Had our first attempt of recording analog club at the analog vault and just uploaded it on Youtube! This time highlighting some of the new lot that came in for Record Store Week - with a special emphasis on some of the pre-loved LPs that might be overlooked while digging here. Hit us up with your hot tips for a better viewing experience and stay tuned for more episodes to come ❤️
Back with another edition of Selects', this time round we are lucky to have the members of the Observatory pick out some LPs that they are currently digging (Some from our Online Catalog).
With their most recent release available now via Ujikaji Records featuring Haino Keiji - "Authority is Alive", we thought it will be a perfect time to catch up with them and trace their musical inspirations.
This select's series in our opinion really highlights the dynamics of The Observatory as a whole - with all three members bringing different selections as individuals but somehow blended in a cohesive way. From the avant folk sounds from poet and artist Wendy Eisenberg to the recent release by Duma right up to the hair-standing induced sounds of Okkyung Lee's 2013 release Ghil - We are sure that you will find something lovely to discover on here just like we did. Have a read and let the journey begin.
Saw this on the featured list of Analog Vault’s website and I had to second this choice. Was listening to this when it was released a few months back and I recall putting in on repeat for days on end. There’s a certain vulnerability in the music when it is so striped down in its arrangement.. there are some parts where you can just hear her sitar cry. The careful blend of pop & Indian scales in the music combined with straightforward, gut-punching lyrics and vocals make for a heartbreakingly beautiful album.
2. Duma – Duma
Super distorted electronic beats on speed with synth lines that sometimes almost feel like a misfit but somehow goes well together mixed with extremely aggressive vocals. This album is super intense and every time I listen to it, it feels like a mind workout, as if I’m dancing frenetically with flailing limbs in extreme heat. If my step counter could calculate this, it would be the equivalent of a 45 minute HIIT workout. However this sonic assault is much more enjoyable than a HIIT session, that’s for sure.
3. Ahwar – Nadah El Shazly
Nadah El Shazly writes beautifully haunting melodies and her voice and delivery adds on to the listening experience. The arrangements are just exquisite - there are sections of free-improvisation with some structural quality that weave in and out of each other, creating layers of listening. Kudos to Nadah and the musicians who played on this, as well as the different producers/ arrangers that pieced this together. A very well-produced album indeed!
Was looking through the Analog Vault's list and noticed this. It’s a pity this movie didn’t get much acclaim, I thought it was really good. And the soundtrack, well you cant go wrong with Scott Walker, this was his last few works before passing on. There’s no vocals and the compositions (very chamber and orchestral) are good, really great sound too. Another one that I would love to listen to on vinyl.
2. Captain Beefheart and his Magic Band - Trout Mask Replica
It took me more than 20 years from the time I first heard this album to finally appreciate it. It's simply brilliant, the compositions, recording, playing, lyrics, titles, cover etc - Fast and bulbous! I’m really looking forward to hearing it on vinyl and wearing the t-shirt too, pls help!
3. Wendy Eisenberg - Auto
This releases in a couple of weeks, mid Oct. 2 songs are up for preview and does sound pretty promising, with one song addressing their (note: Eisenberg identifies as non-binary) experience of being assaulted. Wendy is mainly a guitar player and singer-songwriter, but also a very talented multi-instrumentalist.
Okkyung gave me this LP as a present a few years ago when we were in Tokyo. I had listened to it a number of times before, ever wondering how she managed to coax all those sounds out from her cello. I recently took it out to listen again after reading a short essay that she wrote in Spectres II (Resonances) where she described briefly how it was recorded with Lasse Marhaug. With this new information about how it was produced, it once again opened up my ears and gave a whole new listening experience. Such an amazing album.
2. Pan Sonic and Haino Keiji – In The Studio | Blast First Petite – PTYT 043
Recorded in 2007, and released in 2010 on Blast First, this is definitely an album I will still continue listening to for many years to come. I constantly discover new things every time I listen to it. In this collaboration, we see Haino-san with a full array of instruments, all blending seamlessly with Mika and Ilpo’s sound, which I felt was also pushed to the maximum with this generous and dynamic assault of sounds thrown at them. The world lost a really talented and brilliant musician Mika Vainio too soon.
3. Bill Orcutt – Odds Against Tomorrow | Palilalia Records – PAL056
I have been listening to this on repeat the past two weeks. I really enjoy his duo with Chris Corsano as well, kind of like a natural extension from Harry Pussy. But this is something else. Introspective, almost like his 2017 solo electric guitar album, but more tender. The title track cuts deep, as well a lovely cover of Moon River. A Writhing Jar gives a sense of Steve Reich. Man Dies is also incredible. While it is seemingly stripped down straightforward guitar work, but lying behind this simplicity are so many details in the touch, the songwriting and the tone of the guitar with a perfectly dialed drive amplified through probably a Fender Twin Reverb.
A little disclaimer: the people behind Evening Chants are good friends of mine, and I’ve had the honor of performing at their pop-up shows in pre-COVID times. But while the growth of the label is something I’ve witnessed from the ground up, with the grunt work carried out by label owner Nigel Lopez in its infancy, there’s also very little I know intimately about the label’s behind-the-scenes activity. At least, until now.
With just three releases under their belt, Evening Chants has defied easy categorization. The duo of Nigel Lopez and Jasmine Ho, who serves as the label’s creative director have established the label as less a distinct home for genre-specific music than a space of unfettered exploration — allowing the crystallized loops of Softman to coexist with Melting Bridge, a Taiwan-based duo whose music is a meditative and fractured reflection of the environment it was birthed from.
Handpicking music from Singapore and beyond, Evening Chants releases albums on limited edition cassettes; replete with artwork and packaging that explains why their tapes sell out so easily (aside from their limited quantities).
The recent re-release of Kwaidan, the haunting debut from Japanese artist Meitei, also marked the label’s very first vinyl release, a significant undertaking for any independent record label. While it’s already fetching heavy prices on Discogs since selling out, the duo are now preparing a second print with an elegant addition that you might want in your collection.
And with the year still powering through cautiously, Evening Chants have a slate of upcoming releases that signal further depths into the label’s expanding ethos. What the heck does that mean? You’ll have to read my conversation with Lopez and Ho to find out, where they speak freely about running Evening Chants, Kwaidan’s repress, their schedule of upcoming releases, and what “horror musique concrete” sounds like.
1. Hey guys! How was the circuit breaker for yourselves and Evening Chants?
Nigel: Hey Dan! I’ve always been a homebody, so I have to say that I selfishly enjoyed the circuit breaker. It definitely gave me some space to breathe and somewhat relax. I can’t say that much of my lifestyle changed.
Jasmine: The circuit breaker was great for me. I like staying at home and I don’t have any complaints being near my cat all day for the past three months! Been reading a lot more and having more time for myself!
2. Have the events over the past few months changed the course for the label’s plans?
Nigel:We were due to release the repress of Meitei’s Kwaidan in May. Unfortunately, due to the pandemic, the pressing plant we use in Dublin had to temporarily pause operations, which meant that we had to put our plans on hold as well. Other than that, we’re still on schedule for our upcoming releases!
Jasmine: That’s right! Due to delays in production, we took the time to pre-prepped ourselves on the release by liaising with artists and exchanging design ideas so that we can plan ahead and send them out once it was open again!
3. Stepping back to a few months ago, you guys handled a breakthrough release with Meitei’s Kwaidan on vinyl. For a tape label, why was vinyl added to the equation?
Nigel: I’ve always wanted to put something out on wax, but due to the costly nature of the medium, I’ve always been averse to it. However, I felt like it’s about time I took some sort of ‘risk’ and shake things up on my end, presenting the label with new challenges and opportunities.
Being a naturally risk-averse person, I only decided to press on vinyl after seeing the immense success that Meitei’s debut album Kwaidan got, and was fairly confident going into it. Now I’m hooked and wish that all of our releases can get pressed and released on vinyl. Hopefully, we’d be able to do it eventually.
4. Was the process different from getting your usual releases pressed?
Nigel: For sure. It’s definitely a more intricate format, which requires test pressings and intense scrutinizing before giving the green light. Moreover, the medium itself is significantly larger in size than a cassette tape, which means more space to play around with. Jasmine did an incredible job designing the vinyl artwork and layout and shaping the rest of our label’s identity on wax for all of our releases in the future. We have a very beautiful insert that will come with the upcoming Kwaidan repress that we’re very excited about!
Another difference would be in terms of shipping. Vinyl is relatively heavy and bulky, and as such, not only was it more expensive, but I had to make sure I had the right packaging materials and ensuring that it reaches the listeners safely.
5. Jasmine, how was the experience like doing artwork for Kwaidan’s vinyl release?
Jasmine: Evening Chants has given me the opportunity to directly communicate with the artist to find more ways to help visually translate, reflect, and amplify the experience of the music/record. I’ve always found that as one of the key responsibilities of a designer.
The feedback has been great so far and I am currently working with Meitei to do his other collaterals outside of EC. For the reissue this time, we’ve included an insert which is accompanied with a text-based commentary for the album to bring the experience even more. Meitei, of course, has helped pick beautiful Japanese artworks that captured the inspiration found in his soundscapes.
6. Is vinyl a format you’re still thinking about for future releases?
Nigel: Of course. As mentioned, if we could, I would press all of our releases on wax. But due to the costly nature of it, and how we are an independent label, we have to be more selective in which we choose to release on vinyl. Sometimes an album is just meant to be on tape and not on vinyl.
Jasmine: I agree with Nigel. Although I think we also look into other ways to help make the physical releases more interesting. For example, all our cassette tapes have an OBI band with a hand-embossed logo and our upcoming release includes a story booklet in the cassette.
7. So now that we’re entering a period for music where COVID-019 continues to rage on, what’s your take on the label’s future moving forward?
Nigel: We’ve already shifted away from the traditional record label since streaming took over, so I don’t see COVID-19 affecting Evening Chants in any way as we operate mainly online. Occasionally, we organize live shows here in Singapore, but we do not have any fixed schedule when it comes to it. I guess, when the right opportunity comes, then it comes. But, we don’t see it happening anytime soon.
One change that we do see happening is how our artists are going to tour. It is extremely unfortunate that this is the case, but hopefully, things will get better in time to come and they’ll get to share their music in the best way that they can: live.
Jasmine: On top of that, I definitely see us experimenting with different formatting. I would like to see our releases put out in more innovative ways in order to give and help the artiste reach a bigger listening audience that they deserve.
8. Are there certain decisions taken differently?
Nigel: We have taken into account that people are more wary of how they spend their money. Especially with this uncertainty, many people have lost their jobs or are at risk of doing so. As such, their priorities have changed and rightly so. I have to admit that it does feel a bit surreal releasing music in such times, but like myself, music will always be an important constant and it is only right that we continue to contribute to this the only way we can – to put out more amazing releases.
9. Do you believe it has affected the label’s use of physical formats? Nigel: With the temporary closures of the vinyl pressing plant, it has accumulated some backlog in terms of operations, which has resulted in our orders taking longer than usual. Thus, we had to shift some of our releases to a later date.
Jasmine: I’ve got an extra soft spot for physicals — I feel that if it’s done nicely and well thought-out, people would still try to acquire them at the right cost.
10. Ever since the label has gained followers with each release, has it been a priority to engage with them?
Nigel: We try our best to keep them updated as much as we can on social media. We also keep in touch with them with our new releases via Bandcamp’s messaging system (which is incredible, by the way). We are immensely grateful for the support and love that we get from the community.
11. Could you tell us about what’s on the schedule for the label in 2020?
Nigel: It has been pretty quiet on our end since the Melting Bridge release due to personal commitments. But this year, we’re very excited to be working on a few releases that are all due for the second half of 2020. Apart from the Kwaidan repress, we have a few new releases lined up.
We have been working on one of the upcoming releases for awhile now by an incredible artist that not only dabbles in music but also art. So, we are very excited about introducing this highly overlooked artist to everyone. The best way to encapsulate the release is if the movies Midsommar and The Blair Witch Project had a baby, it would be it both sonically and aesthetically. I would also describe it as “horror musique concrete”.
Another one of our releases that we’re excited about is from a musician who has been composing music for films, documentaries and tv shows on Adult Swim, Netflix, etc. The album takes us into his own world of celestial soundscapes and personal life, completely disconnected from any of his professional work.
We also have an upcoming release from one of our familiar names, where we’ll be releasing our most “dance-iest” record so far, but of course, with an Evening Chants twist to it – keeping it weird.
12. Just to cap it off, what’s been spinning on your turntable lately?
Nigel: I’ve bought so many records during this period! But here are my more regular spins in the recent weeks:
Craig Kupka Crystals: New Music For Relaxation 2 (Smithsonian Folkways)
Side A’s “Trombones of Lithia” is a gorgeous 20 minute composition with meditative, gentle and warm brass textures and layers. Very aptly named New Music For Relaxation 2, this album delivers exactly what it promises. A+ ambient/drone record.
Maxwell Sterling Laced With Rumour: Loud-Speaker Of Truth (Ecstatic)
I’ve never heard of Maxwell Sterling before this release but immediately became a fan. This album originated from a “multi-channel installation commissioned by Nottingham Contemporary in 2018”. (Boomkat). An intricate mosaic of jazz sensibilities with a strong ambient foundation, this album brews some sort of a fog throughout its 40-minute runtime. While it leaves me in an amnesiac state by the end of it, I keep wanting more and flip the record all over again.
Lamin Fofana: Dark Water (Black Studies)
I saw Lamin Fofana in Berlin last year at an old Franciscan monastery (alongside Kara-Lis Coverdale as well). He opened the evening with an ambient dj set that instantly sucked me in and left me with a profound experience. When I went back that night, I started doing some research on his work and have been waiting for him to release more music. Then came “Dark Water”, which released in June this year. This ambient record epitomized the very same feeling I had when I saw him in Berlin –peculiar yet highly intriguing synths and organic textures pieced together to create an incredibly cohesive sound. This album is not on vinyl, but really hope it gets pressed eventually.
Jasmine: I think the new Green-House and Skee Mask are great! I’ve been going back to The Depreciation Guild and Computer Data a lot too, it’s so enjoyable and always manages to lift my mood up while working.
This coming week is going to fly by faster than the entirety of Circuit Breaker — we are, after all, knee-deep in the General Elections and we’re only days away from voting.
I’m not going to be parroting voting issues here — that’s not what you’re here for — but the information overload is certainly an effect of this pivotal period, and there’s nothing better than stepping away from your laptop and diving into your record collection for a good minute.
This week, Nick and Leon have rounded up crates of records that shine in jazz excellence, unsurprisingly, and there’s a healthy mix of current releases and reissues to dig into to get the blood flowing (if you’re not already watching Hammer Time wink wink).
The resurgence of Sachiko Kanenobu is one of the more heartening consequences of our YouTube crate-digger age — unearthed obscure treasures, forgotten over the decades, uploaded for online consumption. Cue “where has this music been all my life” comments from gobsmacked YouTube users.
The Japanese musician released Misora in 1972, amidst a wave of poetic singer-songwriters discovering their voice in a post-war society rebuilding itself (the compilation Even A Tree Can Shed Tears is the perfect gateway into that scene). Misora remained her only full-length effort, recorded with the creative assistance of peers Haruomi Hosono and Eiichi Ohtaki, but it had only flourished in appreciation within secretive circles of music nerds outside of Japan. While it has been reissued in limited quantities over the years, it’s gotten its proper due with Light in the Attic.
Now that Kanenobu has enjoyed a renewed path in her career, performing select shows around the world and attaining a young, newer audience, now’s a good a time as any to delve into the earthy magic of Misora, a gentle and sweeping album so captivating at any time of day. This LITA reissue comes prepared with an extensive interview with her.
Jazz organ is remarkably enjoyable, but with its historic association with the marketable genre tag known as “easy listening”, it’s also a bit of a challenge to find the musicians who creatively pushed jazz forward with the instrument. We already covered the inimitable Dr. Lonnie Smith in the previous roundup, but Gilles Peterson’s Arc Records has made the search much easier with this new reissue.
A labor of love from “Queen of the organ” Shirley Scott, a prolific and highly versatile jazz musician and composer, One For Me glides along smoothly — even as the performances recorded herein come across less like rehearsed parts and more like collaborative explorations. Scott uses the organ and mellotron with a deft textural touch, allowing saxophonist Harold Vick to occupy the space with terrific immediacy. This is undoubtedly Scott’s album, with maximized creative control on a recording fully self-funded, after years of working on projects subjugated by stuffy (and sexist) record executives. Let her words speak for themselves:
“All of the music recorded in this album is both personal and very purposeful to me because it is the first step toward honesty about what and how I want to play. I’ve done a lot of other albums, a lot of different ways for a lot of different people and now, with the help of the Creator, in whom all things are possible, I have done one for me too.”
Sault remains a mystery — all we know about them is they reside in the UK and are led by artist Dean “Inflo” Josiah — but when the music’s this gripping, the allure is merely a bonus.
5 and 7 are two albums the group dropped in succession last year, a collection of immensely spirited funk tunes that feel transported straight out of the 1970s, with an urgency that’s eternally relevant. The group’s newest album, Untitled (Black Is), was only just released and it’s an essential listen for these times.
While that title might take a while to be issued on wax, 5 and 7 are albums you should immerse yourself with while there’s still time — they’re only going to get bigger, so now’s the perfect chance to get a headstart.
No other album quite personified the freewheeling energy of 2016 (well most of it) like 99.9%, the infectious debut of producer Kaytranada. The only producer bold enough then to harness the power of Craig David, Anderson .Paak and BADBADNOTGOOD on a Gal Costa-sampling dance album — seriously, what a visionary — this album still slaps, but Bubba arrives in 2020 a different beast.
The focus remains on the dancefloor, but the techniques Kaytranada employs are different. Gone are the days of being a solitary producer hunched over his laptop — Bubba is a piece of work birthed from a fully-fledged studio, and the tracks are the result of extensive in-person collaborations (the list includes Kali Uchis, Masego, Mick Jenkins, Charlotte Day Wilson, amongst others).
It’s a dense R&B and afrobeat-inflected album to groove to, and it works equally as an enveloping listening experience and a perfect mood-setter for any ordinary work task.
While International Anthem hosts a vast array of exciting young artists, many of whom reside in Chicago, a name like Jeff Parker sticks out not just for his veteran status but for his immense contribution to the city’s flourishing underground music scene.
A member of pivotal post-rock group Tortoise, Parker has also contributed to the experimental sounds of Chicago — notably with label Thrill Jockey Records — and with his new home, he’s advanced his own musical language. It doesn’t get any better than Suite for Max Brown, where he effortlessly bridges the sounds of older jazz and funk with avant-garde digital techniques he’s amassed over his career. The final product is a constant conversation between what he dubs as “man vs machine”, with live improvisations backed by intuitive drum loops.
For an album personally dedicated to his mother, it’s expectedly tender and heartfelt, and unexpectedly short: the 39 minutes will be over before you know it. Buy it on vinyl and cherish every minute it’s on your turntable.
The mention of the musicians involved might suggest a heady or complex experience listening to The Other Fantasy, but that is far from the real thing.
A recent phenomenon that you can find online are musicians inspired by Weather Channel music — essentially, the smoothest jazz music you can conjure, inflected by celestial synths, and a pressing need to relax. It’s corporate mood music of the highest order, and this space is explored by a collective of seasoned jazz musicians in The Other Fantasy.
There’s lots of slap bass and flute magic to dig into here — but the centrepiece on this EP is ‘A Palm in the Closet’, which dares you to manifest the island breeze in your bedroom, even if it faces a multi-storey carpark.
Yes, you’re not seeing things — that album title looks familiar, but it’s not the only thing this project shares with A Seat at the Table, the 2016 opus by Solange.
The Koreatown Oddity is an MC, producer, and a familiar face in the indie rap scene of Los Angeles. He’s notably made contact with the larger hip-hop community on his latest effort Little Dominiques Nosebleed, a raw and focused documentation on life in his neighborhood.
This little curio, however, was initially issued on cassette to small and captive fanfare in 2018. It’s a distillation of the impact Solange’s masterwork had on him — reworking snippets of the album into a brisk 19-minute beat tape. Now pressed on fancy coke bottle clear vinyl, The Koreatown Oddity unearths new magic from an album already teeming with boundless depths.
We treat the experience of listening to music as something restorative, but Angel Bat Dawid believes it’s even greater. “The Egyptians used the power of sound to move objects. I believe that sound technology can move things. Sound is more powerful than we can imagine,” she speaks in a conversation with writer Emma Warren you must read.
It’s hard not to get engulfed by the world she meticulously crafts here, and the effect of listening to The Oracle feels like intruding into a spiritually-powered improvised jam session. The disbelief will set in once you read that Bat Dawid recorded every instrument on this album, save for a drum track on ‘Cape Town’. Bat Dawid masterfully uses catharsis as a foundation, and The Oracle ends up an intense and unfettered meditation on Black identity.
International Anthem’s discography is an extraordinary deep dive into modern jazz and improvised music — The Analog Vault’s got a few others stocked too — and the heights The Oracle achieves tower like a cathedral all on their own. Do not miss!!
You have probably seen their stickers lying around the store and have been wondering who See You At One (Aka SYAO) is - They are a local collective with strong ties with the music and skate culture, focusing their energy on the spirit of creation, whether be it through producing clothes, uploading videos or feeding the experiential internet source with fresh ideas. During these times, SYAO has also been supporting the local community by showcasing different creatives on their social media platforms and also releasing a monthly mix called Frequency, where they get artists, producers, and DJs to curate a musical story every month!
Here are some of the mixes we've been diggin'
In this edition of Select's, we decided to hit up the elusive people from See You At Oneto pick out 6 titles from our Online Catalog that is sure to nourish your curious palette. The picks highlight some of the forgotten gems at the vault ranging from Doom, Spiritual Jazz, New-wave Funk, and Leftfield Electronica, truly representing their musical mood as a collective. All picks here are hypnotic in some way and we suggest taking the time to zone into each album at your own pace :) Check it out!
“Don’t you want music you could just boogie to? This is it. Never found the lyrics to the songs but they sound kinda sinister despite the feel-good tunes… Also, the guys in the band were called Billy Jaguar and Gel Valiery. After Valiery died, Jaguar became a priest, making gospel music.”
“You’ll need earphones/headphones for this because if your ears like tickling, this is the trippy record for you. Each sound has so much clarity, panning in and out of your left and right speakers. Every song is a sonic version of an M.C. Escher illusion…you just don’t know where a track is headed until it springs on you! ”
“A lot of songs on the album were previously unreleased. It’s similar to the Foodman album in that it tickles your ears but has a ‘reflective’ quality to it thanks to the synths. The journal that came with the release is also worth a read, which Cowley describes as “graphic accounts of one man’s sex life”.
“The album sounds as if Voigt recorded a party his neighbors were having, and he’s doing that from his bedroom because he wasn’t invited. The reverb makes it so hypnotic that the recording sounds better than the actual party. If Wagner and Schoenberg went to the clubs in late 90s Germany, this is probably what they would come up with—and indeed some of the music samples their work.”
“It’s brooding, progressive, intoxicating drone/noise territory—and the beautiful album cover pretty much illustrates the content quite accurately. It’s like a soundtrack to a death march heading towards the peak of a mountain... appropriate given the situation of the world.”
“The way she plays the harp on this record is out of this world! Or, ahem, transcendent (you can hear her plucking the shit out of the strings at some point). It’s amazing harmonic stuff and although the arrangements aren’t as grand as it was in her previous albums it’s a solid record. When you’re in need of spiritual rejuvenation, have a listen.”
*Also please check out their latest thread offerings via their webpage! They are doing free local deliveries so don't miss out on some crisp clothing
Here are some of our top picks of 2019! It was very difficult to narrow it down to just 10 but we managed to pick some based on what was popular amongst you guys who have supported the vault over this year. We added more tunes to our Spotify playlist so that some of these titles don't get missed out but here are our 10 picks, in no particular order!
*A big shout out to all who came through and spent the year with us listening and discovering music together
1. VA - Pacific Breeze (Japanese City Pop, AOR, Boogie 1976-1986)
One of those compilations that you won’t want to skip a single song. A very good introductory to the world of Japanese City Pop and one of our best sellers here at the Vault. With its eye-striking cover painting done by Tokyo based artist Hiroshi Nagai, we’ve seen many head turners and questions asked purely based on its illustration. Many key City Pop players on here, from Taeko Ohnuki and Minako Yoshida, as well as cult favorites Hitomi Tohyama and Hiroshi Sato. The music ranges from the playful emotions of City pop, its Machine like – Computer funk groove, right down to that distinct nostalgia which we all love from time to time. If City Pop is your thing, this compilation won’t disappoint!
2. Meitei - Kwaidan
Released on vinyl by local imprint Evening Chants, Meitei’s Kwaidan is a weird and wonderful journey into the spooky world of Kwaidan – a style of Japanese ghost stories. Using intricate sound collage as form, the lost Japanese mood is presented in a contemporary spin on this exceptional LP.
3. Fauxe - Ikhlas
Our first release as a label! This wonderful beats album by local producer Fauxe was initially released on cassette in 2018, and we absolutely had to release it on vinyl. Fauxes exploration of the KL music scene is a story expressed through samples of traditional Malaysia music with Hip Hop as its vehicle. Inspired by an eight-month stay in Malaysia, this LP is a true modern ode to the sonic legacy of the country. Likewise, we are inspired by the man's love for music of all sorts and his Ikhlas (sincere) creativity.
4. Various Artist - Hydeout Productions - First Collection
A compilation album, the first of 2 released by Nujabes Hydeout Productions Label. Previously on CD, these beautiful songs have made their way onto wax for the first time. Featuring some major players such as Funky DL, Apani B-Fly Emcee and Shing02 paired with the iconic beats of the late Nujabes. Not much has to be said but this compilation helps to show how far his music has reached out, breaking boundaries and forming a unique vibe truly known to Nujabes. With his classic style of sampling and his known swing, the music here presents a colorful, wavering and watery flow that brings moods of both melancholy and beauty.
5. Bombay S Jayashri - Shravanam
Time Capsule has knocked it out of the park with their fourth release, presenting the transcendental work of intimately spiritual Indian classical music by celebrated vocalist and composer Bombay S Jayashri. The drone of the tambura, intricate percussion and meditative chanting make up its deep musical landscape, truly engulfing any room this is played in; deservedly due to the incredible production. An incredible release by Time Capsule that will touch anyone with a spiritual charge.
6. Keith Jarrett - The Melody At Night
This LP is on rotation at the store most of the time as it fits the vibe of the store perfectly! If you have visited our store in the last 3 months, you probably would have heard it. Melancholic and beautiful from start to end with the solo piano work of Keith Jarrett, this LP is perfect for an after-work listen or just before you head to bed! First time on Vinyl from the good people of ECM Label, we highly recommend it for all music lovers and vinyl collectors :) Perfect album to sum up the end of 2019.
7. Mort Garson - Mother Earth's Plantasia
First official reissue of this plantastic masterpiece made up of beautifully synthesized arrangements for flora and fauna. Surely one of the most popular reissues of 2019 with its iconic artwork along with some lovely melodies packed in here. It comes with a very creative seed paper download card - plant it and watch it sprout :) “Warm earth music for plants and the people that love them” – all melodies were created on the Moog, orchestrated by Mort Garson leading the instrument to speak a charming and subtle language. If you haven’t listened to this, we ought you to! Truly putting the synth in photosynthesis is the right tag line!
8. Sampa The Great - The Return
Melbourne artist Sampa The Great here with her debut album The Return. Truly unique rhythmic flow throughout with top productions and water like rhymes. Some key collaborations here as well such as Silent Jay, Jon Wayne and London Jazz collective Steam Down, giving it that extra flavor. Listening to it in its entirety is key here, with each tune touching different styles yet moving seamlessly as it progresses. Surely a must-listen for all hip hop heads and RNB lovers looking for that fresh sound.
9. Resavoir - Resavoir
Chicago collective Resavoir with their first full-length album providing a very refreshing take on Modern / Contemporary Jazz. It features a suite of elegantly orchestrated jazz instrumentals filled with samples and interesting electronic textures. Loads of rhythmic styles on this one as well with that breakbeat, hip hop, house, and soul-jazz type rhythm. If you’re looking for something fresh sounding, Resavoir is a perfect LP to sum up that cross between Modern Jazz, Electronic and Ambient music.
10. The Comet Is Coming - Trust In The Lifeforce of The Deep Mystery
Trust In The Lifeforce Of The Deep Mystery is the second studio album by the English group, The Comet Is Coming. With Shabakka Hutchings leading the group with his high paced out style of playing the saxophone / Bass clarinet paired with lush electronic elements and a tightly pocketed drum groove – All the right elements for an interesting listen, definitely one of the freshest sounds in 2019, contributing to the ever-growing sound of the UK Jazz scene.
Here’s the get down for our in store session, a journey inspired by his travels to Sri Lanka and Singapore, the chaos and tranquility in contrast to the urban plateau of the ambience of Singapore at night. Here C Kidd plays some of his personal favourites that don’t get played enough - Have a listen!
PS. Recording was a little hot so excuse the peaks!
The 14th edition of our intimate in-store series OutIn saw Guided Meditation (Nigel Lopez) and Daniel Peters take to our decks for a Selector Special.
The last time these two got together was back in 2016, for the official Daido Moriyama exhibition afterparty at the Singapore International Photography Festival. They were joined by The Analog Vault Selectors for an evening of eclectic selections, making for a journey through numerous windows and alleyways of music throughout. If you've missed it, here is your chance to check it out!
AV Mix Series -
For the 7th Edition of our mix series, we have Daniel Peters who has been writing about music for close to a decade, occasionally taking the reigns at parties to play a selection of dance floor burners and atmospheric jams. He’ll claim it’s eclectic, but it’s really just all he has.
AV Mix Series -
For the 6th edition of our mix series, we have Nigel Lopez aka Guided Meditation, founder of experimental label Evening Chants and indie label Middle Class Cigars. His moniker Guided Meditation is a channel for him to share his discoveries in the experimental/ambient/electronic side of things.
Establish connections. Take what you will, make what you will. Our associates Horizon99 came through The Analog Vault with their strong passion and love for music with Sant (Head Honcho) on the decks taking us on a sonic journey through various styles.
Here is the get down of what happened!
AV Mix series
Part 5 of our mix series served up by the legends themselves, Horizon99. Tune in, turn up, LEAP out.