About

“The most curious element about the singer, however, the quality that makes her such a uniquely captivating vocalist, is the way she communicates these troubles—with a honeyed, masterfully wielded croon that leaves you with the impression she's comforting you about them.

It's that groovy, gentle-voiced extroversion that drives her debut LP Yellow Memories, a collection of "all soul music" that oscillates from genre to genre in keeping with the traditions of Eglo Records, the eclectic family of artists assembled by electronic producer Floating Points and label head Alexander Nut. Stylistically, Fatima could be compared to forebears Erykah Badu, Jill Scott and even—at her most whimsical—Janelle Monáe, but her delivery exudes a light sweetness, even when confronting heartbreak.” – Pitchfork

“Listen to Yellow Memories from start to finish and you're immersed in a distinct mood. Introspective R&B and soul is the theme. Much of the music is ambitious. Take the Flako-produced "La Neta," which switches times signatures halfway through, or the Theo Parrish-penned opener "Do Better," which has a sense of virtuosity and drama that's uncommon in modern music. Eglo boss Floating Points is a lynchpin to the operation, having produced five of the record's 12 tracks. His partnership with Fatima has created two of the best cuts here: the climactic "Do Better" and the comparatively pared down "Biggest Joke Of All." The latter is simply a boom bap beat, an amazing vocal performance and a keyboard jam, but its simplicity is exactly what makes it work.

Other guest producers here include Scoop De Ville, Oh No and Knxwledge. None of these are huge names, but all have cult followings in the world of leftfield beatmaking, and every one of these collaborations is a winner. Particularly worth singling out is "Circle," produced by Computer Jay and the ever-impressive Shafiq Husayn of Sa-Ra.” – Resident Advisor

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