “graphic accounts of one man’s sex life”.

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Gas - Zauberberg

“The album sounds as if Voigt recorded a party his neighbors were having, and he’s doing that from his bedroom because he wasn’t invited. The reverb makes it so hypnotic that the recording sounds better than the actual party. If Wagner and Schoenberg went to the clubs in late 90s Germany, this is probably what they would come up with—and indeed some of the music samples their work.”

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Scattered Purgatory — Lost Ethnography of the Miscanthus Ocean

“It’s brooding, progressive, intoxicating drone/noise territory—and the beautiful album cover pretty much illustrates the content quite accurately. It’s like a soundtrack to a death march heading towards the peak of a mountain... appropriate given the situation of the world.”

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Alice Coltrane — Transcendence

“The way she plays the harp on this record is out of this world! Or, ahem, transcendent (you can hear her plucking the shit out of the strings at some point). It’s amazing harmonic stuff and although the arrangements aren’t as grand as it was in her previous albums it’s a solid record. When you’re in need of spiritual rejuvenation, have a listen.”

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*Also please check out their latest thread offerings via their webpage! They are doing free local deliveries so don't miss out on some crisp clothing

Follow See You At One: 

The Analog Vault - Top 10 picks of 2019

The Analog Vault - Top 10 picks of 2019
Here are some of our top picks of 2019! It was very difficult to narrow it down to just 10 but we managed to pick some based on what was popular amongst you guys who have supported the vault over this year. We added more tunes to our Spotify playlist so that some of these titles don't get missed out but here are our 10 picks, in no particular order! 
*A big shout out to all who came through and spent the year with us listening and discovering music together
1. VA - Pacific Breeze (Japanese City Pop, AOR, Boogie 1976-1986)

One of those compilations that you won’t want to skip a single song. A very good introductory to the world of Japanese City Pop and one of our best sellers here at the Vault. With its eye-striking cover painting done by Tokyo based artist Hiroshi Nagai, we’ve seen many head turners and questions asked purely based on its illustration. Many key City Pop players on here, from Taeko Ohnuki and Minako Yoshida, as well as cult favorites Hitomi Tohyama and Hiroshi Sato. The music ranges from the playful emotions of City pop, its Machine like – Computer funk groove, right down to that distinct nostalgia which we all love from time to time. If City Pop is your thing, this compilation won’t disappoint!

2. Meitei - Kwaidan

Released on vinyl by local imprint Evening Chants, Meitei’s Kwaidan is a weird and wonderful journey into the spooky world of Kwaidan – a style of Japanese ghost stories. Using intricate sound collage as form, the lost Japanese mood is presented in a contemporary spin on this exceptional LP.  

3. Fauxe - Ikhlas

Our first release as a label! This wonderful beats album by local producer Fauxe was initially released on cassette in 2018, and we absolutely had to release it on vinyl. Fauxes exploration of the KL music scene is a story expressed through samples of traditional Malaysia music with Hip Hop as its vehicle. Inspired by an eight-month stay in Malaysia, this LP is a true modern ode to the sonic legacy of the country. Likewise, we are inspired by the man's love for music of all sorts and his Ikhlas (sincere) creativity.

4. Various Artist - Hydeout Productions - First Collection

A compilation album, the first of 2 released by Nujabes Hydeout Productions Label. Previously on CD, these beautiful songs have made their way onto wax for the first time. Featuring some major players such as Funky DL, Apani B-Fly Emcee and Shing02 paired with the iconic beats of the late Nujabes. Not much has to be said but this compilation helps to show how far his music has reached out, breaking boundaries and forming a unique vibe truly known to Nujabes. With his classic style of sampling and his known swing, the music here presents a colorful, wavering and watery flow that brings moods of both melancholy and beauty. 

5. Bombay S Jayashri - Shravanam

Time Capsule has knocked it out of the park with their fourth release, presenting the transcendental work of intimately spiritual Indian classical music by celebrated vocalist and composer Bombay S Jayashri. The drone of the tambura, intricate percussion and meditative chanting make up its deep musical landscape, truly engulfing any room this is played in; deservedly due to the incredible production. An incredible release by Time Capsule that will touch anyone with a spiritual charge.

6. Keith Jarrett - The Melody At Night

This LP is on rotation at the store most of the time as it fits the vibe of the store perfectly! If you have visited our store in the last 3 months, you probably would have heard it. Melancholic and beautiful from start to end with the solo piano work of Keith Jarrett, this LP is perfect for an after-work listen or just before you head to bed! First time on Vinyl from the good people of ECM Label, we highly recommend it for all music lovers and vinyl collectors :)  Perfect album to sum up the end of 2019.

7. Mort Garson - Mother Earth's Plantasia

First official reissue of this plantastic masterpiece made up of beautifully synthesized arrangements for flora and fauna. Surely one of the most popular reissues of 2019 with its iconic artwork along with some lovely melodies packed in here. It comes with a very creative seed paper download card - plant it and watch it sprout :) “Warm earth music for plants and the people that love them” – all melodies were created on the Moog, orchestrated by Mort Garson leading the instrument to speak a charming and subtle language. If you haven’t listened to this, we ought you to! Truly putting the synth in photosynthesis is the right tag line!

8. Sampa The Great - The Return

Melbourne artist Sampa The Great here with her debut album The Return. Truly unique rhythmic flow throughout with top productions and water like rhymes. Some key collaborations here as well such as Silent Jay, Jon Wayne and London Jazz collective Steam Down, giving it that extra flavor. Listening to it in its entirety is key here, with each tune touching different styles yet moving seamlessly as it progresses. Surely a must-listen for all hip hop heads and RNB lovers looking for that fresh sound. 

9. Resavoir - Resavoir

Chicago collective Resavoir with their first full-length album providing a very refreshing take on Modern / Contemporary Jazz. It features a suite of elegantly orchestrated jazz instrumentals filled with samples and interesting electronic textures. Loads of rhythmic styles on this one as well with that breakbeat, hip hop, house, and soul-jazz type rhythm. If you’re looking for something fresh sounding, Resavoir is a perfect LP to sum up that cross between Modern Jazz, Electronic and Ambient music.

10. The Comet Is Coming - Trust In The Lifeforce of The Deep Mystery

Trust In The Lifeforce Of The Deep Mystery is the second studio album by the English group, The Comet Is Coming. With Shabakka Hutchings leading the group with his high paced out style of playing the saxophone / Bass clarinet paired with lush electronic elements and a tightly pocketed drum groove – All the right elements for an interesting listen, definitely one of the freshest sounds in 2019, contributing to the ever-growing sound of the UK Jazz scene.

Catch you guys in 2020, Peace! 

Outin 015 - Colombo Kidd

Outin 015 - Colombo Kidd

Here’s the get down for our in store session, a journey inspired by his travels to Sri Lanka and Singapore, the chaos and tranquility in contrast to the urban plateau of the ambience of Singapore at night. Here C Kidd plays some of his personal favourites that don’t get played enough - Have a listen!

PS. Recording was a little hot so excuse the peaks!

Outin 014 - Guided Meditation + Daniel Peters [Selector Special]

Outin 014 - Guided Meditation + Daniel Peters [Selector Special]

The 14th edition of our intimate in-store series OutIn saw Guided Meditation (Nigel Lopez) and Daniel Peters take to our decks for a Selector Special. 

The last time these two got together was back in 2016, for the official Daido Moriyama exhibition afterparty at the Singapore International Photography Festival. They were joined by The Analog Vault Selectors for an evening of eclectic selections, making for a journey through numerous windows and alleyways of music throughout. If you've missed it, here is your chance to check it out! 

AV Mix Series -

For the 7th Edition of our mix series, we have Daniel Peters who has been writing about music for close to a decade, occasionally taking the reigns at parties to play a selection of dance floor burners and atmospheric jams. He’ll claim it’s eclectic, but it’s really just all he has.

AV Mix Series -

For the 6th edition of our mix series, we have Nigel Lopez aka Guided Meditation, founder of experimental label Evening Chants and indie label Middle Class Cigars. His moniker Guided Meditation is a channel for him to share his discoveries in the experimental/ambient/electronic side of things.

Have a listen :)