{"products":[{"id":8772530110622,"title":"Johnny Griffin – A Blowing Session (Blue Note Classic Vinyl Series)","handle":"johnny-griffin-a-blowing-session-blue-note-classic-vinyl-series","body_html":"\u003cp\u003eFor his second album, recorded in April 1957, Johnny Griffin called upon his fellow master practitioners of the tenor saxophone John Coltrane and Hank Mobley to create this explosive entry in the Blue Note catalog. Originally titled \u003cem\u003eJohnny Griffin, Vol. 2\u003c\/em\u003e, but know known as \u003cem\u003eA Blowing Session\u003c\/em\u003e, the fiery four-song set is just that with trumpeter Lee Morgan balancing out the three-tenor frontline and a rock-solid rhythm section with pianist Wynton Kelly, bassist Paul Chambers, and drummer Art Blakey stoking the fires. The contrasts of the saxophonists’ distinctive styles is fascinating to behold on these high-octane performances of standards (“The Way You Look Tonight” and “All The Things You Are”) and Griffin originals (“Ball Bearing” and “Smoke Stack”).\u003cbr\u003e\u003cbr\u003eThis Blue Note Classic Vinyl Edition is mono, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal. — (via Label)\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"352\" style=\"border-radius: 12px;\" data-testid=\"embed-iframe\" src=\"https:\/\/open.spotify.com\/embed\/album\/0G0HYSDx02OthwWPCDU7xR?utm_source=generator\u0026amp;si=c9d3d37a0af84708\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e↓\u003cbr\u003eLabel: Blue Note, UMe\u003cbr\u003eSeries: Blue Note Classic Vinyl Series\u003cbr\u003eFormat: Vinyl, LP, Album, Reissue, Mono, 180 Gram\u003cbr\u003eReissued: 2025 \/ Originally Released: 1957\u003cbr\u003eGenre: Jazz\u003cbr\u003eStyle: Hard Bop\u003c\/p\u003e\n\u003cp\u003eFile under: Blue Note\u003cbr\u003e⦿\u003c\/p\u003e","published_at":"2026-07-04T18:52:42+08:00","created_at":"2026-07-04T18:52:41+08:00","updated_at":"2026-07-08T12:07:18+08:00","vendor":"Blue Note Records","product_type":"Vinyl - Blue Note","tags":["Blue Note Classic Vinyl Series","Genre - Hard Bop","Genre - Jazz","Genre - Jazz - Hard Bop","Genre - Saxophone","Instrument - Saxophone","Label - Blue Note","LP","New Arrivals","Vinyl"],"variants":[{"id":47936550568094,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"602475079545","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"price":"48.00","grams":800,"compare_at_price":null,"position":1,"product_id":8772530110622,"created_at":"2026-07-04T18:52:41+08:00","updated_at":"2026-07-08T12:07:18+08:00"}],"images":[{"id":44588785926302,"created_at":"2026-07-04T18:52:42+08:00","position":1,"updated_at":"2026-07-04T18:52:44+08:00","product_id":8772530110622,"variant_ids":[],"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/files\/719qqXP6s6L-_UF1000-1000_QL80.jpg?v=1783162364","width":1000,"height":994}],"options":[{"name":"Title","position":1,"values":["Default Title"]}]},{"id":8772519624862,"title":"Jimmy Smith - House Party (Blue Note Classic Vinyl Series)","handle":"jimmy-smith-house-party-blue-note-classic-vinyl-series","body_html":"\u003cp\u003eAfter discovering Jimmy Smith in 1956, Blue Note founder Alfred Lion recorded the Hammond B3 organ master frequently in various settings including studio and live dates. The two sessions that produced the four tracks on \u003cem\u003eHouse Party\u003c\/em\u003e strove for the best of both worlds by bringing the freewheeling energy of a live blowing session into Manhattan Tower Studio where engineer Rudy Van Gelder could capture the proceedings with sterling sound quality. Recorded on August 25, 1957 and February 25, 1958, the album features a who’s who cast of musicians including trumpeter Lee Morgan, trombonist Curtis Fuller, alto saxophonists Lou Donaldson and George Coleman, tenor saxophonist Tina Brooks, guitarists Kenny Burrell and Eddie McFadden, and drummers Art Blakey and Donald Bailey. The ensemble stretches out on extended versions of “Au Privave” and “Just Friends” while Donaldson gets the spotlight on a showstopping ballad performance of “Lover Man.”\u003c\/p\u003e\n\u003cp\u003eThis Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal. — (via Label)\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"352\" style=\"border-radius: 12px;\" data-testid=\"embed-iframe\" src=\"https:\/\/open.spotify.com\/embed\/album\/0tW2wlCT1moWP06bIfg240?utm_source=generator\u0026amp;theme=0\u0026amp;si=f6c4d9a8bb2f448d\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e↓\u003cbr\u003eLabel: Blue Note\u003cbr\u003eSeries: Blue Note Classic Vinyl Series\u003cbr\u003eFormat: Vinyl, LP, Album, Reissue, Stereo\u003cbr\u003eReissued: 2025 \/ Originally Released: 1958\u003cbr\u003eGenre: Jazz\u003cbr\u003eStyle: Hard Bop, Bop\u003c\/p\u003e\n\u003cp\u003eFile under: Blue Note\u003cbr\u003e⦿\u003c\/p\u003e","published_at":"2026-07-04T18:29:15+08:00","created_at":"2026-07-04T18:29:14+08:00","updated_at":"2026-07-08T12:07:18+08:00","vendor":"Blue Note Records","product_type":"Vinyl - Blue Note","tags":["Blue Note Classic Vinyl Series","Genre - Bop","Genre - Hard Bop","Genre - Jazz","Genre - Jazz - Hard Bop","Label - Blue Note","LP","New Arrivals","Reissue","Series - Blue Note Classic Vinyl","Vinyl"],"variants":[{"id":47936528285854,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"602475079521","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"price":"48.00","grams":800,"compare_at_price":null,"position":1,"product_id":8772519624862,"created_at":"2026-07-04T18:29:14+08:00","updated_at":"2026-07-08T12:07:18+08:00"}],"images":[{"id":44588739920030,"created_at":"2026-07-04T18:29:15+08:00","position":1,"updated_at":"2026-07-04T18:29:19+08:00","product_id":8772519624862,"variant_ids":[],"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/files\/JimmySmith_HouseParty_1LP-Cvr_RGB.jpg?v=1783160959","width":3686,"height":3686}],"options":[{"name":"Title","position":1,"values":["Default Title"]}]},{"id":8772511105182,"title":"Max Roach – Percussion Bitter Sweet (Verve Vault Reissue)","handle":"max-roach-percussion-bitter-sweet-verve-vault-reissue","body_html":"\u003cdiv class=\"product__description rte\"\u003e\n\u003cdiv class=\"product__description rte\"\u003e\n\u003cp\u003e\u003cem\u003ePercussion Bittersweet\u003c\/em\u003e, released in 1961 on Impulse! Records, is one of preeminent jazz drummer Max Roach’s most politically charged and musically expansive recordings. Recorded over two days in September 1960 at Universal Studios in Chicago, the record reflects Roach’s deepening engagement with themes of social justice and Pan-African identity. The ensemble features trumpeter Tommy Turrentine, tenor saxophonist Clifford Jordan, and tuba innovator Ray Draper, alongside Roach’s own commanding blend of cymbal textures, mallets, and explosive rhythmic detail. The inclusion of vocalist Abbey Lincoln — Roach’s artistic and political partner at the time — adds urgency and emotional power to the project’s most pointed statements. While not formally structured as a suite, the album’s six tracks move fluidly between spiritual lament, militant swing, and improvisational abstraction. \u003cbr\u003e\u003cbr\u003eThe opening piece, “Garvey’s Ghost,” sets the tone with Afro-Caribbean rhythmic undercurrents, while “Mendacity” takes aim at hypocrisy with biting horn lines and Lincoln’s dramatic delivery. Elsewhere, “Mama” and “Praise for a Martyr” explore personal and collective grief through dynamic interplay and modal intensity. The Verve Vault series is always mastered from analog tapes and pressed on 180g vinyl at Optimal. — (via Label)\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"352\" style=\"border-radius: 12px;\" data-testid=\"embed-iframe\" src=\"https:\/\/open.spotify.com\/embed\/album\/6MIK88yegzaV7eT2yr1IaR?utm_source=generator\u0026amp;si=e83714dff8134775\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e↓\u003cbr\u003eLabel: Impulse!\u003cbr\u003eSeries: Verve Vault\u003cbr\u003eFormat: Vinyl, LP, Album, Reissue, Stereo, 180g, Gatefold\u003cbr\u003eReissued: 2025 \/ Originally Released: 1961\u003cbr\u003eGenre: Jazz\u003cbr\u003eStyle: Post Bop\u003cspan\u003e, \u003c\/span\u003eAfro-Cuban Jazz\u003cspan\u003e, \u003c\/span\u003eHard Bop\u003c\/p\u003e\n\u003cp\u003eFile under:\u003cspan\u003e Audiophile Jazz\u003c\/span\u003e\u003cbr\u003e⦿\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2026-07-04T18:06:49+08:00","created_at":"2026-07-04T18:06:49+08:00","updated_at":"2026-07-08T12:07:18+08:00","vendor":"Verve \/ Impulse!","product_type":"Vinyl - Audiophile Jazz","tags":["Audiophile Jazz","Genre - Afro-Cuban Jazz","Genre - Hard Bop","Genre - Jazz","Genre - Jazz - Afro-Cuban Jazz","Genre - Jazz - Hard Bop","Genre - Jazz - Post Bop","Genre - Post Bop","Label - Impulse!","Label - Impulse! Reissues","LP","New Arrivals","Reissue","Series- Verve Vault Reissue","Vinyl"],"variants":[{"id":47936459899038,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"602478262890","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"price":"48.00","grams":800,"compare_at_price":null,"position":1,"product_id":8772511105182,"created_at":"2026-07-04T18:06:49+08:00","updated_at":"2026-07-08T12:07:18+08:00"}],"images":[{"id":44588671860894,"created_at":"2026-07-04T18:06:50+08:00","position":1,"updated_at":"2026-07-04T18:06:51+08:00","product_id":8772511105182,"variant_ids":[],"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/files\/61BRklHZqAL-_UF894-1000_QL80.jpg?v=1783159611","width":894,"height":882}],"options":[{"name":"Title","position":1,"values":["Default Title"]}]},{"id":8772498587806,"title":"Archie Shepp – Four For Trane (Verve Vault Reissue)","handle":"archie-shepp-four-for-trane-verve-vault-reissue","body_html":"\u003cdiv class=\"product__description rte\"\u003e\n\u003cp\u003e\u003cem\u003eFour for Trane\u003c\/em\u003e\u003cspan\u003e, released in 1964 on Impulse! Records, was saxophonist Archie Shepp’s first major studio statement and remains one of his most influential albums. Co-produced by John Coltrane and recorded at Rudy Van Gelder’s Englewood Cliffs studio, the set presents Shepp performing four Coltrane compositions — “Naima,” “Mr. Syms,” “Syeeda’s Song Flute,” and “Cousin Mary” — alongside Shepp’s own “Rufus.” Rather than offering faithful renditions, Shepp and arranger Roswell Rudd reimagine Coltrane’s material with bold ensemble voicings, fluctuating time signatures, and unfettered improvisation. \u003cbr\u003e\u003cbr\u003eThe result is an album that honors Coltrane’s vision while reframing it through the lens of the emerging avant-garde. The quintet — Shepp on tenor saxophone, Rudd on trombone, Alan Shorter on flugelhorn, Reggie Workman on bass, and Charles Moffett on drums — bridges the intensity of free jazz with the formal rigor of post-bop. Released at a pivotal moment in Shepp’s artistic development, \u003cem\u003eFour for Trane\u003c\/em\u003e signaled his arrival as a vital and progressive voice within the new wave of 1960s jazz. The Verve Vault series is always mastered from analog tapes and pressed on 180g vinyl at Optimal. — (via Label)\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"352\" style=\"border-radius: 12px;\" data-testid=\"embed-iframe\" src=\"https:\/\/open.spotify.com\/embed\/album\/3sAkK5Zm8cigSNCgeoAqOa?utm_source=generator\u0026amp;si=5f44d4afbcda4dbc\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e↓\u003cbr\u003eLabel: Impulse!\u003cbr\u003eSeries: Verve Vault\u003cbr\u003eFormat: Vinyl, LP, Album, Reissue, Stereo, 180g, Gatefold\u003cbr\u003eReissued: 2025 \/ Originally Released: 1965\u003cbr\u003eGenre: Jazz\u003cbr\u003eStyle: Avant-garde Jazz\u003c\/p\u003e\n\u003cp\u003eFile under:\u003cspan\u003e Avant Garde\/Free Jazz\u003c\/span\u003e\u003cbr\u003e⦿\u003c\/p\u003e\n\u003c\/div\u003e","published_at":"2026-07-04T17:48:48+08:00","created_at":"2026-07-04T17:48:48+08:00","updated_at":"2026-07-08T12:07:18+08:00","vendor":"Verve \/ Impulse!","product_type":"Vinyl - Avant Garde\/Free Jazz","tags":["Genre - Avant Garde","Genre - Jazz - Avant-garde","Genre - Jazz - Free Jazz","Genre - Jazz - Tenor Saxophone","Genre - Saxophone","Instrument - Saxophone","Label - Impulse!","Label - Impulse! Reissues","Label - Verve","LP","New Arrivals","Series- Verve Vault Reissue","Vinyl"],"variants":[{"id":47936385974430,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"602478262906","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"price":"48.00","grams":800,"compare_at_price":null,"position":1,"product_id":8772498587806,"created_at":"2026-07-04T17:48:48+08:00","updated_at":"2026-07-08T12:07:18+08:00"}],"images":[{"id":44588591022238,"created_at":"2026-07-04T17:48:49+08:00","position":1,"updated_at":"2026-07-04T17:48:51+08:00","product_id":8772498587806,"variant_ids":[],"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/files\/ab57c72cc92265844388373430d9679d.jpg?v=1783158531","width":1024,"height":1024}],"options":[{"name":"Title","position":1,"values":["Default Title"]}]},{"id":8772373512350,"title":"Thad Jones \/ Kenny Burrell \/ Frank Wess \/ Mal Waldron \/ Paul Chambers \/ Arthur Taylor – After Hours","handle":"thad-jones-kenny-burrell-frank-wess-mal-waldron-paul-chambers-arthur-taylor-after-hours","body_html":"\u003cp\u003e\u003cem\u003eAfter Hours\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003eis a 1957 album from the Prestige All Stars – led by trumpeter Thad Jones. Also including Frank Wess (flute, tenor sax), \u003ca href=\"https:\/\/theanalogvault.com\/products\/mal-waldron-sextet-mal2\" target=\"_blank\" rel=\"noopener\"\u003eMal Waldron\u003c\/a\u003e (piano), \u003ca href=\"https:\/\/theanalogvault.com\/products\/kenny-burrell-guitar-forms-2024-acoustic-sounds-series\" target=\"_blank\" rel=\"noopener\"\u003eKenny Burrell\u003c\/a\u003e (guitar), Paul Chambers (bass), and Art Taylor (drums), the album features 4 cuts, all composed by Mal Waldron. This new edition of the album is released as part of the Original Jazz Classics Series on 180-gram vinyl pressed at RTI with all-analog mastering from the original tapes at Cohearent Audio and a Stoughton Tip-On Jacket. — (via Label)\u003cbr\u003e\u003c\/span\u003e—\u003cbr\u003e\u003cspan\u003eA leaderless sextet jams on four of pianist \u003c\/span\u003eMal Waldron\u003cspan\u003e's originals. The performances range from eight to 12 minutes apiece. The all-star lineup -- trumpeter Thad Jones, Frank Wess on tenor and flute, guitarist Kenny Burrell, \u003c\/span\u003eWaldron\u003cspan\u003e, bassist \u003c\/span\u003ePaul Chambers\u003cspan\u003e, and drummer \u003c\/span\u003eArt Taylor\u003cspan\u003e -- is in fine form on the straight-ahead material. Bop fans will want to pick this up. — (via AllMusic)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003ciframe width=\"100%\" height=\"352\" style=\"border-radius: 12px;\" data-testid=\"embed-iframe\" src=\"https:\/\/open.spotify.com\/embed\/album\/5h7QKQzqndSf9WqpV2DhXa?utm_source=generator\u0026amp;theme=0\u0026amp;si=75a1c2b0539648a1\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e↓\u003cbr\u003eLabel: Craft Recordings, Prestige\u003cbr\u003eSeries: Original Jazz Classics\u003cbr\u003eFormat: Vinyl, LP, Album, Reissue, Mono, 180g\u003cbr\u003eReissued: 2025 \/ Original Release: 1957\u003cbr\u003eGenre: Jazz\u003cbr\u003eStyle: Hard Bop\u003c\/p\u003e\n\u003cp\u003eFile under: Audiophile Jazz\u003cbr\u003e⦿\u003c\/p\u003e","published_at":"2026-07-04T16:25:14+08:00","created_at":"2026-07-04T16:25:13+08:00","updated_at":"2026-07-08T12:07:18+08:00","vendor":"Craft Recordings \/ Prestige","product_type":"Vinyl - Audiophile Jazz","tags":["Audiophile Jazz","Genre - Hard Bop","Genre - Jazz","Genre - Jazz - Hard Bop","Label - Craft Recordings","Label - OJC","Label - Original Jazz Classics [OJC]","Label - Prestige","LP","New Arrivals","Vinyl"],"variants":[{"id":47936130941086,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"888072723290","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"price":"65.00","grams":800,"compare_at_price":null,"position":1,"product_id":8772373512350,"created_at":"2026-07-04T16:25:13+08:00","updated_at":"2026-07-08T12:07:18+08:00"}],"images":[{"id":44596201881758,"created_at":"2026-07-06T15:12:31+08:00","position":1,"updated_at":"2026-07-06T15:12:33+08:00","product_id":8772373512350,"variant_ids":[],"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/files\/91XdaPCDScL._UF1000_1000_QL80.jpg?v=1783321953","width":1000,"height":1000}],"options":[{"name":"Title","position":1,"values":["Default Title"]}]},{"id":8772367614110,"title":"Satoshi \u0026 Makoto – Mirage Cafe","handle":"satoshi-makoto-mirage-cafe","body_html":"\u003cp\u003eSix years after their last full-length release, Satoshi \u0026amp; Makoto return with \u003cem\u003eMirage Café\u003c\/em\u003e, the highly anticipated new album on 8mm Records, in collaboration with Standart Magazine.\u003c\/p\u003e\n\u003cp\u003eA carefully crafted and long-awaited work, \u003cem\u003eMirage Café\u003c\/em\u003e is more than an album — it is a fully immersive sensory experience. The Japanese duo expand their signature sound into deeper and more cinematic territory, blending refined electronica, ambient textures, subtle jazz inflections and understated groove with remarkable elegance and control.\u003c\/p\u003e\n\u003cp\u003eThe title evokes an imaginary café — a space of contemplation, connection and inspiration. The partnership with Standart Magazine reinforces this conceptual layer, bridging music and coffee culture into a cohesive narrative that feels both intimate and international. The result is an album that unfolds like a slow ritual: warm, enveloping and meticulously detailed.\u003c\/p\u003e\n\u003cp\u003eThroughout the record, Satoshi \u0026amp; Makoto demonstrate a mature and confident songwriting approach. The production is rich yet restrained, atmospheric yet rhythmically engaging — balancing introspection with forward motion. Lush harmonies, delicate arrangements and immersive sound design create a listening experience that rewards both focused attention and late-night drifting.\u003c\/p\u003e\n\u003cp\u003eWith \u003cem\u003eMirage Café\u003c\/em\u003e , the duo not only meet expectations after a six-year silence — they surpass them. This is a masterwork of nuance and vision, poised to become a defining chapter in their discography and a standout release in the contemporary electronic landscape. — (via \u003ca href=\"https:\/\/www.8mm-records.com\/release\/1772501004\/satoshi-and-makoto-cafe-mirage\" target=\"_blank\" rel=\"noopener\"\u003eLabel\u003c\/a\u003e)\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"352\" style=\"border-radius: 12px;\" data-testid=\"embed-iframe\" src=\"https:\/\/open.spotify.com\/embed\/album\/7vN7wbPFR4WXMH82LGVB2m?utm_source=generator\u0026amp;si=38db6e94925d433f\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e↓\u003cbr\u003eLabel: 8mm Records\u003cbr\u003eFormat: Vinyl, LP\u003cbr\u003eReleased: 2026\u003cbr\u003eGenre: Electronic, Jazz\u003cbr\u003eStyle: Ambient\u003c\/p\u003e\n\u003cp\u003eFile under: Japanese Electronic\u003cbr\u003e⦿\u003c\/p\u003e","published_at":"2026-07-04T16:04:36+08:00","created_at":"2026-07-04T16:04:35+08:00","updated_at":"2026-07-08T12:07:18+08:00","vendor":"8mm Records","product_type":"Vinyl – Japanese Electronic","tags":["Genre - Ambient","Genre - Electronic","Genre - Japanese Electronic","LP","Vinyl"],"variants":[{"id":47936119603358,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"615678599901","requires_shipping":true,"taxable":false,"featured_image":null,"available":false,"price":"60.00","grams":800,"compare_at_price":null,"position":1,"product_id":8772367614110,"created_at":"2026-07-04T16:04:35+08:00","updated_at":"2026-07-08T12:07:18+08:00"}],"images":[{"id":44588287951006,"created_at":"2026-07-04T16:04:36+08:00","position":1,"updated_at":"2026-07-04T16:04:38+08:00","product_id":8772367614110,"variant_ids":[],"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/files\/R-37161099-1777034142-1491.jpg?v=1783152278","width":600,"height":600}],"options":[{"name":"Title","position":1,"values":["Default Title"]}]},{"id":8772367220894,"title":"Wes Montgomery – Bumpin' (2025 Acoustic Sounds Series)","handle":"wes-montgomery-bumpin-2025-acoustic-sounds-series","body_html":"\u003cp\u003e\u003cspan\u003eTaking the listener on a smoother, rather than bumpier, ride down the moonlight highway of jazz is Wes Montgomery, a chief architect of the world's guitar virtuoso scene. Not only is his brilliant command of the six-string present here, so is the vivid color tones of notes and blue notes played between. Backed up by a hauntingly beautiful and mesmerizing orchestra conducted and arranged by \u003c\/span\u003eDon Sebesky\u003cspan\u003e, the music almost lifts the listener off his feet into a dreamy, water-like landscape. The atmosphere is serene and enchanting, such as a romantic evening for two under starlight, and certainly a romantic eve merits the accompaniment of this record. The sounds are soft, smooth, and silky, and Montgomery addresses full leadership of his graceful melodic style, fronting close to 20 members of a orchestra perhaps best described resonant and sweeping. So too are the sweeping note flows of Montgomery's guitar, and his surprising fluidness towards the art of comping, a necessary trait of the jazz guitar virtuoso. \u003cbr\u003e\u003cbr\u003eEven the unforgettable \u003c\/span\u003eJim Hall\u003cspan\u003e can be tickled and intrigued through a listen of these influential records, as for all amateur and professional guitar musicians. \"A Quiet Thing\" is perhaps the most somber, peaceful, and smooth piece on the record, demonstrating Montgomery's love of quiet, and how much the idea of not playing at all brings music to the listeners. The charming sounds of orchestral violas, violins, cellos, and harp are sent ablaze to create a pleasant atmosphere, either for a quick morning get up, get ready for work, or evening dining setting. \"Here's That Rainy Day\" is an up-tempo bossa nova tune that resonates with Montgomery's enticing chordal changes and blissful phrasing, not to mention the blend of harp and strings lays the groundwork for a perfect rainy day inside, with drops pattering at the windows and fires aglow. The recording engineer did a wonderful job with this album. The sound quality is clear and lush, and, overall, this collection of mid-'60s cool jazz is a delight to listen too, once and again. — (via AllMusic)\u003cbr\u003e\u003cbr\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eWes Montgomery's first album to reach the\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBillboard\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003echarts,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBumpin'\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eshowcases his exceptional command of the guitar with the support of an orchestra arranged and conducted by Don Sebesky. The rhythm section of Roger Kellaway (piano), Bob Cranshaw (bass) and Grady Tate (drums) add fire to and drive the orchestra. With a top-notch selection of compositions from Dizzy Gillespie, Johnny Mandel, John Francis Burke, and Montgomery himself,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBumpin'\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003etakes the listener on a majestic journey each time it spins.\u003c\/p\u003e\n\u003cp\u003eVerve's Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging. — (via Label)\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"352\" style=\"border-radius: 12px;\" data-testid=\"embed-iframe\" src=\"https:\/\/open.spotify.com\/embed\/album\/6gA3CiGkJLsij6069SgXgr?utm_source=generator\u0026amp;si=03431727c3c54375\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e↓\u003cbr\u003eLabel: Verve Records\u003cbr\u003eSeries: Acoustic Sounds Series\u003cbr\u003eFormat: Vinyl, LP, Album, Reissue, Stereo, 180g\u003cbr\u003eReissued: 2025 \/ Original Release: 1965\u003cbr\u003eGenre: Jazz\u003cbr\u003eStyle: Cool Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFile under: Audiophile Jazz\u003c\/span\u003e\u003cbr\u003e⦿\u003c\/p\u003e","published_at":"2026-07-04T16:03:12+08:00","created_at":"2026-07-04T16:03:11+08:00","updated_at":"2026-07-08T12:07:18+08:00","vendor":"Verve \/ Acoustic Sounds","product_type":"Vinyl - Audiophile Jazz","tags":["Audiophile Jazz","Genre - Cool Jazz","Genre - Jazz","Genre - Jazz - Cool Jazz","Genre - Jazz - Guitar","Instrument - Jazz Guitar","Label - Acoustic Sounds","Label - Verve","LP","New Arrivals","Reissue","Vinyl"],"variants":[{"id":47936119210142,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"602478366864","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"price":"65.00","grams":1000,"compare_at_price":null,"position":1,"product_id":8772367220894,"created_at":"2026-07-04T16:03:11+08:00","updated_at":"2026-07-08T12:07:18+08:00"}],"images":[{"id":44588285296798,"created_at":"2026-07-04T16:03:12+08:00","position":1,"updated_at":"2026-07-04T16:03:14+08:00","product_id":8772367220894,"variant_ids":[],"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/files\/AVER_78845__196472__10162025092743-8061.jpg?v=1783152194","width":800,"height":800}],"options":[{"name":"Title","position":1,"values":["Default Title"]}]},{"id":8772365680798,"title":"Ben Webster - The Soul Of Ben Webster (Analogue Productions 45RPM Reissue)","handle":"ben-webster-the-soul-of-ben-webster-analogue-productions-45rpm-reissue","body_html":"\u003cp\u003e\u003cspan\u003eBen Webster was considered one of the \"big three\" of swing tenors along with \u003ca href=\"https:\/\/theanalogvault.com\/products\/coleman-hawkins-quartet-today-and-now-2024-verve-by-request-reissue\" target=\"_blank\" rel=\"noopener\"\u003eColeman Hawkins\u003c\/a\u003e (his main influence) and Lester Young. He had a tough, raspy tone on stomps (with his own distinctive growls), yet on ballads he would play with warmth and sentiment. After violin lessons as a child, Webster learned how to play rudimentary piano (his neighbor Pete Johnson taught him to play blues). But after Budd Johnson showed him some basics on the saxophone, Webster played sax in the Young Family Band (which at the time included Lester Young). He had stints with Jap Allen and Blanche Calloway (making his recording debut with the latter) before joining Bennie Moten's Orchestra in time to be one of the stars on a classic session in 1932. Webster spent time with quite a few orchestras in the 1930s, including Andy Kirk, Fletcher Henderson in 1934, Benny Carter, Willie Bryant, Cab Calloway, and the short-lived Teddy Wilson big band.\u003cbr\u003e\u003cbr\u003eRecorded in 1958 and released the following year on Verve, \u003c\/span\u003e\u003cem\u003eThe Soul of Ben Webste\u003c\/em\u003e\u003cspan\u003e\u003cem\u003er \u003c\/em\u003eis a superb example of swinging mainstream jazz and bop. Webster is in fine form throughout, as are his fellow musicians including trumpeter \u003c\/span\u003eArt Farmer\u003cspan\u003e, bassist \u003c\/span\u003eMilt Hinton\u003cspan\u003e, pianist \u003c\/span\u003eJimmy Jones\u003cspan\u003e, and others. — (via AllMusic)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003ciframe width=\"100%\" height=\"352\" style=\"border-radius: 12px;\" data-testid=\"embed-iframe\" src=\"https:\/\/open.spotify.com\/embed\/album\/3txdl5NcBozMk4012vyel2?utm_source=generator\u0026amp;si=4569d0dc4504485b\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv class=\"product__description rte\"\u003e\n\u003cp\u003e↓\u003cbr\u003eLabel: Analogue Productions, Verve Records, Universal Music Special Markets\u003cbr\u003eSeries: Verve Reissues\u003cbr\u003eFormat: \u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e2 x\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eVinyl\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e,\u003cspan\u003e \u003c\/span\u003e12\", 45 RPM, Album, Limited Edition, Reissue, Remastered, Stereo\u003c\/span\u003e\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e, 200g\u003c\/span\u003e\u003cbr\u003eReissued: 2013 \/ Originally Released: 1960\u003cbr\u003eGenre: Jazz\u003cbr\u003eStyle: Swing\u003c\/p\u003e\n\u003cp\u003eFile under: Audiophile Jazz\u003cbr\u003e⦿\u003c\/p\u003e\n\u003c\/div\u003e","published_at":"2026-07-04T15:46:18+08:00","created_at":"2026-07-04T15:46:18+08:00","updated_at":"2026-07-08T12:07:18+08:00","vendor":"Analogue Productions \/ Verve","product_type":"Vinyl - Audiophile Jazz","tags":["Label - Analogue Productions","Label - Verve","LP","New Arrivals","Reissue","Remastered","Series - Verve Reissues","Vinyl"],"variants":[{"id":47936113311902,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"753088612411","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"price":"70.00","grams":1000,"compare_at_price":null,"position":1,"product_id":8772365680798,"created_at":"2026-07-04T15:46:18+08:00","updated_at":"2026-07-08T12:07:18+08:00"}],"images":[{"id":44588262883486,"created_at":"2026-07-04T15:46:19+08:00","position":1,"updated_at":"2026-07-04T15:46:20+08:00","product_id":8772365680798,"variant_ids":[],"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/files\/R-5368734-1685294376-7887.jpg?v=1783151180","width":600,"height":600}],"options":[{"name":"Title","position":1,"values":["Default Title"]}]},{"id":8772359979166,"title":"Kingo Hamada – Midnight Cruisin' (45RPM Reissue)","handle":"kingo-hamada-midnight-cruisin-45rpm-reissue","body_html":"\u003cp\u003eTokyo-based Kingo Hamada occupies a very specific hour here: city lights thinning, streets half-empty, emotion held just below the surface. Cut during his Alpha Moon period, the music moves with this late-night composure, built from muted rhythm guitar, soft-focus synths and melodies that drift forward on confidence alone. Longtime collaborator Makoto Matsushita also helps anchor the sound, his playing sleek and unforced, guiding the songs through neon-lit restraint. Tracks like 'Dakare ni Kita Onna' and 'Yokogao no Taxi Driver' settle into motion immediately, while 'Machi no Dolphin' and the title cut stretch the mood into something suspended and inward. The bonus '\u003cem\u003eMidnight Cruisin\u003c\/em\u003e' (2002 version)' and 'Dear Song' arrive as reflective codas, extending the same nocturnal language without breaking its spell. This is Japanese AOR at full maturity - unhurried and quietly resolute. — (via \u003ca href=\"https:\/\/www.juno.co.uk\/products\/kingo-hamada-midnight-cruisin-deluxe-edition-vinyl\/1131327-01\/\" target=\"_blank\" rel=\"noopener\"\u003eJuno\u003c\/a\u003e)\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003eReleased in 1982, Hamada’s \u003cem\u003eMidnight Cruisin\u003c\/em\u003e’ is a mix of City Pop, Funk, Jazz-Funk, Album-Oriented Rock, and Soul. I was curious to hear the album in its entirety and I wasn’t disappointed. \u003cem\u003eMidnight Cruisin\u003c\/em\u003e’ is a head-bumping groove that will work any time of the day though preferably at night.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMidnight Cruisin\u003c\/em\u003e’ is as fresh today as it was back in 1982 and can serve as an inspiration to other artists. Give it a go when you cruise in your own downtown at night. — (via \u003ca href=\"https:\/\/ccandtnr.com\/2020\/07\/22\/hidden-gems-kingo-hamada-and-midnight-cruisin\/\" target=\"_blank\" rel=\"noopener\"\u003eCCandTNR\u003c\/a\u003e)\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e— 2LP, 45RPM on black vinyl\u003cbr\u003e— Limited edition reissue\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"352\" style=\"border-radius: 12px;\" data-testid=\"embed-iframe\" src=\"https:\/\/open.spotify.com\/embed\/album\/30lgWjklkY1TOx7EdiGYlq?utm_source=generator\u0026amp;si=5188779d1d8f484e\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e↓\u003cbr\u003eLabel: Warner Music Japan\u003cbr\u003eFormat: 2 x Vinyl, LP, 45 RPM, Album, Limited Edition, Reissue, Stereo\u003cbr\u003eReissued: 2026 \/ Originally Released: 1982\u003cbr\u003eGenre: Jazz, Rock, Funk \/ Soul, Pop\u003cbr\u003eStyle: Kayōkyoku, Jazz-Funk, AOR, Soul, Ballad, City Pop, Vocal\u003c\/p\u003e\n\u003cp\u003eFile under: Japanese Pop\u003cbr\u003e⦿\u003c\/p\u003e","published_at":"2026-07-04T15:21:42+08:00","created_at":"2026-07-04T15:21:42+08:00","updated_at":"2026-07-08T12:07:18+08:00","vendor":"Warner Music Japan","product_type":"Vinyl - Japanese Pop","tags":["45 RPM","Genre - AOR","Genre - Ballad","Genre - City Pop","Genre - Jazz Funk","Genre - Soul","LP","Style - Kayokyoku","Vinyl"],"variants":[{"id":47936094371998,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"4943674438532","requires_shipping":true,"taxable":false,"featured_image":null,"available":false,"price":"60.00","grams":1600,"compare_at_price":null,"position":1,"product_id":8772359979166,"created_at":"2026-07-04T15:21:42+08:00","updated_at":"2026-07-08T12:07:18+08:00"}],"images":[{"id":44588230869150,"created_at":"2026-07-04T15:24:34+08:00","position":1,"updated_at":"2026-07-04T15:24:36+08:00","product_id":8772359979166,"variant_ids":[],"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/files\/about-kingo-hamadas-midnight-cruisin-v0-n22qrolb3gse1.webp?v=1783149876","width":736,"height":739}],"options":[{"name":"Title","position":1,"values":["Default Title"]}]},{"id":8772309155998,"title":"Makoto Matsushita – First Light (Coloured Vinyl)","handle":"makoto-matsushita-first-light-coloured-vinyl","body_html":"\u003cp\u003eOne of the finest albums of the era, \u003cem\u003eFirst Light\u003c\/em\u003e’s tightly wound pop\/AOR is an album that spawned the start of a trailblazing three-album trilogy. Despite the enduring life \u003cem\u003eFirst Light\u003c\/em\u003e has, its creation was a complete stroke of luck.\u003c\/p\u003e\n\u003cp\u003eThen 21 years old, Matsushita was told by a senior musician that Nichion Studio had recently installed a new 16-track recording console. Invited to participate in a test recording, he recorded “September Rain,” one of the album’s stronger tracks.\u003c\/p\u003e\n\u003cp\u003eThe enduring success of September Rain led to the opportunity for Matsushita to record his debut album. Up to this point, Matsushita was an arranger and session musician, recording on albums like Mai Yamane’s Tasogare, another great record. Matsushita had his big break, but it also meant that he worked tirelessly on \u003cem\u003eFirst Light\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eTaking advantage of the 16-track digital recorder, Matsushita’s multi-tracked vocals are slathered all over \u003cem\u003eFirst Light\u003c\/em\u003e. Floating and ethereal, they accentuate the late-night magic that the record oozes.\u003c\/p\u003e\n\u003cp\u003eListen closely and you’ll hear very distinct Western influences all over. Unlike his contemporaries like Tatsuro Yamashita and Hiroshi Sato who both got their sound splashing cash and recording albums with American musicians, Matsushita preferred to remain in Tokyo and use his ears to his advantage.\u003c\/p\u003e\n\u003cp\u003eEven the style of the album’s production is conceptually similar to Steely Dan. Matsushita hired purely studio musicians to participate in the recording — none of the names have any major solo careers. Compared to Taeko Ohnuki, who has Sakamoto, Shimizu and Hosono all lined up like ducks in a row, \u003cem\u003eFirst Light\u003c\/em\u003e’s roster looks bleak until the needle’s in the groove.\u003c\/p\u003e\n\u003cp\u003eUnlike other albums of the era, \u003cem\u003eFirst Light\u003c\/em\u003e remains conceptually rooted in itself. While albums from Tatsuro Yamashita and Toshiki Kadomatsu have very obvious filler tracks, \u003cem\u003eFirst Light\u003c\/em\u003e is well, almost perfect. — (via The \u003ca href=\"https:\/\/medium.com\/@velvetmotel\/makoto-matsushita-first-light-f9085bcc7f73\" target=\"_blank\" rel=\"noopener\"\u003eMedium\u003c\/a\u003e)\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e— Reissued in orange coloured vinyl\u003cbr\u003e— Vinyl cut from 2025 96kHz\/24 bit remastered audio\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"352\" style=\"border-radius: 12px;\" data-testid=\"embed-iframe\" src=\"https:\/\/open.spotify.com\/embed\/album\/6iHAKqapZLwgw9yIrVgsUT?utm_source=generator\u0026amp;si=cbb61af0a644418a\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e↓\u003cbr\u003eLabel: Warner Music Japan\u003cbr\u003eFormat: Vinyl, LP, Album, Limited Edition, Reissue, Remastered, Stereo, Orange Vinyl\u003cbr\u003eReissued: 2026 \/ Originally Released: 1981\u003cbr\u003eGenre: Electronic, Jazz, Rock, Funk \/ Soul\u003cbr\u003eStyle: Prog Rock, Jazz-Rock, Fusion, AOR\u003c\/p\u003e\n\u003cp\u003eFile under: Japanese Pop\u003cbr\u003e⦿\u003c\/p\u003e","published_at":"2026-07-04T14:28:37+08:00","created_at":"2026-07-04T14:28:37+08:00","updated_at":"2026-07-08T12:07:18+08:00","vendor":"Warner Music Japan","product_type":"Vinyl - Japanese Pop","tags":["LP","Vinyl"],"variants":[{"id":47935971524766,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"494367443854","requires_shipping":true,"taxable":false,"featured_image":null,"available":false,"price":"60.00","grams":800,"compare_at_price":null,"position":1,"product_id":8772309155998,"created_at":"2026-07-04T14:28:37+08:00","updated_at":"2026-07-08T12:07:18+08:00"}],"images":[{"id":44588076433566,"created_at":"2026-07-04T14:28:38+08:00","position":1,"updated_at":"2026-07-04T14:28:40+08:00","product_id":8772309155998,"variant_ids":[],"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/files\/51B-iz4eASL-_UF1000-1000_QL80.jpg?v=1783146520","width":1000,"height":996}],"options":[{"name":"Title","position":1,"values":["Default Title"]}]},{"id":8772277895326,"title":"Hiroshi Suzuki – Cat (Coloured Vinyl)","handle":"hiroshi-suzuki-cat-coloured-vinyl","body_html":"\u003cp\u003e\u003cstrong\u003e— The Analog Vault \/\/ Essential Listening —\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIt’s like all legends: In the end, only half of them are true. If at all. This also applies to \u003cem\u003eCat\u003c\/em\u003e by Hiroshi Suzuki. The album by the Japanese trombonist from 1976 enjoys an almost cult-like status among collectors of jazz rarities. Because it had already been such a great success upon release. Which is half not true. Because even in Japan, it was only a reissue a few years ago that brought it to greater attention. Which again is because of the great quality of this album. And this is the half of the legend that is definitely true.\u003c\/p\u003e\n\u003cp\u003eHiroshi Suzuki made the record in 1975 at Nippon Columbia Studio, was himself just visiting the old home country, having previously left for the United States. Within two days, together with his old companions, an album with five tracks was created, which are completely in the spirit of jazz fusion and funk, but infused with a characteristic relaxedness. In \"Kuro to Shiro\", the trombone grooves its way over the rhythm while the piano tries to hold the whole joint together. The solos of Hiroshi Suzuki but also of Takeru Muraoka on saxophone are a dream over the entire record, because always unobtrusive, but wondrously gentle and dreamy. The five and a half minutes of the title track alone flow so calmly that they already justify any creation of legends for this record. — (via \u003ca href=\"https:\/\/www.hhv-mag.com\/review\/hiroshi-suzuki-cat-2\/?lang=en\" target=\"_blank\" rel=\"noopener\"\u003eHHV Mag\u003c\/a\u003e)\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e— Reissued in clear yellow coloured vinyl\u003cbr\u003e— Housed in gatefold sleeve\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"352\" style=\"border-radius: 12px;\" data-testid=\"embed-iframe\" src=\"https:\/\/open.spotify.com\/embed\/album\/7DIXqjTX8IlgSKRR7DrhB9?utm_source=generator\u0026amp;si=2486cf6c91264ebc\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e↓\u003cbr\u003eLabel: Nipponophone\u003cbr\u003eFormat: Vinyl, LP, Album, Limited Edition, Reissue, Clear Yellow, Gatefold\u003cbr\u003eReissued: 2025 \/ Originally Released: 1976\u003cbr\u003eGenre: Jazz\u003cbr\u003eStyle: Fusion, Jazz-Funk\u003c\/p\u003e\n\u003cp\u003eFile under: Japanese Jazz\u003cbr\u003e⦿\u003c\/p\u003e","published_at":"2026-07-04T14:01:19+08:00","created_at":"2026-07-04T14:01:18+08:00","updated_at":"2026-07-08T12:07:18+08:00","vendor":"Nipponophone","product_type":"Vinyl - Japanese Jazz","tags":["Genre - Japanese Jazz","Genre - Jazz - Fusion","Genre - Jazz Funk","Vinyl"],"variants":[{"id":47935912968350,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"4549767348025","requires_shipping":true,"taxable":false,"featured_image":null,"available":false,"price":"60.00","grams":800,"compare_at_price":null,"position":1,"product_id":8772277895326,"created_at":"2026-07-04T14:01:19+08:00","updated_at":"2026-07-08T12:07:18+08:00"}],"images":[{"id":44588049334430,"created_at":"2026-07-04T14:01:20+08:00","position":1,"updated_at":"2026-07-04T14:01:21+08:00","product_id":8772277895326,"variant_ids":[],"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/files\/R-35536342-1762009296-1821.jpg?v=1783144881","width":600,"height":600}],"options":[{"name":"Title","position":1,"values":["Default Title"]}]},{"id":8771004760222,"title":"John Coltrane – Coltrane's Sound","handle":"john-coltrane-coltranes-sound","body_html":"\u003cp\u003eThis is one of the most highly underrated entries in Coltrane's voluminous catalog. Although the same overwhelming attention bestowed upon My Favorite Things was not given to Coltrane's Sound upon its initial release, both were actually recorded during the same three-day period in the fall of 1960. So prolific were those recording dates, they informed no less than five different Coltrane albums on Atlantic. The title could not have been more accurate, as each of the six pieces bear the unmistakable and indelible stamp of Coltrane's early-'60s style.\u003c\/p\u003e\n\u003cp\u003e\"The Night Has a Thousand Eyes\" and \"Body and Soul\" (the only tracks not penned by Coltrane) are given unique and distinctive voices. Animating the arrangements on these sessions were Coltrane (soprano\/tenor sax), Steve Davis (bass), Elvin Jones (drums), and McCoy Tyner (piano). It's perhaps Tyner's recollection of the quartet as \"four pistons in an engine\" that most aptly explains the singular drive heard during Coltrane's extended runs on \"Liberia.\" Tyner flawlessly complements Coltrane with full resonating chords that cling to his volley of sound. The rhythmic gymnastics of percussionist Jones is also showcased as his double-jointed bop swing and military band precision are distinctly displayed on the blues \"Equinox.\" The opening six bars give Jones a chance to make a contrasting statement — which he takes full advantage of. Regardless of the lack of attention, these recordings remain among Trane's finest. — (via \u003ca href=\"https:\/\/www.allmusic.com\/album\/coltranes-sound-mw0000604247?__cf_chl_f_tk=bhfmfTHa7QNAGhqi5vHKEI77IveLrNbc5_BPr19df6w-1783073099-1.0.1.1-qjtKi5LluW4yUhhK9MNOzQv.EZtXElvBweVjLauxLVY\" target=\"_blank\" rel=\"noopener\"\u003eAllMusic\u003c\/a\u003e)\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003eThis John Coltrane album is an average one for him. By that I mean it is excellent because the man was one of the finest horn players of all time and he just didn’t record substandard material.\u003c\/p\u003e\n\u003cp\u003eJohn certainly kept high-caliber company. The musicians that took part in this endeavor were none other than McCoy Tyner on piano, Elvin Jones on drums and Steve Davis on double bass. That lineup alone should tell you volumes about what “Coltrane’s Sound” contains. It’s such a pleasure to hear gifted artists working in harmony to produce the finest music they can.\u003c\/p\u003e\n\u003cp\u003eColtrane’s Sound is just splendid jazz music and nothing else needs to be added to that assessment. I will add that recordings like this one point out the fact that the improvements in home hi-fi equipment in that era really worked in jazz music’s favor. The studio engineers were able to capture the essence of small bands like John’s clearly because there was no need for overdubs or technical effects to get in the way of the music and that honesty translated well when reproduced in living rooms all across the planet. Half a century has passed and now we listen to the likes of Coltrane on tiny Ipods but that uncorrupted purity still comes across without hindrance. — (via \u003ca href=\"https:\/\/www.jazzmusicarchives.com\/review\/coltranes-sound\/237865?__cf_chl_f_tk=UQiEXq50JlckUj0COlg2hnz3aH7qn4V8dEvcdP.cWkE-1783073097-1.0.1.1-sJZqEPIWYE3a9.JJukbfl5W.C5Cq.rmnUkrCDa3.U4s\" target=\"_blank\" rel=\"noopener\"\u003eJazz Music Archives\u003c\/a\u003e)\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e— 180g Mono pressing, cut from analog tape\u003cbr\u003e— Part of the Rhino Reserve series\u003cbr\u003e— Housed in heavyweight gatefold jacket \u003cbr\u003e— Features alternate art from the original french pressing\u003cbr\u003e— Includes exclusive insert With notes by Syd Schwartz\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/ioPRCwpB1Ak?si=DXGzCPKCiQqOZXwd\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/4azzupZwiy4?si=WX09R-ONdbN5DWCM\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e↓\u003cbr\u003eLabel: Rhino Records \/ Atlantic \u003cbr\u003eFormat: Vinyl, LP, Album, Limited Edition, Reissue, Mono, 180g, Gatefold\u003cbr\u003eReissued: 2026 \/ Originally Released: 1964\u003cbr\u003eGenre: Jazz\u003cbr\u003eStyle: Hard Bop\u003c\/p\u003e\n\u003cp\u003eFile under: Jazz - John Coltrane\u003cbr\u003e⦿\u003c\/p\u003e","published_at":"2026-07-03T18:34:01+08:00","created_at":"2026-07-03T18:34:01+08:00","updated_at":"2026-07-08T12:07:18+08:00","vendor":"Rhino Records","product_type":"Vinyl - Jazz - John Coltrane","tags":["Audiophile Jazz","Genre - Hard Bop","Genre - Jazz - Tenor Saxophone","LP","Mono","Vinyl"],"variants":[{"id":47932266381470,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"081227807900","requires_shipping":true,"taxable":false,"featured_image":null,"available":false,"price":"60.00","grams":800,"compare_at_price":null,"position":1,"product_id":8771004760222,"created_at":"2026-07-03T18:34:01+08:00","updated_at":"2026-07-08T12:07:18+08:00"}],"images":[{"id":44584844296350,"created_at":"2026-07-03T18:34:02+08:00","position":1,"updated_at":"2026-07-03T18:34:04+08:00","product_id":8771004760222,"variant_ids":[],"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/files\/Screenshot-2026-07-03-181704.png?v=1783074844","width":923,"height":914}],"options":[{"name":"Title","position":1,"values":["Default Title"]}]},{"id":8770997846174,"title":"Charlie Mingus – Blues \u0026 Roots","handle":"charlie-mingus-blues-roots","body_html":"\u003cp\u003eIn response to critical carping that his ambitious, evocative music somehow didn't swing enough, Charles Mingus returned to the earthiest and earliest sources of black musical expression, namely the blues, gospel, and old-time New Orleans jazz. The resulting LP, \u003cem\u003eBlues and Roots\u003c\/em\u003e, isn't quite as wildly eclectic as usual, but it ranks as arguably Mingus' most joyously swinging outing. Working with simple forms, Mingus boosts the complexity of the music by assembling a nine-piece outfit and arranging multiple lines to be played simultaneously — somewhat akin to the Dixieland ensembles of old, but with an acutely modern flavor. Anyone who had heard \"Haitian Fight Song\" shouldn't have been surprised that such an album was well within Mingus' range, but jazz's self-appointed guardians have long greeted innovation with reactionary distaste.\u003c\/p\u003e\n\u003cp\u003eAfter \u003cem\u003eBlues and Roots\u003c\/em\u003e, there could be no question of Mingus' firm grounding in the basics, nor of his deeply felt affinity with them. Whether the music is explicitly gospel-based — like the groundbreaking classic \"Wednesday Night Prayer Meeting\" — or not, the whole album is performed with a churchy fervor that rips through both the exuberant swingers and the aching, mournful slow blues. Still, it's the blues that most prominently inform the feeling of the album, aside from the aforementioned \"Wednesday Night Prayer Meeting\" and the Jelly Roll Morton tribute \"My Jelly Roll Soul.\" The recording session was reportedly very disorganized, but perhaps that actually helped give the performances the proper feel, since they wound up so loose and free-swinging.\u003c\/p\u003e\n\u003cp\u003eWith a lineup including John Handy and Jackie McLean on alto, Booker Ervin on tenor, frequent anchor Pepper Adams on baritone, and Jimmy Knepper and Willie Dennis on trombones, among others, \u003cem\u003eBlues and Roots\u003c\/em\u003e isn't hurting for fiery soloists, and they help make the album perhaps the most soulful in Mingus' discography. — (via \u003ca href=\"https:\/\/www.allmusic.com\/album\/blues-roots-mw0000193364?__cf_chl_f_tk=7QRaWtwK33j4uGwbaCgQdfC3NDGVVEWIXLpWJgrmg9A-1783071279-1.0.1.1-G63Bt_tNJQVE1j3ZC0emD4GSzdeIOoWdKTyiqu688yA\" target=\"_blank\" rel=\"noopener\"\u003eAllMusic\u003c\/a\u003e)\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBlues \u0026amp; Roots\u003c\/em\u003e is a singular entry in Mingus’ body of work, a show of myopic focus on swing, with no tangents into the avant-garde or classical that had made his past records thrash and foam with personality and range (The violent ambience of Pithecanthropus Erectus or the future experimental, almost ballet-like affectations of his masterpiece Black Saint and the Sinner Lady). Yet for all its supposed primitivism in aesthetic form, Blues feels as vital and important as any of his best; six shots of a heady, unyielding brew.\u003c\/p\u003e\n\u003cp\u003eOnce “Wednesday Night Prayer Meeting” gets into gear, it is all Mingus, his bass clattering forward as the rest of the musicians rally to keep the swirl going uninterrupted. Horace Parlan’s piano adds tiers and variations into the driving frame, as the wind section takes the piece into the stratosphere.\u003c\/p\u003e\n\u003cp\u003e“Tensions” spends every second of its buildup living up to the name, the brass roiling and pulsating in anticipation, as the echoey bass stirs the piece into resolution.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBlues \u0026amp; Roots\u003c\/em\u003e crashes through the listener the way breakers do in rough weather, instinctual and beautiful and spilling over with measured substance. Mingus’ eventual demise from ALS is as tragic and as it is morbidly fascinating – a man whose life was built on virtuosic fingers rendered stiff and obsolete. What he left behind endures. There’s plenty that’s been said about what makes a genius – patience, madness, love, God, Nature, passion, opium, death. What seems less abstract is that ***ing poetry, that sheer beauty that sits so high, the thin air kills. — (via \u003ca href=\"https:\/\/www.sputnikmusic.com\/review\/74710\/Charles-Mingus-Blues--Roots\/\" target=\"_blank\" rel=\"noopener\"\u003eSputnik Music\u003c\/a\u003e)\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e— 180g Mono pressing, cut from analog tape\u003cbr\u003e— Part of the Rhino Reserve series\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"352\" style=\"border-radius: 12px;\" data-testid=\"embed-iframe\" src=\"https:\/\/open.spotify.com\/embed\/album\/7EOQggjtK8JCqeRz9IG33e?utm_source=generator\u0026amp;si=9c67a438455a438d\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e↓\u003cbr\u003eLabel: Rhino Records\u003cbr\u003eFormat: Vinyl, LP, Album, Reissue, Mono, 180g\u003cbr\u003eReissued: 2026 \/ Originally Released: 1960\u003cbr\u003eGenre: Jazz\u003cbr\u003eStyle: Post Bop, Hard Bop\u003c\/p\u003e\n\u003cp\u003eFile under: Audiophile Jazz\u003cbr\u003e⦿\u003c\/p\u003e","published_at":"2026-07-03T17:57:41+08:00","created_at":"2026-07-03T17:57:40+08:00","updated_at":"2026-07-08T12:07:18+08:00","vendor":"Rhino Records","product_type":"Vinyl - Audiophile Jazz","tags":["Audiophile Jazz","Genre - Hard Bop","Genre - Jazz - Bass","Genre - Post Bop","Label - 180g","LP","Mono","Vinyl"],"variants":[{"id":47932238266526,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"081227806477","requires_shipping":true,"taxable":false,"featured_image":null,"available":false,"price":"60.00","grams":800,"compare_at_price":null,"position":1,"product_id":8770997846174,"created_at":"2026-07-03T17:57:40+08:00","updated_at":"2026-07-08T12:07:18+08:00"}],"images":[{"id":44584808448158,"created_at":"2026-07-03T17:57:41+08:00","position":1,"updated_at":"2026-07-03T17:57:43+08:00","product_id":8770997846174,"variant_ids":[],"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/files\/R-36150229-1768596676-9705.jpg?v=1783072663","width":599,"height":600}],"options":[{"name":"Title","position":1,"values":["Default Title"]}]},{"id":8770992373918,"title":"Boy Katindig – After Midnight","handle":"boy-katindig-after-midnight","body_html":"\u003cp\u003eJazz-fusion, disco-funk, Latin jazz and batucada rhythms get the Filipino treatment on \u003cem\u003eAfter Midnight\u003c\/em\u003e, the sublime second album from keyboardist Boy Katindig. Originally released in 1980, \u003cem\u003eAfter Midnight\u003c\/em\u003e draws heavy influence from soul and funk contemporaries in the US as well as Latin America, in particular the famed Brazilian percussionist Paulinho da Costa.\u003c\/p\u003e\n\u003cp\u003eIt’s a testament to his musical prowess that Katindig weaves effortlessly between styles and tempos. His reverence for Paulinho da Costa extends far, with covers of several songs from the latter’s 1979 Happy People album. This includes slow-burner ‘Déjà Vu’ written by Isaac Hayes originally for Dionne Warwick; on the Filipino instrumental version, local legends Jun Regalado and Roger Herrera (from Regalado’s ‘Pinoy Funk’ single) are reunited on drums and bass respectively.\u003c\/p\u003e\n\u003cp\u003eBut Katindig’s original compositions hold just as much weight and unique personality: title track ‘\u003cem\u003eAfter Midnight\u003c\/em\u003e’ opens with a sultry funk serenade reminiscent of The Isley Brothers, and quickly transforms into a catchy, blistering, saxophone chorus that brims with swagger. Hidden B-side gem ‘Got The Need’ is an uptempo tribute to batucada that would not be out of place in a jazzy house set, and boasts increasingly elaborate and psychedelic solos from Katindig on keys and Ben Concepcion on soprano sax.\u003c\/p\u003e\n\u003cp\u003eMeanwhile, ‘Love Till the End of Time’ is a masterclass in instrumental disco funk, penned by the prolific Greg Phillanganes who at that same time was writing for many of the greats including Chaka Khan, George Benson, Stevie Wonder, The Jacksons and Cheryl Lynn.\u003c\/p\u003e\n\u003cp\u003eDominating the Manila jazz scene of the 1970s and 80s, Boy Katindig hailed from musical royalty, with his father Romy Katindig and other family members having pioneered the Latin jazz sound in the region. After successfully carving out a niche in modern fusion in the Philippines, he eventually moved to the west-coast US and set up his own label in the 90s.\u003c\/p\u003e\n\u003cp\u003eThis album is lovingly and officially reissued by Sama Sama Records, a boutique label from DJ and collector Norsicaa, who ran the esteemed Soundway Records for 8 years and released the compilation Ayo Ke Disco in late 2024. — (via \u003ca href=\"https:\/\/samasamarecords.bandcamp.com\/album\/after-midnight\" target=\"_blank\" rel=\"noopener\"\u003eLabel\u003c\/a\u003e)\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003eWhat makes \u003cem\u003eAfter Midnight\u003c\/em\u003e endure is its sense of conversation. Soul, disco, Latin jazz, and fusion are not treated as imported influences but as living ideas filtered through a distinctly Filipino perspective. The result is music that feels cosmopolitan yet deeply rooted, equally suited for careful listening or a packed dancefloor.\u003c\/p\u003e\n\u003cp\u003eAs an opening statement, Sama Sama Records could hardly have chosen a more fitting release. \u003cem\u003eAfter Midnight\u003c\/em\u003e is both a worthy rediscovery and an exciting introduction to a label committed to expanding the map of global music history. — (via \u003ca href=\"https:\/\/www.eisenbergreview.com\/blog\/boy-katindig-after-midnight\" target=\"_blank\" rel=\"noopener\"\u003eThe Eisenberg Review\u003c\/a\u003e)\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"352\" style=\"border-radius: 12px;\" data-testid=\"embed-iframe\" src=\"https:\/\/open.spotify.com\/embed\/album\/2SHsUpeU27q2YsWt0f46N0?utm_source=generator\u0026amp;si=0ac0baaf0f394716\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e↓\u003cbr\u003eLabel: Sama Sama Records\u003cbr\u003eFormat: Vinyl, LP, Album, Reissue, Remastered, Stereo\u003cbr\u003eReissued: 2026 \/ Originally Released: 1980\u003cbr\u003eGenre: Jazz\u003cbr\u003eStyle: Fusion\u003c\/p\u003e\n\u003cp\u003eFile under: Soul-Jazz \/ Jazz-Funk\u003cbr\u003e⦿\u003c\/p\u003e","published_at":"2026-07-03T17:24:47+08:00","created_at":"2026-07-03T17:24:46+08:00","updated_at":"2026-07-08T12:07:18+08:00","vendor":"Sama Sama Records","product_type":"Vinyl - Soul-Jazz\/Jazz-Funk","tags":["Genre - Jazz - Fusion","Genre - Soul Jazz \/ Jazz Funk","LP","Vinyl"],"variants":[{"id":47932211396766,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"5070004481605","requires_shipping":true,"taxable":false,"featured_image":null,"available":false,"price":"60.00","grams":800,"compare_at_price":null,"position":1,"product_id":8770992373918,"created_at":"2026-07-03T17:24:47+08:00","updated_at":"2026-07-08T12:07:18+08:00"}],"images":[{"id":44584723546270,"created_at":"2026-07-03T17:24:47+08:00","position":1,"updated_at":"2026-07-03T17:24:50+08:00","product_id":8770992373918,"variant_ids":[],"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/files\/a3875093685_10.jpg?v=1783070690","width":1200,"height":1200}],"options":[{"name":"Title","position":1,"values":["Default Title"]}]},{"id":8763140276382,"title":"Ella Fitzgerald – Ella Fitzgerald Sings Songs From Let No Man Write My Epitaph (Acoustic Sounds Series)","handle":"ella-fitzgerald-ella-fitzgerald-sings-songs-from-let-no-man-write-my-epitaph-acoustic-sounds-series","body_html":"\u003cp\u003eConsidered one of Ella's greatest recordings, she's backed on this 1960 release by pianist Paul Smith. \u003cem\u003eLet No Man Write My Epitaph\u003c\/em\u003e was a 1960 Hollywood movie featuring Fitzgerald. The album hits at a rare depth of emotional understanding and once again establishes Fitzgerald as one of the supreme interpreters of the Great American Songbook. Verve’s Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging. — (via \u003ca href=\"https:\/\/store.ververecords.com\/products\/ella-fitzgerald-let-no-man-write-my-epitaph-verve-acoustic-sounds-series-lp?srsltid=AfmBOopD-d0KjgmvrYqC4z7DK0RywYlwXK0pnQGjbX2U01Jdu6_ar-n9\" target=\"_blank\" rel=\"noopener\"\u003eLabel\u003c\/a\u003e)\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003eDebunking the myth that Ella Fitzgerald couldn’t sing the blues, her soundtrack for the 1960 film “\u003cem\u003eLet No Man Write My Epitaph\u003c\/em\u003e” is a must-have collection of heartbreak songs and an exercise in vocal restraint. Featuring 13 songs, the album begins with “Black Coffee”, the first of several that capture the essence of heartbreak. The tracklist includes the Ray Noble song “I Hadn’t Anyone Till You” and the Erroll Garner classic “Misty.”\u003c\/p\u003e\n\u003cp\u003eAs Ella sings Ernie Burnett’s “My Melancholy Baby” lyric – “every cloud must have a silver lining” – she imbues it with a nostalgic poignancy. Her interpretation of “September Song”, with its beautifully held legato notes, shows off her excellent tone and range. It’s an album that isn’t just for the heartbroken. It’s for anyone who has loved or is trying to hold onto love. And there is hope; it’s not all bleak. The lyrics of the final tune, “Reach for Tomorrow” – “you may get hurt in a thousand ways \/ but give it one more try” – are there to remind us.\u003c\/p\u003e\n\u003cp\u003eAs the album journeys musically through the various stages of yearning, despair, heartbreak and dashed hopes, Ella showcases exceptional vocal restraint. To enjoy the album at its best, put on your headphones, prepare yourself a nice cup of tea and immerse yourself in its clarity. The remastered 180-gram vinyl has been transferred from the original analogue tapes, allowing you to experience Ella’s breath control and tonal choices.\u003c\/p\u003e\n\u003cp\u003eFor vocalists who aspire to sing the jazz canon or, in fact, any jazz lover, it’s an excellent addition to your collection. It’s not surprising that this is considered to be one of Ella’s most significant recordings. Its simplicity is its beauty. — (via \u003ca href=\"https:\/\/www.everythingjazz.com\/story\/ella-sings-the-blues-let-no-man-write-my-epitaph\/\" target=\"_blank\" rel=\"noopener\"\u003eEverything Jazz\u003c\/a\u003e)\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003eThis is a most unusual Ella Fitzgerald recording. Recorded around the time when she performed some of these songs for the film \u003cem\u003eLet No Man Write My Epitaph\u003c\/em\u003e, the masterful singer is heard in duets with pianist Paul Smith interpreting 13 songs (even \"I Cried for You,\" \"I Can't Give You Anything But Love,\" and \"Who's Sorry Now?\") at slow expressive tempos. Listeners who feel that Ella Fitzgerald was mostly a scat singer who had trouble giving the proper emotional intensity to lyrics will be surprised by this sensitive and often-haunting set. — (via \u003ca href=\"https:\/\/www.allmusic.com\/album\/let-no-man-write-my-epitaph-mw0000564914\" target=\"_blank\" rel=\"noopener\"\u003eAllMusic\u003c\/a\u003e)\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"352\" style=\"border-radius: 12px;\" data-testid=\"embed-iframe\" src=\"https:\/\/open.spotify.com\/embed\/album\/3NSFAYVoFycfAqxnBr70TW?utm_source=generator\u0026amp;si=1046e297d5b24174\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e↓\u003cbr\u003eLabel: Verve Records \u003cbr\u003eFormat: Vinyl, LP, Album, Reissue, Repress, Stereo, 180g, Gatefold\u003cbr\u003eReissued: 2026 \/ Originally Released: 2003\u003cbr\u003eGenre: Jazz, Pop\u003cbr\u003eStyle: Bop, Vocal\u003c\/p\u003e\n\u003cp\u003eFile under: Jazz - Vocals (Audiophile)\u003cbr\u003e⦿\u003c\/p\u003e","published_at":"2026-06-27T18:16:52+08:00","created_at":"2026-06-27T18:16:52+08:00","updated_at":"2026-07-08T12:07:18+08:00","vendor":"Verve \/ Acoustic Sounds","product_type":"Vinyl - Jazz Vocals (Audiophile)","tags":["Audiophile Jazz","Genre - Bop","Genre - Female Vocals","Genre - Jazz Vocals","Genre - Soundtrack","Label - Acoustic Sounds","Label - Acoustic Sounds Series","Label - Verve","LP","New Arrivals","Vinyl"],"variants":[{"id":47910984614046,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"602455093004","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"price":"60.00","grams":1000,"compare_at_price":null,"position":1,"product_id":8763140276382,"created_at":"2026-06-27T18:16:52+08:00","updated_at":"2026-07-08T12:07:18+08:00"}],"images":[{"id":44552694071454,"created_at":"2026-06-27T18:16:53+08:00","position":1,"updated_at":"2026-06-27T18:16:55+08:00","product_id":8763140276382,"variant_ids":[],"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/files\/1-ella-fitzgerald-let-no-man-write-my-epitaph-acoustic-sounds-1.jpg?v=1782555415","width":970,"height":970}],"options":[{"name":"Title","position":1,"values":["Default Title"]}]},{"id":8763112620190,"title":"Susumu Yokota – Laputa (Skintone Edition)","handle":"susumu-yokota-laputa-skintone-edition","body_html":"\u003cp\u003eThe mystical world of \u003cem\u003eLaputa\u003c\/em\u003e is perhaps Yokota's most challenging work but immeasurably rewarding. Beguiling and bewitching in equal measure.\u003c\/p\u003e\n\u003cp\u003eIncluding an essay by Richard Norris in the liner notes...\u003c\/p\u003e\n\u003cp\u003e... “There is a building up and breaking down of the elements within the mix, in a careful and spacious construction. Something that appears to be far in the distance can gradually, or suddenly, break through front and centre. There are many styles of music that have been called deep listening - the term is even applied to a way of listening itelf. \u003cem\u003eLaputa\u003c\/em\u003e is a fine example of depth in music. It can also be heard as a ceremony, and as a trip..”...\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003eSusumu Yokota’s \u003cem\u003eLaputa\u003c\/em\u003e (2003) is perhaps his most challenging, foreboding and perplexing body of work. Over fifteen undulating sonic fugue states, he guides listeners round a liminal world, made up of familiar materials but formed in a way defying all laws of perspective and physics. Like the impossible perspective of Giorgio de Chirico’s paintings, background murmurings give way to almost uncomfortably foregrounded chattering, and one perceived soundstage segues into another impossible tableau of sonic apparitions, some recognisable in form, but all boldly decontextualised and arranged in expertly cluttered amalgams. The twisting, ‘penguin pool at London Zoo’ form on the cover also alludes to this Escher-esque collision of sonic angles, its arcing petal-like plateau spiralling into oblivion and calling to mind Le Corbusier’s 1958 Philips Pavilion, housing Iannis Xenakis and Varèse’s similarly disembodied sequence of sonic artefacts, Poème Électronique. Although possibly Yokota’s first entirely beatless work, it does not share the capital A ambient nature of Eno’s forays into discreet music, or the soothing soundscapes more readily associable with The Boy and The Tree, his previous effort on the Skintone label.\u003c\/p\u003e\n\u003cp\u003eInstead, it rewards deep and intentioned listening; watching sounds and textures pass by in a seductive dream sequence. Not one to stick on while entertaining friends or spring cleaning. \u003c\/p\u003e\n\u003cp\u003e‘Rising Sun’ gently sets the tone for a vivid trip, with its deep, resonant monastic drones, band-passed signal interference and eerie operatic wails, before the antigravitational tone float of ‘Lost Ring’ leads the listener into the cosmic ping pong match of the onomatopoeic ‘gong gong gong’, a spiritual prequel to composers like Alexi Baris and Ulla Straus’ expansive audio patchworks. The mellower ‘Iconic Air’ fuses a plodding, space-lounge bassline with metallic dub techno sound FX and overtone atmospheres, and the nearly avant-pop abstraction on ‘Light of The Sun’ leads us into the plinky, isolationist centrepiece ‘Grey Piano’, channelling Arvo Pärt’s austere tintinnabulations. ‘7 Degrees Dream’ guides us back towards deep-space cocktail party ambience before the sinister, cinematic warning tones of ‘Hidden Love’ preempt the bitonal chaos of ‘Trip Eden’. The borderline cheesy, questing synths of ‘True Story’ are soon undermined by mischievous, formant-shifted vocalisations, and colossal synth stalactites glisten on the aptly named ‘Dragon Place’.\u003c\/p\u003e\n\u003cp\u003eThe almost disconcertingly gentle ‘I am flying’ eases us into soporific bliss, before ‘Dizzy Echo’, ‘Heart By Heart’, and the percussive stride of ‘Hyper on Hyper’ end the album on a flustered, breathless note, dropping us back to reality with a thud and a cosmic pat on the back.\u003c\/p\u003e\n\u003cp\u003eAnother factor setting \u003cem\u003eLaputa\u003c\/em\u003e apart from the eternal chin-stroke of both ambient and avant garde camps is its use of unflinchingly synthetic sounds and textures, as well as pop detritus. Take ‘Lost Ring’ for instance, where soaring, Jimmy Smith-style rotary hammond licks circle overhead, crying out in a vacuum otherwise permeated by mostly uncanny, humanoid chattering, or ‘23 Degrees Dream’, where 80s city-pop synth lines, clumsy blues guitar twangs, and shoegazy vocal mantras bob in the void. This aspect of Yokota’s music speaks to his profound mastery and appreciation of the twin disciplines of popular and ‘art’ music, a dichotomy which a handful of critics dourly and categorically failed to understand on the release of his first non-dance efforts. Sucks to be them. Laputa is the sound of Yokota casually shrugging off all expectations and artistic inhibitions. — (via \u003ca href=\"https:\/\/susumuyokota.com\/laputa-r\" target=\"_blank\" rel=\"noopener\"\u003eLabel\u003c\/a\u003e)\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003ePart of the Skintone Edition series of re-issues.\u003c\/p\u003e\n\u003cp\u003eLimited Edition beige vinyl 2x12” vinyl LP housed in 2 x PMS printed inner sleeves featuring custom fonts by Non Format and spot gloss abstraction of the original album artwork.\u003c\/p\u003e\n\u003cp\u003eAccompanied with a double sided 2-panel insert and double sided 4 panel poster.\u003c\/p\u003e\n\u003cp\u003eAll sleeved in a custom PMS 7mm wide spine reverse board outer sleeve with die cut square centre panel and belly band.\u003c\/p\u003e\n\u003cp\u003eIn memory of Susumu Yokota. These reissues are brought to you in association with the Yokota family, in celebration of the extraordinary legacy of his music. Made with love and respect.\u003c\/p\u003e\n\u003cp\u003eUnder exclusive license to Lo Recordings from Skintone Records.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"352\" style=\"border-radius: 12px;\" data-testid=\"embed-iframe\" src=\"https:\/\/open.spotify.com\/embed\/album\/6OIzY9ry82mgjWaPChBaJw?utm_source=generator\u0026amp;si=c35592549d0f4d79\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e↓\u003cbr\u003eLabel: Lo Recordings\u003cbr\u003eFormat: 2 x Vinyl, LP, Album, Limited Edition, Reissue, Beige\u003cbr\u003eReissued: 2026 \/ Originally Released: 2003\u003cbr\u003eGenre: Electronic\u003cbr\u003eStyle: Leftfield, Avantgarde, Abstract, Plunderphonics, Experimental, Ambient\u003c\/p\u003e\n\u003cp\u003eFile under: Japanese Electonic\u003cbr\u003e⦿\u003c\/p\u003e","published_at":"2026-06-27T17:06:57+08:00","created_at":"2026-06-27T17:06:56+08:00","updated_at":"2026-07-08T12:07:18+08:00","vendor":"Lo Recordings","product_type":"Vinyl – Japanese Electronic","tags":["Genre - Abstract","Genre - Ambient","Genre - Avant Garde","Genre - Electronic","Genre - Experimental","Genre - Leftfield","LP","New Arrivals","Vinyl"],"variants":[{"id":47910931497118,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"5057805952244","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"price":"70.00","grams":1600,"compare_at_price":null,"position":1,"product_id":8763112620190,"created_at":"2026-06-27T17:06:56+08:00","updated_at":"2026-07-08T12:07:18+08:00"}],"images":[{"id":44552571748510,"created_at":"2026-06-27T17:06:57+08:00","position":1,"updated_at":"2026-06-27T17:06:59+08:00","product_id":8763112620190,"variant_ids":[],"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/files\/a0341776941_10.jpg?v=1782551219","width":1200,"height":1200}],"options":[{"name":"Title","position":1,"values":["Default Title"]}]},{"id":8763102331038,"title":"Patrick Cowley – Hard Ware","handle":"patrick-cowley-hard-ware","body_html":"\u003cp\u003eCybernetic disco maestro Patrick Cowley graces Dark Entries once again with \u003cem\u003eHard Ware\u003c\/em\u003e, a double LP of far-out funk and synthpop celebrating what would have been Cowley’s 75th birthday. Best known for his chart-topping disco anthems, Cowley left us with an incredible body of work before his tragic death in 1982 due to AIDS-related illness. Since 2009, Dark Entries has been working with Cowley’s friends and family to uncover the singular artist’s lesser-known sides, including his soundtracks for gay pornographic films, which the label chronicled on compilation albums School Daze, Muscle Up, and Afternooners. \u003cem\u003eHard Ware\u003c\/em\u003e presents the closing chapter in a trilogy of unreleased Cowley dancefloor bangers that began with 2022’s heavy-hitting Male Box and was continued with the soul and garage-inflected From Behind in 2024.\u003c\/p\u003e\n\u003cp\u003eThe most expansive release in said trilogy, \u003cem\u003eHard Ware\u003c\/em\u003e delivers ten tracks of pure, uncut Cowley: sultry, psychedelic, sarcastic, and just a bit sleazy. Cowley devotees will delight in “Tech-No,” a sparse instrumental demo version of his epically dystopian “Tech-No-Logical World.” You could soundtrack your next aerobics session with cheeky numbers like “Pajama Party Massacre” or “Shake It Up,” both of which feature Cowley himself on vocals. The frenetic “Big Ass in Motion” is built around samples from Rudy Ray Moore and The Madam’s infamous “Sensuous Black Woman,” an X-rated comedy record that would later feature in classic booty house records. Mid-tempo cosmic groovers are well-represented with jams like “Hellfire” and “Megablue,” which perfectly capture Cowley’s bathhouse-in-outerspace sensibilities. No collection of Cowley’s work would be complete without an interstellar floor-filler, and we’ve got quite a few here, like “Jungle Jump,” which pits whirling beats with dub-laced swirls of synth, or “Spellbinding Lover,” a Donna Summer-indebted melancholic boogie masterpiece that features Sylvester backup singer Jeanie Tracy. \u003cem\u003eHard Ware\u003c\/em\u003e closes with the chilling synth-hymn ”Ice Age,” in which Loverde vocalist Peggy Gibbons sings of a coming frosty apocalypse. The story told in “Ice Age” mirrors the coming AIDS crisis and feels like a haunting premonition from Cowley. — (via \u003ca href=\"https:\/\/www.darkentriesrecords.com\/store\/music\/vinyl\/lp\/patrick-cowley-hard-ware\/\" target=\"_blank\" rel=\"noopener\"\u003eLabel\u003c\/a\u003e)\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003eCowley lifers will know by now, more or less, what to expect from \u003cem\u003eHard Ware\u003c\/em\u003e. Glistening synthesizers and squelchy basslines do battle over drum machines, while vocalists pop up here and there to moan and lament, croon and demand. Tunes such as “Hellfire” and “Perk It Up,” with their rugged simplicity and layout, may seem commonplace, even humdrum—but they’re not. The shimmering synths, the spliced samples, the expansive, floor-filling grooves that you hear in virtually all disco music, that’s all been helped along the way by Cowley. This blueprint is Cowley©. This circuit board is patented.\u003c\/p\u003e\n\u003cp\u003eWhat’s more, the simplicity often belies the tasteful assembly of these tracks. Cowley’s music sometimes recalls a giant building that only reveals its detailing and complexity once you get within a few feet of it. Enjoy the close-up, or just enjoy the expanse. Headphones or subwoofers. Morning commute or dancefloor. Note how the simple chord change and melody in “Hellfire” is triumphant, yet tinged with a kind of weary resignation, or the genre-less magic of “Pajama Party Massacre,” which is en route to The B-52s by way of The Gun Club, pulsing with electricity. (Campy song titles like that one and “Big Ass In Motion” are worth the price of admission alone.) Cowley is a master of marshalling simple, well-chosen elements into music that subtly shifts and modulates; it’s not dissimilar to the way groups such as Can constructed their hypnotic grooves. — (via \u003ca href=\"https:\/\/daily.bandcamp.com\/album-of-the-day\/patrick-cowley-hard-ware-review\" target=\"_blank\" rel=\"noopener\"\u003eBandcamp\u003c\/a\u003e)\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e— 2LP, pressed on black vinyl\u003cbr\u003e— Housed in gatefold sleeve\u003cbr\u003e— Includes liner notes by Andrew Ryce and Peggy Gibbons\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"352\" style=\"border-radius: 12px;\" data-testid=\"embed-iframe\" src=\"https:\/\/open.spotify.com\/embed\/album\/00yCa2M7Wm3ScUzvowOTxa?utm_source=generator\u0026amp;si=c68589be89b44680\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e↓\u003cbr\u003eLabel: Dark Entries\u003cbr\u003eFormat: 2 x Vinyl, LP, Album\u003cbr\u003eReleased: 2025\u003cbr\u003eGenre: Electronic\u003cbr\u003eStyle: Disco, Experimental, Funk, Hi NRG\u003c\/p\u003e\n\u003cp\u003eFile under: Disco \/ Boogie \/ Funk\u003cbr\u003e⦿\u003c\/p\u003e","published_at":"2026-06-27T16:22:29+08:00","created_at":"2026-06-27T16:22:28+08:00","updated_at":"2026-07-08T12:07:18+08:00","vendor":"Dark Entries","product_type":"Vinyl - Disco\/Boogie\/Funk","tags":["Genre - Boogie","Genre - Disco","Genre - Electronic","Genre - Experimental","Genre - Funk","Label - Dark Entries","LP","New Arrivals","Vinyl"],"variants":[{"id":47910924419230,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"794811516095","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"price":"60.00","grams":1600,"compare_at_price":null,"position":1,"product_id":8763102331038,"created_at":"2026-06-27T16:22:28+08:00","updated_at":"2026-07-08T12:07:18+08:00"}],"images":[{"id":44552503525534,"created_at":"2026-06-27T16:22:30+08:00","position":1,"updated_at":"2026-06-27T16:22:32+08:00","product_id":8763102331038,"variant_ids":[],"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/files\/a0568706671_10.jpg?v=1782548552","width":1200,"height":1200}],"options":[{"name":"Title","position":1,"values":["Default Title"]}]},{"id":8763098628254,"title":"Marcel Dettmann – Fear Of Programming","handle":"marcel-dettmann-fear-of-programming","body_html":"\u003cp\u003eNearly 10 years on since his last solo LP, Berlin techno icon Marcel Dettmann arrives on Dekmantel with an expansive album captured in a flash of inspiration.\u003c\/p\u003e\n\u003cp\u003eIn many ways \u003cem\u003eFear Of Programming\u003c\/em\u003e is a reflection on the artistic process – the critical hurdles one has to overcome, the constant strive for originality, the ability to capture inspiration in its pure moment of inception. Bar the closing title track (and we all know Marcel loves a surprise closing), these 13 tracks came together during a period in which our hirsute host was able to immerse himself in studio practice and set the intention to record an album’s worth of material every single day. From the resulting mass of work there were many options to choose from, and \u003cem\u003eFear Of Programming\u003c\/em\u003e stood out as one of the most complete statements on Dettmann’s approach in the here and now.\u003c\/p\u003e\n\u003cp\u003eUnconcerned with an overarching concept, it was the work in the studio which drove the musical direction. No labouring over knotty arrangements, no painstaking mix downs – just honest expression, a moment caught, a groove locked, a stroke of synth sent pirouetting over a cavernous bed of texture. The results are varied, and while you might well hear plenty of bruising machinations in line with the techno Dettmann has made his name on, there are plenty of other shades expressed across the album.\u003c\/p\u003e\n\u003cp\u003eAmbient sojourns, beatless epics and angular electronica have equal footing with strident, floor-friendly workouts. Standout piece ‘Water’ offers an icy ballet of swinging minimal and drip-drop melodics fronted by Ryan Elliott on lesser-spotted vocal duties, urging, ‘give me a sign, just a little something to let me know that you’re mine’. It’s playful, but still underpinned with the sincerity that comes with Dettmann’s work.\u003c\/p\u003e\n\u003cp\u003eRunning on instinct, Dettmann presents an honest version of himself in the here and now, speaking through the sonics and not over-thinking the results. His decades of experience helming a thousand techno parties speak for themselves, while his evolution as a musical entity through collaboration and his own BAD MANNERS label demonstrate his appetite for change. Indeed, the working method which resulted in the album also spurred him on to create a live set beyond his well-established DJ practice. Without resorting to a conceited overhaul, \u003cem\u003eFear Of Programming\u003c\/em\u003e opens up the idea of what Dettmann represents in the modern techno landscape. — (via \u003ca href=\"https:\/\/marceldettmann.bandcamp.com\/album\/fear-of-programming\" target=\"_blank\" rel=\"noopener\"\u003eLabel\u003c\/a\u003e)\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003eFor a long time, it seemed like Marcel Dettmann was destined to be the austere yin to Ben Klock's playful yang. Klock, the smiley, affable one with a collection of house records. Dettmann, the East Berlin EBM enthusiast. Dueling profiles from the mid-2010s capture this dynamic perfectly: Klock drinks champagne on private jets; Dettmann eats DDR chocolate and drives his interviewer around Berlin. But if you've been following Dettmann's trajectory since, he's been pursuing a makeover, from his Dekmantel Selectors compilation showcasing the lighter side of industrial, to his Tangerine Dream-indebted contribution to the Matrix Resurrections soundtrack. The days of his Viking-esque, imposing figure have been chiseled away, revealing what Andrew Ryce called, a \"goofy, almost cuddly image.\"\u003cem\u003e Fear Of Programming\u003c\/em\u003e, his first proper LP since 2013 isn't cuddly, per se, but it's filled with soft touches of brightness, stretching his industrial-influenced sound is across house, ambient and techno frameworks.\u003c\/p\u003e\n\u003cp\u003eIf you want to hear what this sounds like in action, \"Suffice To Predict'' is a good place to start. It features the album's first kick drum—a big, brash one, at that—but it's softened with a muted arpeggio that adds a hint of psychedelia and a nearly giddy slapped bassline. He gets even softer on standout track, \"Water\" with fellow Berghain resident Ryan Elliott on vocals. Following a 12-inch on Elliot's Faith Beat label earlier this year, he leans into his housier tendencies as delicate synths and a slow, rolling rhythm contrast perfectly with the over-the-top lyrics that sound like a middle schooler's Valentine's Day card (\"Give me a sign \/ maybe that you're mine\"; \"Me and you \/ That would be so divine\"; \"My love burns hot like a fire \/ not even water can fade this desire\"). Elsewhere he leaves techno behind entirely. This isn't totally new territory (check out 2017's dark ambient Rauch), but he goes full homage to '90s ambient on \"Reverse Dreams,\" with its dusty arpeggios and broken chords. It's not all daybreak beauty—he loads the low-end with some threatening hints of sub bass, deep in the mix. — (via \u003ca href=\"https:\/\/ra.co\/reviews\/35192\" target=\"_blank\" rel=\"noopener\"\u003eResident Advisor\u003c\/a\u003e)\u003c\/p\u003e\n\u003cp\u003e— 2LP, pressed on black vinyl\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"352\" style=\"border-radius: 12px;\" data-testid=\"embed-iframe\" src=\"https:\/\/open.spotify.com\/embed\/album\/49b3cshXjZHfOzN3SfMWzr?utm_source=generator\u0026amp;si=c2a1615834c9477b\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e↓\u003cbr\u003eLabel: Dekmantel\u003cbr\u003eFormat: 2 x Vinyl, 12\", 33 ⅓ RPM, Album\u003cbr\u003eReleased: 2022\u003cbr\u003eGenre: Electronic\u003cbr\u003eStyle: Techno\u003c\/p\u003e\n\u003cp\u003eFile under: House \/ Electro \/ Techno\u003cbr\u003e⦿\u003c\/p\u003e","published_at":"2026-06-27T15:25:36+08:00","created_at":"2026-06-27T15:25:35+08:00","updated_at":"2026-07-08T12:07:18+08:00","vendor":"Dekmantel","product_type":"Vinyl - House\/Electro\/Techno","tags":["Genre - Deep Techno","Genre - Electronic","Genre - Techno","LP","New Arrivals","Vinyl"],"variants":[{"id":47910907445406,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"DKMNTL095","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"price":"60.00","grams":1600,"compare_at_price":null,"position":1,"product_id":8763098628254,"created_at":"2026-06-27T15:25:35+08:00","updated_at":"2026-07-08T12:07:18+08:00"}],"images":[{"id":44552423637150,"created_at":"2026-06-27T15:25:37+08:00","position":1,"updated_at":"2026-06-27T15:25:38+08:00","product_id":8763098628254,"variant_ids":[],"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/files\/a0747466778_10.jpg?v=1782545138","width":1200,"height":1200}],"options":[{"name":"Title","position":1,"values":["Default Title"]}]},{"id":8763055308958,"title":"Lindstrøm – It's A Feedelity Affair (2026 Remaster)","handle":"lindstrom-its-a-feedelity-affair-2026-remaster","body_html":"\u003cp\u003e\u003cem\u003eIt’s A Feedelity Affair\u003c\/em\u003e is reissued in 2026 as a 20th Anniversary Edition, marking the first-ever vinyl release of the album. Originally released only on CD in 2006, the album is presented here with its original full-length 12” versions. The album compiles tracks from Hans-Peter Lindstrøm’s first run of 12” releases between 2003 and 2006.\u003c\/p\u003e\n\u003cp\u003eThe album has been newly remastered in 2026. A dedicated vinyl master was cut specifically for the vinyl release. — (via \u003ca href=\"https:\/\/lindstrom.bandcamp.com\/album\/it-s-a-feedelity-affair-2026-remaster\" target=\"_blank\" rel=\"noopener\"\u003eLabel\u003c\/a\u003e)\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003eThis collection of the Norwegian producer's best-loved 12\" tracks succinctly demonstrates why both he and his epic space-disco sound have been among the most ubiquitous forces in modern dance music.\u003c\/p\u003e\n\u003cp\u003eIt would be difficult to argue that the Feedelity label remains a well-kept secret now that its founder and main artist Hans-Peter Lindstrøm has become such a ubiquitous presence in dance music. If anything, it's tempting to ask whether, in October 2006, it's too late to get excited about Lindstrøm's brand of epic disco revivalism. However,\u003cem\u003e It's a Feedelity Affair \u003c\/em\u003eis packed with tried-and-true musical strategies for putting on a spectacle, and this overdue round-up of some of the greater and lesser-known Lindstrøm tracks off his 10 or so vinyl releases from the past few years makes clear that the Norwegian artist's production style remains as invigorating as ever, despite many of these deeply familiar tunes now approaching half a decade in age. Can we chalk this resilience up to timelessness, or simply good timing?\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIt's a Feedelity Affair\u003c\/em\u003e largely foregoes the multi-hued fragrancy and soft-rock glide of Lindstrøm's recent work with Prins Thomas in favour of ostentatiously astral motifs (particularly roaming, noodly synth solos) and more pronounced dancefloor grooves, and it invites the conclusion that the producer's strongest solo efforts are also his most tunnel-visioned. The album's lofty peaks are the now instantly recognisable chill sci-fi sheen of \"I Feel Space\" and the stately, widescreen bleeps of new track \"The Contemporary Fix\", whose stereopanning percussion, shards of glistening dulcimer, and endlessly percolating 303 bass aspire to a majestic strain of minimalism that could go anywhere. It's difficult to know whether Lindstrøm would be better served pursuing this line of flight from plush disco, or to follow the path he's taken with Thomas, concocting ever-more sumptuous flights of multi-instrumentalist fancy, such as on their gorgeous, Henrik Schwarz-style remix of Tosca's \"Zuri\". Either way, it's probably a good idea for him to now steer clear of the warm space-disco which dominates \u003cem\u003eIt's a Feedelity Affair\u003c\/em\u003e, if only because there's little point in attempting to top his past achievements. — (via \u003ca href=\"https:\/\/pitchfork.com\/reviews\/albums\/9559-its-a-feedelity-affair\/\" target=\"_blank\" rel=\"noopener\"\u003ePitchfork\u003c\/a\u003e)\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003eWhat’s most captivating about \u003cem\u003eIt’s a Feedelity Affair\u003c\/em\u003e, on top of merely having some of the best Euro-disco you’re likely to hear, is that the Norwegian producer is so chameleonic with his style. From lush strands of instrumental vibrancy to more robotic simplicity in other tracks, Lindstrøm isn’t one to remain stagnant. “Cane It For the Original Whities” and “There’s a Drink in My Bedroom and I Need a Hot Lady,” aside from having the most entertaining titles, pile on the funk basslines and strut-worthy beats, merely begging for a leather jacket and tight pants in which to do so. These tracks just may be the ideal atmosphere for the drink and hot lady in your bedroom, gents. Yet “I Feel Space” is more straightforward in its uptempo synth-happiness. More handclaps abound, throbbing bass and a slick airy sheen in tow. And just to take it in one more different direction entirely, “Arp She Said” slows it down and adds some Latin flavored rhythms. — (via \u003ca href=\"https:\/\/www.treblezine.com\/lindstrom-its-a-feedelity-affair\/\" target=\"_blank\" rel=\"noopener\"\u003eTreblezine\u003c\/a\u003e)\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e— 3LP, pressed on 180g vinyl\u003cbr\u003e— Limited pressing of 1,000 copies\u003cbr\u003e— Includes an obi strip\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"\" height=\"\" style=\"border: 0; width: 400px; height: 472px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1642776203\/size=large\/bgcol=ffffff\/linkcol=0687f5\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e↓\u003cbr\u003eLabel: Feedelity\u003cbr\u003eFormat: 3 x Vinyl, LP, Compilation, Limited Edition, Remastered, 180g\u003cbr\u003eReissued: 2026 \/ Originally Released: 2006\u003cbr\u003eGenre: Electronic\u003cbr\u003eStyle: House, Deep House, Disco\u003c\/p\u003e\n\u003cp\u003eFile under: House \/ Electro \/ Techno\u003cbr\u003e⦿\u003c\/p\u003e","published_at":"2026-06-27T15:02:24+08:00","created_at":"2026-06-27T15:02:22+08:00","updated_at":"2026-07-08T12:07:18+08:00","vendor":"Feedelity","product_type":"Vinyl - House\/Electro\/Techno","tags":["Genre - Deep House","Genre - Disco","Genre - Electronic","Genre - House","LP","New Arrivals","Vinyl"],"variants":[{"id":47910695207070,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"5414166692453","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"price":"60.00","grams":2400,"compare_at_price":null,"position":1,"product_id":8763055308958,"created_at":"2026-06-27T15:02:23+08:00","updated_at":"2026-07-08T12:07:18+08:00"}],"images":[{"id":44552383660190,"created_at":"2026-06-27T15:02:24+08:00","position":1,"updated_at":"2026-06-27T15:02:26+08:00","product_id":8763055308958,"variant_ids":[],"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/files\/a3263436649_10.jpg?v=1782543746","width":1200,"height":1190}],"options":[{"name":"Title","position":1,"values":["Default Title"]}]},{"id":8763014480030,"title":"Various Artists – Ayam El Disco","handle":"various-artists-ayam-el-disco","body_html":"\u003cp\u003e​Wewantsounds is delighted to release \u003cem\u003eAyam El Disco\u003c\/em\u003e, a new selection of Egyptian 1980s disco and boogie cassette tracks curated by Egyptian DJ Disco Arabesquo, following his highly acclaimed Sharayet El Disco. Most tracks make their vinyl debut in this set. A journey through the funky sounds of 1980s Egypt, \u003cem\u003eAyam El Disco\u003c\/em\u003e (“Disco Days”) features Ammar El Sherei, Al Massrieen, and other underground artists from Cairo’s vibrant cassette culture. The audio has been remastered for vinyl by David Hachour at Colorsound Studio in Paris, and the LP features artwork by Egyptian graphic designer Heba Tarek, along with a 2-page insert showcasing the original cassette artwork and insightful liner notes by Moataz Rageb. — (via \u003ca href=\"https:\/\/wewantsounds.bandcamp.com\/merch\/ayam-el-disco-egyptian-disco-boogie-jeel-cassettes-1978-92-lp-with-2p-col-insert-black-vinyl\" target=\"_blank\" rel=\"noopener\"\u003eLabel\u003c\/a\u003e)\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003eEgyptian disco music is one of those genres that you’re prob­ably barely aware of, but once you’ve star­ted explor­ing it via vari­ous online rab­bit holes, you’ll find your­self want­ing to listen to little else. It flour­ished in the late 1970s and ’80s, in the hotel bars, cab­aret lounges and cafes of Cairo, and would be primar­ily dis­trib­uted by cas­sette, a medium that had all but eclipsed vinyl in much of the Middle East in the 1970s.\u003c\/p\u003e\n\u003cp\u003eThe Egypt-born, Ams­ter­dam-based soci­olo­gist and DJ Moataz Rageb, aka Disco Arabesquo, has become the fore­most cur­ator of this music, and fol­lows his ninet­rack 2022 com­pil­a­tion Sharayet El Disco with the 11-track \u003cem\u003eAyam El Disco: Egyp­tian Disco, Boo­gie And Jeel Cas­settes 1978–92\u003c\/em\u003e. Both assemble high­lights from the thou­sands of cas­settes in his col­lec­tion, which have been digit­ised, remastered and metic­u­lously cred­ited. Tracks usu­ally fea­ture a famil­iar disco under­car­riage – machine-like four-to-the-floor drums, bass gui­tars play­ing octave bass­lines, wah-wah gui­tar, big riffs played by string sec­tions or synths – over­laid with local tropes: dar­buka drums, ney flutes, melis­matic vocals and dis­tinctly Arabic-sound­ing maqam scales. — (via \u003ca href=\"https:\/\/www.pressreader.com\/uk\/uncut\/20260501\/283003996326601?srsltid=AfmBOoqqikILHlj2c81qInSPNhLjWRnEUHdRyZ__nNTh35U_tYZLjpSo\" target=\"_blank\" rel=\"noopener\"\u003ePress Reader\u003c\/a\u003e)\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e— Colour insert featuring original cassette artwork and liner notes\u003cbr\u003e— Featuring never before released tracks on vinyl\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/dImLPe7HPu8?si=TDJ5VFEelZyroMEj\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/bqSB7ZFoRpM?si=X7jGMyuCJz9QUKgv\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/EmWetLjaMxg?si=jhrU2mjtcVTVIHvZ\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eVinyl Tracklist\u003cbr\u003eA1 Firkit Americana Show — Seeb Alby\u003cbr\u003eA2 Al Massrieen — Afifa El Hawa\u003cbr\u003eA3 Firkit Hany Shenoda — Lounga 85\u003cbr\u003eA4 Mostafa El Sakka — Rezq El Ein\u003cbr\u003eA5 Hamid El Shaeri — Ouda\u003cbr\u003eB1 Firkit El Pharana — Ya Habiby\u003cbr\u003eB2 Omar Fathy — Beteghdaby\u003cbr\u003eB3 Ammar El Sherei — Sooq\u003cbr\u003eB4 Madath Saleh — El Milionerat\u003cbr\u003eB5 Aida El Ayoubi — Asfour\u003cbr\u003eB6 Ahmed Adaweya — Little Up\u003c\/p\u003e\n\u003cp\u003e↓\u003cbr\u003eLabel: Wewantsounds\u003cbr\u003eFormat: Vinyl, LP, Compilation\u003cbr\u003eReleased: 2026\u003cbr\u003eGenre: Funk \/ Soul, Folk, World, \u0026amp; Country\u003cbr\u003eStyle: Disco, Boogie\u003c\/p\u003e\n\u003cp\u003eFile under: Global Sounds\u003cbr\u003e⦿\u003c\/p\u003e","published_at":"2026-06-27T14:23:19+08:00","created_at":"2026-06-27T14:23:18+08:00","updated_at":"2026-07-08T12:07:18+08:00","vendor":"WeWantSounds","product_type":"Vinyl - Global Sounds","tags":["Compilation","Genre - Boogie","Genre - Disco","Genre - Folk","Genre - Funk \/ Soul","Genre - Global Sounds","Genre - World","Label - WeWantSounds","LP","New Arrivals","Vinyl"],"variants":[{"id":47910353469598,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"3700604780427","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"price":"55.00","grams":800,"compare_at_price":null,"position":1,"product_id":8763014480030,"created_at":"2026-06-27T14:23:18+08:00","updated_at":"2026-07-08T12:07:18+08:00"}],"images":[{"id":44552319238302,"created_at":"2026-06-27T14:23:20+08:00","position":1,"updated_at":"2026-06-27T14:23:22+08:00","product_id":8763014480030,"variant_ids":[],"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/files\/ayameldisco.jpg?v=1782541402","width":800,"height":800}],"options":[{"name":"Title","position":1,"values":["Default Title"]}]},{"id":8762322682014,"title":"Zbigniew Namysłowski Quartet – Lola","handle":"zbigniew-namyslowski-quartet-lola","body_html":"\u003cp\u003eOriginally released in 1964, and now much sought after by collectors and connoisseurs, original vinyl copies of this landmark Jazz album now sell for around £500. As the original sleeve notes stated, \"jazz is inevitably associated with the United States\", and yet it has long been the case that other countries and cultures are able to bring a unique perspective to the music, as displayed on '\u003cem\u003eLola\u003c\/em\u003e', an album recorded in a pre-internet age by a hugely talented Polish quartet, at a time when the international exchange of ideas, let alone overseas travel, was extremely limited.\u003cbr\u003e \u003cbr\u003eMade up of seven original compositions, and a new take on the Jerome Kern and Oscar Hammerstein II standard 'Ol' Man River', '\u003cem\u003eLola\u003c\/em\u003e' draws on Polish folklore for inspiration, particularly highlander music. As quoted in the extensive new sleeve notes that accompany this release, Namysłowski \"wanted it to sound different than the so-called pure jazz.\" Recorded at Decca Studio No. 3 in August 1964, the sessions for the ‘\u003cem\u003eLola\u003c\/em\u003e’ album were overseen by Mike Vernon, who would go on to produce Fleetwood Mac, David Bowie, and John Mayall among others, and establish the Blue Horizon label. The engineer was Vic Smith, who would go on to produce The Jam. The sessions gave us the first album recorded by a Polish group outside the 'Iron Curtain', and the results were enthusiastically received in the music press at the time. — (via \u003ca href=\"https:\/\/shop.decca.com\/products\/lola-vinyl?srsltid=AfmBOoo0Xl-oiJeVDKwK52fpC9rZJ9QhHFH0THAhpXRQxWujBzp6AXjn\" target=\"_blank\" rel=\"noopener\"\u003eLabel\u003c\/a\u003e)\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003eThe album opens with one of five compositions by Namysłowski, a glorious modal jazz waltz called “Piekna Lola, Kwiat Polnocy” (“Beautiful Lola, Flower Of The North”) with the bandleader’s exotic horn soaring above Gulgowski’s sublime piano and Bartkowski and Wójcik’s serious rhythm section.\u003c\/p\u003e\n\u003cp\u003eDrawing more deeply on Polish folk music, “Piatawka (In 5\/4 Time)” further demonstrates Namysłowski’s compositional prowess and the very individual sound he got from his horn. And what a band he had behind him, powering this nine minute number into one of the most explosive Polish jazz recordings of all time. \u003c\/p\u003e\n\u003cp\u003eElsewhere, in the complexity and angularity of “Rozpacz (Despair)”, Namysłowski brings to mind the advancements of his American alto contemporary Jackie McLean and other artists pushing post-bop forward at Blue Note. — (via \u003ca href=\"https:\/\/www.everythingjazz.com\/story\/zbigniew-namyslowski-a-polish-jazz-classic\/\" target=\"_blank\" rel=\"noopener\"\u003eEverything Jazz\u003c\/a\u003e)\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e— Pressed on 180g vinyl\u003cbr\u003e— Vinyl audio from the original master tapes\u003cbr\u003e— Includes 12x12 insert with new liner notes\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"352\" style=\"border-radius: 12px;\" data-testid=\"embed-iframe\" src=\"https:\/\/open.spotify.com\/embed\/album\/10Nevc2uZ7dS1o62Y2w0sv?utm_source=generator\u0026amp;si=a57c3ac2038a4ae5\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e↓\u003cbr\u003eLabel: Decca\u003cbr\u003eFormat: Vinyl, LP, Reissue\u003cbr\u003eReissued: 2026 \/ Originally Released: 1964\u003cbr\u003eGenre: Jazz\u003c\/p\u003e\n\u003cp\u003eFile under: Jazz Groups\u003cbr\u003e⦿\u003c\/p\u003e","published_at":"2026-06-26T18:21:23+08:00","created_at":"2026-06-26T18:21:22+08:00","updated_at":"2026-07-08T12:07:18+08:00","vendor":"Decca","product_type":"Vinyl - Jazz Groups","tags":["Genre - Jazz - Tenor Saxophone","Genre - Jazz Groups","LP","New Arrivals","Vinyl"],"variants":[{"id":47905387511966,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"602478090288","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"price":"55.00","grams":800,"compare_at_price":null,"position":1,"product_id":8762322682014,"created_at":"2026-06-26T18:21:22+08:00","updated_at":"2026-07-08T12:07:18+08:00"}],"images":[{"id":44549073076382,"created_at":"2026-06-26T18:21:23+08:00","position":1,"updated_at":"2026-06-26T18:31:04+08:00","product_id":8762322682014,"variant_ids":[],"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/files\/0602478090288-transparent-001.jpg?v=1782469864","width":1500,"height":1500}],"options":[{"name":"Title","position":1,"values":["Default Title"]}]},{"id":8761918554270,"title":"Yamasuki – Le Monde Fabuleux Des Yamasuki","handle":"yamasuki-le-monde-fabuleux-des-yamasuki","body_html":"\u003cp\u003eIn the spring of 1971, somewhere between Brussels, Paris and a collective pop fever dream, \u003cem\u003eLe Monde Fabuleux Des Yamasuki\u003c\/em\u003e landed on vinyl. It sounded like nothing else then and it still does not today. More than half a century later, Sdban Records proudly presents a reissue of this singular cult album.\u003c\/p\u003e\n\u003cp\u003eThe album was produced by Jean Kluger and written both by Jean and Daniel Vangarde (aka Bangalter, later the father of Thomas Bangalter of Daft Punk), who were already well ahead of their time, long before electronic music rewrote the rules of pop culture.\u003c\/p\u003e\n\u003cp\u003eReleased under the name Yamasuki, also referred to as The Yamasuki Singers, or The Yamasuki’s, the project was never intended as a conventional band. It was a studio-born fantasy, a concept album disguised as a pop record. What began as a standalone single quickly expanded into a full-blown pan-cultural pop opera that ignored genres and common sense with joyful abandon.\u003c\/p\u003e\n\u003cp\u003eMusically, the album sits at a delirious crossroads. Psychedelic pop collides with funk rhythms, samba and bubblegum melodies, full of chants and choruses in a phonetic pseudo-Japanese, written with the help of a dictionary. Kluger and Vangarde famously recruited a children’s choir to perform the vocals, and for added spectacle, they brought in a Japanese judo grandmaster, whose ritualistic shouts and battle cries erupt throughout the record.\u003c\/p\u003e\n\u003cp\u003eSeveral singles were released. One of them, Yamasuki, with accompanying dance move, appeared in the United Kingdom and France on John Peel’s Dandelion label, a fitting home for a record that thrived on the margins of pop culture. Its B-side, Aieaoa, proved even more potent. In 1975, the song was reborn as A.I.E. (A Mwana) by Black Blood, an African group recording in Belgium, this time sung in Swahili. That melody would travel even further. Aie a Mwana became the debut single of English pop group Bananarama, and in 2010 it resurfaced once more as Helele, an official song of the FIFA World Cup, recorded by South African singer Velile Mchunu with Danish percussion duo Safri Duo. That version became the most widely known incarnation of the song. With Jean Kluger directly involved, it was less a cover than a continuation of the original idea.\u003c\/p\u003e\n\u003cp\u003eThe album’s afterlife did not stop there. Over the years, Yamasuki has been quietly sampled, covered, and featured across media far beyond the realm of novelty pop. Kono Samourai was sampled in The Healer by Erykah Badu (2007), produced by Madlib, while Yama Yama has found its way into recent pop culture as well: appearing in the television series Fargo, on Angus Stone’s project Dope Lemon, and on the 2008 Late Night Tales compilation curated by Arctic Monkeys drummer Matt Helders. Proof, if any were needed, that this strange little record carries a deeper musical DNA than its playful exterior might suggest.\u003c\/p\u003e\n\u003cp\u003eThis new reissue of \u003cem\u003eLe Monde Fabuleux Des Yamasuki\u003c\/em\u003e proves the renewed interest and respect for this cult album, faithful to the original spirit while finally giving it back the physical presence it deserves. In an era obsessed with genres and algorithmic neatness, Yamasuki still laughs, dances and karate-kicks its way past definitions. It reminds us that pop music can be playful without being disposable, strange without being cynical and joyful without explanation. The world of Yamasuki was always fabulous, we are just lucky it found its way back to us! — (via \u003ca href=\"https:\/\/yamasuki-singers.bandcamp.com\/album\/le-monde-fabuleux-des-yamasuki\" target=\"_blank\" rel=\"noopener\"\u003eLabel\u003c\/a\u003e)\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003eIn Thomas Bangalter’s case, he didn’t lick it off the stone. In the early 1970s, his father, under the name Daniel Vangarde, devised a concept for a musical project which was strangely predictive of his son’s subsequent blueprint for fame. Vangarde had been pursuing a peripatetic route through popular music in late 1960s France. He skipped between projects and genres as writer, arranger and producer. He was fond of releasing all kinds of music and took the highly unusual step of inventing different monikers to fit each sound.\u003c\/p\u003e\n\u003cp\u003eIn 1971, with fellow composer Jean Kluger, he created a briefly popular dance song called Yamasuki and from the reaction it garnered, decided to extend the idea to a full album. The unerring execution of the concept is a joy in both musical and visual terms. There is a beautiful symmetry between the disparate elements. It's shamelessly fun but never trite or kitsch. All kinds of innovations make the music engaging. The sophisticated grooves that underpin the hypnotic chants are ahead of their time. The fatback drum beats are class. There is so much to enjoy. — (via \u003ca href=\"https:\/\/www.irishtimes.com\/culture\/music\/sunken-treasure-yamasuki-singers-le-monde-fabuleux-des-yamasuki-1.2819188\"\u003eIrish Times\u003c\/a\u003e)\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"352\" style=\"border-radius: 12px;\" data-testid=\"embed-iframe\" src=\"https:\/\/open.spotify.com\/embed\/album\/5V6JYVUtlZYVRFvdKPxpqt?utm_source=generator\u0026amp;si=e7943ec59b554e1a\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e↓\u003cbr\u003eLabel: Sdban\u003cbr\u003eFormat: Vinyl, LP, Album, Reissue\u003cbr\u003eReissued: 2026 \/ Originally Released: 1971\u003cbr\u003eGenre: Jazz, Rock\u003cbr\u003eStyle: Jazz-Funk, Psychedelic Rock\u003c\/p\u003e\n\u003cp\u003eFile under: Global Sounds\u003cbr\u003e⦿\u003c\/p\u003e","published_at":"2026-06-26T17:08:57+08:00","created_at":"2026-06-26T17:08:56+08:00","updated_at":"2026-07-08T12:07:18+08:00","vendor":"Sdban","product_type":"Vinyl - Global Sounds","tags":["Genre - Jazz Funk","Genre - Jazz Rock","Genre - Psychedelic Rock","Genre - World","LP","New Arrivals","Vinyl"],"variants":[{"id":47904892584094,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"5414166692088","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"price":"55.00","grams":800,"compare_at_price":null,"position":1,"product_id":8761918554270,"created_at":"2026-06-26T17:08:57+08:00","updated_at":"2026-07-08T12:07:18+08:00"}],"images":[{"id":44548549542046,"created_at":"2026-06-26T17:08:58+08:00","position":1,"updated_at":"2026-06-26T17:16:55+08:00","product_id":8761918554270,"variant_ids":[],"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/files\/a2844518526_10.jpg?v=1782465415","width":1200,"height":1200}],"options":[{"name":"Title","position":1,"values":["Default Title"]}]},{"id":8761871728798,"title":"DJ Notoya – Tokyo Pulse","handle":"dj-notoya-tokyo-pulse","body_html":"\u003cp\u003eDJ Notoya comes back with a new selection of Japanese funk and modern soul and city pop recorded between 1974 and 1988 and featuring Yumi Murata, Higurashi, Chikara Ueda and Nami Shimada.\u003c\/p\u003e\n\u003cp\u003eHot on the heels of the Tokyo bliss and Funk Tide sets, Tokyo-based DJ Notoya delivers \u003cem\u003eTokyo Pulse\u003c\/em\u003e a new juicy selection of Funk and Modern soul recorded in Tokyo in the 70s and 80s. Most tracks here are making their debut outside of Japan and the album, like its predecessors, has been designed by Manuel Sepulveda (Optigram) and is annotated by DJ Notoya. The audio has been newly mastered in Tokyo by Nippon Columbia Records and remastered for vinyl by Colorsound in Paris. — (via \u003ca href=\"https:\/\/wewantsounds.bandcamp.com\/album\/tokyo-pulse-japanese-funk-modern-soul-and-city-pop-from-the-tokyo-scene1974-88\" target=\"_blank\" rel=\"noopener\"\u003eLabel\u003c\/a\u003e)\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003eCity pop was perhaps the first real postmodern musical phenomenon, replicating and recontextualising existing styles—disco, boogie, funk, soul, modern pop and soft rock—to create something that was both hyperlocal and still in touch with a progressively globalising world. It was the foremost cultural expression of the social paradigm shifts during an economic boom time in the 1970s and 80s—the soundtrack of a new Japanese leisure class. All of this means that city pop was more of a vibe than a genre, which is why it got pretty huge on YouTube during the 2010s. Naturally, this paved for countless vinyl compilations offering some prime cuts from that curious era.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTokyo Pulse\u003c\/em\u003e – Japanese Funk, Modern \u0026amp; City Pop from the Tokyo Scene 1974-88 is already the third WeWantSounds compilation focusing on a particular musical strain in the Japanese capital, and like \"Funk Tide\" and \"Tokyo Bliss\" has been put together by DJ Notoya from the Nippon Columbia catalogue. Unsurprisingly, Notoya veers towards the funkier side of things, but the nine songs go through many motions between Naomi Chiaki’s jazzy opener and Higurashi’s grand soulful finale \"Anata wa doko ni irundesuka\", touching upon reggae, synth-pop, yacht rock, and more.\u003c\/p\u003e\n\u003cp\u003eWhat makes \u003cem\u003eTokyo Pulse\u003c\/em\u003e stand out in a sea of quick cash-grab compilations and AI-generated YouTube mixes is Notoya’s careful sequencing—this record is a great DJ set in and of itself—and his focus on deep cuts. The vibe most certainly is there, but it never feels forced. — (via \u003ca href=\"https:\/\/www.hhv-mag.com\/review\/various-artists-tokyo-pulse-japanese-funk-modern-city-pop-from-the-tokyo-scene-1974-88\/?lang=en#:~:text=What%20makes%20%C2%BBTokyo%20Pulse%C2%AB%20stand,but%20it%20never%20feels%20forced.\" target=\"_blank\" rel=\"noopener\"\u003eHHV Mag\u003c\/a\u003e)\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"\" height=\"\" style=\"border: 0; width: 400px; height: 439px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2950586275\/size=large\/bgcol=ffffff\/linkcol=0687f5\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e↓\u003cbr\u003eLabel: Wewantsounds\u003cbr\u003eFormat: Vinyl, LP, Compilation, Remastered\u003cbr\u003eReleased: 2026\u003cbr\u003eGenre: Electronic, Funk \/ Soul, Pop\u003cbr\u003eStyle: Synth-pop, AOR, City Pop, Disco, Funk, Boogie\u003c\/p\u003e\n\u003cp\u003eFile under: Japanese Pop\u003cbr\u003e⦿\u003c\/p\u003e","published_at":"2026-06-26T16:28:42+08:00","created_at":"2026-06-26T16:28:41+08:00","updated_at":"2026-07-08T12:07:18+08:00","vendor":"WeWantSounds","product_type":"Vinyl - Japanese Pop","tags":["Genre - AOR","Genre - Boogie","Genre - City Pop","Genre - Disco","Genre - Electronic","Genre - Synth pop","Japanese Funk \/ Soul","LP","New Arrivals","Vinyl"],"variants":[{"id":47904801521822,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"3700604782339","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"price":"55.00","grams":800,"compare_at_price":null,"position":1,"product_id":8761871728798,"created_at":"2026-06-26T16:28:41+08:00","updated_at":"2026-07-08T12:07:18+08:00"}],"images":[{"id":44548437573790,"created_at":"2026-06-26T16:28:42+08:00","position":1,"updated_at":"2026-06-26T16:36:40+08:00","product_id":8761871728798,"variant_ids":[],"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/files\/a1951827331_10.jpg?v=1782463000","width":1200,"height":1200}],"options":[{"name":"Title","position":1,"values":["Default Title"]}]},{"id":8761848856734,"title":"Various Artists – J Jazz: Deep Modern Jazz From Japan 1970 \/ 1988 Vol. 5","handle":"various-artists-j-jazz-deep-modern-jazz-from-japan-1970-1988-volume-5","body_html":"\u003cp\u003eThis final volume features a selection of tracks that is as diverse as it is deep, reflecting the rich and varied Japanese jazz scene that spanned from the late 1960s to the late 1980s, a golden era of innovation and creativity. \u003cem\u003eJ Jazz volume 5\u003c\/em\u003e sees compilers Tony Higgins and Mike Peden dig ever deeper into their respective record collections to reveal tracks that encompass myriad styles including white hot jazz funk fusion from Toshiyuki Honda (Eastern Legacy) and Mikio Masuda (Sonic Barrier), super rare ethnic jazz crossover by Crystal Zone – their one-off 45 promo release from 1971, Rai Rai, a deconstructed and abstract jazz classic by Yasuhiro Kohno with his solo piano rendition of My Favourite Things, and Mile and Half’s skin-tearing, shredding freak-out from their mega rare private press album. A track that is so relentless, it leaves the listener in need of oxygen and a Valium.\u003c\/p\u003e\n\u003cp\u003eThese hand-picked selections sit alongside other specially chosen numbers that embrace hard-driving samba (Seiichi Nakumura’s Judy’s Samba), epic head-nodding soul jazz (Masaru Imada’s World Line), psychedelic private press fusion (Aoyama Gakuin 101’s Fervor), angular post-bop tear-ups (Akia Miyazawa’s Nijimasu), intense and insistent fusion (Motohiko Hino’s Olive Step), serene cinematic pianism (Hideo Ichikawa’s On the Trade Wind) and tripped-out hallucinogenic tribal funky jazz (Masahiko Sato’s Garandoh’s Africa to Africa).\u003c\/p\u003e\n\u003cp\u003eMost of the tracks on this collection are being reissued for the first time, many of them only available previously on extremely limited and mega-rare private press or independent releases. \u003cem\u003eJ Jazz volume 5\u003c\/em\u003e is a fitting end to a compilation series that helped create a new audience and appreciation of Japanese jazz.\u003c\/p\u003e\n\u003cp\u003eSome of the albums the tracks are drawn from are featured in the large format book J Jazz: Modern and Free Jazz from Japan 1954-1988, by Tony Higgins and Mike Peden, published by BBE Music in 2024.\u003c\/p\u003e\n\u003cp\u003eWith almost 7000 words of extensive sleeve notes, \u003cem\u003eJ Jazz volume 5\u003c\/em\u003e comes in a triple 180g vinyl set inside a deluxe gatefold sleeve with obi strip, and comes with a 4- page insert, with photographs from the renowned Tokyo Jazz Joints project. It is also available as a double CD and digital download.\u003c\/p\u003e\n\u003cp\u003eMastered at the Grammy-nominated Carvery Studio by Frank Merritt, this latest collection is a worthy successor to the preceding four volumes that set the bar so high. The J Jazz series is curated for BBE Music by Tony Higgins and Mike Peden. — (via \u003ca href=\"https:\/\/bbemusic.com\/product\/j-jazz-volume-5-deep-modern-jazz-from-japan-1970-1988\" target=\"_blank\" rel=\"noopener\"\u003eLabel\u003c\/a\u003e)\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e— 3LP, pressed on 180g black vinyl\u003cbr\u003e— Housed in gatefold sleeve with obi strip\u003cbr\u003e— Includes a 4 page insert, with photographs from the renowned Tokyo Jazz Joints project\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"\" height=\"\" style=\"border: 0; width: 400px; height: 472px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=746309662\/size=large\/bgcol=ffffff\/linkcol=0687f5\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e↓\u003cbr\u003eLabel: BBE\u003cbr\u003eFormat: 3 x Vinyl, LP, Compilation, Stereo, 180 gr\u003cbr\u003eReleased: 2026\u003cbr\u003eGenre: Jazz\u003cbr\u003eStyle: Jazz-Funk, Modal, Latin Jazz\u003c\/p\u003e\n\u003cp\u003eFile under: Japanese Jazz\u003cbr\u003e⦿\u003c\/p\u003e","published_at":"2026-06-26T14:54:42+08:00","created_at":"2026-06-26T14:54:42+08:00","updated_at":"2026-07-08T12:07:18+08:00","vendor":"BBE","product_type":"Vinyl - Japanese Jazz","tags":["Genre - Japanese Jazz","Genre - Jazz-Funk","Genre - Latin-Jazz","Genre - Modal","Label - BBE","LP","New Arrivals","Vinyl"],"variants":[{"id":47904732086430,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"199538220162","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"price":"75.00","grams":2400,"compare_at_price":null,"position":1,"product_id":8761848856734,"created_at":"2026-06-26T14:54:42+08:00","updated_at":"2026-07-08T12:07:18+08:00"}],"images":[{"id":44548263280798,"created_at":"2026-06-26T14:54:43+08:00","position":1,"updated_at":"2026-06-26T15:01:52+08:00","product_id":8761848856734,"variant_ids":[],"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/files\/a1367405959_10.jpg?v=1782457312","width":1200,"height":1200}],"options":[{"name":"Title","position":1,"values":["Default Title"]}]},{"id":8761812123806,"title":"Djrum – Under Tangled Silence","handle":"djrum-under-tangled-silence","body_html":"\u003cp\u003e\u003cstrong\u003e— The Analog Vault \/\/ Essential Listening —\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDjRUM returns with his most intricate, emotionally charged work to date - a sprawling 75-minute labyrinth shaped by eight years of writing, improvisation, and rebuilding. The album leans heavily into his classical training: live piano threads through nearly every track, while harp, mbira, bass clarinet, and cello add organic resonance to his trademark drum \u0026amp; bass, footwork, and broken-beat structures. Rather than locking into loops, the songs unfold in long, free-flowing arcs - rhythms mutating mid-phrase, melodies resurfacing in unexpected places, arrangements. — (via \u003ca href=\"https:\/\/www.bandwagon.asia\/articles\/bandwagon-s-top-10-albums-eps-of-2025\" target=\"_blank\" rel=\"noopener\"\u003eBandwagon\u003c\/a\u003e)\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003eThis line from Patti Smith was going round and round Felix Manuel’s head as he gradually constructed \u003cem\u003eUnder Tangled Silence\u003c\/em\u003e, his first album in six years and a record of a literal creative rebirth. Felix originally began it in earnest in 2020 Covid lockdown, but a catastrophic hard-drive meltdown destroyed almost all his work and sent him close to psychic collapse himself. However, ultimately this pushed him to rebuild from scratch and in so doing to confront and reassess every part of his musical and psychological processes.\u003cbr\u003e \u003cbr\u003eThe result is utterly extraordinary. Felix was a child prodigy as an instrumentalist and his advanced musicality has always been prominent in his music, but here he has put himself front and centre as pianist, harpist and more. And this sense of exposure as a performer interweaves with an unflinching emotional openness too. Where sometimes electronic production as advanced as this can use intellect and techniques as shields from soul-baring, this is the sound of someone who can boldly say “I feel things, I cry all the time, and I'm not afraid to say it or show it in the music.”\u003cbr\u003e \u003cbr\u003eBut this doesn’t mean there’s a move away from the soundsystems and dancefloors where Felix made his name as a uniquely innovative vinyl DJ. Even just in the opening track “A Tune for Us”, minimalist piano ripples and jazz drumming flow into the breaks of vintage jungle – and as the structure of the LP unfolds, a deep ambient meditation like “Hold” can sit very naturally in between the futurist dancehall of “L’Ancienne” and the high-definition acid house mind movie of “Galaxy in Silence”. In fact, as with the hands-on musicianship, that gutsy big-speaker electronic impact is delivered with more certainty, more expertise, more personal flourishes than ever. And all of those elements are more integrated than ever too: the sound of a total musical personality emerging afresh is truly something to behold. An already remarkable talent has been refreshed, reborn and is making the music of his life. — (via \u003ca href=\"https:\/\/www.houndstoothlabel.com\/view\/djrum-returns-with-new-album--under-tangled-silence\" target=\"_blank\" rel=\"noopener\"\u003eLabel\u003c\/a\u003e)\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003eAs an artist, Djrum is extremely difficult to define. The press notes pin him as a “child prodigy.” His style refuses definition. He is fundamentally a very talented musician, one who has absorbed electronic music in all its forms. The central form that percussion takes across the eleven offerings is that of broken beats. Crunched cymbals and shattered snares are tossed over the compositions, rhythms giving texture rather than being points of pivot. Instead, it is Manuel’s instrumentation and choice of tool that is at the album’s core.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eUnder Tangled Silence\u003c\/em\u003e is a lost album that has been found, a reconstructed work made whole from fragments. Born in pain, the collection is a triumph of Djrum’s musicality and his tireless effort to revive and reimagine what was gone. An immensely absorbing and original work, an accomplishment of desire and dexterity. — (via \u003ca href=\"https:\/\/igloomag.com\/reviews\/djrum-under-tangled-silence-houndstooth\" target=\"_blank\" rel=\"noopener\"\u003eIgloo\u003c\/a\u003e)\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eUnder Tangled Silence\u003c\/em\u003e, Manuel’s third album, pulls off a similar feat, but to subtler, more poetic effect. Like his DJ sets, it draws from all corners of his musical universe, channeling his classical piano training as much as his life-changing moments at London squat raves. But unlike the rowdy melee of his DJing, \u003cem\u003eUnder Tangled Silence\u003c\/em\u003e distills these sounds into something fluid, seamless, and technically virtuosic. His rhythmic finesse drives most of the album, but this isn’t exactly a dance record; it’s a mercurial survey of what sound like Manuel’s deepest emotions, delivered with a level of nuance that’s rare in club music.\u003c\/p\u003e\n\u003cp\u003eAt the heart of the album is a deft synthesis of wholly different musical traditions. Manuel has played piano since the age of seven, but only gradually wove the instrument into his records. In 2016, he told an interviewer that the piano parts on his Forgetting EP had been “very much composed rather than improvised,” adding that improvisation had “yet to filter its way into my production properly.” Here, piano is the album’s lead instrument, much of it seemingly off the cuff. (Manuel says that “Waxcap,” the album’s second track, began as a jazzy improv he later developed further.) — (via \u003ca href=\"https:\/\/pitchfork.com\/reviews\/albums\/djrum-under-tangled-silence\/\" target=\"_blank\" rel=\"noopener\"\u003ePitchfork\u003c\/a\u003e)\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"352\" style=\"border-radius: 12px;\" data-testid=\"embed-iframe\" src=\"https:\/\/open.spotify.com\/embed\/album\/1bMzS9D1chZ57onK5mU8ea?utm_source=generator\u0026amp;si=bdbb9f016dba4473\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e↓\u003cbr\u003eLabel: Houndstooth\u003cbr\u003eFormat: 2 x Vinyl, 12\", 33 ⅓ RPM, Album\u003cbr\u003eReleased: 2025\u003cbr\u003eGenre: Electronic\u003cbr\u003eStyle: Techno, Broken Beat, Drum n Bass, IDM, Ambient\u003c\/p\u003e\n\u003cp\u003eFile under: TAV Essential Listening\u003cbr\u003eFile under: Electronic \/\/  Ambient \/ Experimental \/ IDM\u003cbr\u003e⦿\u003c\/p\u003e","published_at":"2026-06-26T14:26:07+08:00","created_at":"2026-06-26T14:26:06+08:00","updated_at":"2026-07-08T12:07:18+08:00","vendor":"Houndstooth","product_type":"Vinyl - Ambient\/Experimental\/IDM","tags":["Genre - Ambient","Genre - Broken Beat","Genre - Drum n Bass","Genre - Electronic","Genre - IDM","Genre - Techno","LP","New Arrivals","TAV Essential Listening","TAV Essential Listening - Electronica","Vinyl"],"variants":[{"id":47904560185502,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"5060845325503","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"price":"70.00","grams":1600,"compare_at_price":null,"position":1,"product_id":8761812123806,"created_at":"2026-06-26T14:26:07+08:00","updated_at":"2026-07-08T12:07:18+08:00"}],"images":[{"id":44548135452830,"created_at":"2026-06-26T14:26:08+08:00","position":1,"updated_at":"2026-06-26T14:34:02+08:00","product_id":8761812123806,"variant_ids":[],"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/files\/a1040071726_10.jpg?v=1782455642","width":1200,"height":1200}],"options":[{"name":"Title","position":1,"values":["Default Title"]}]},{"id":8761776177310,"title":"Truck – Surprise! Surprise!","handle":"truck-surprise-surprise","body_html":"\u003cp\u003eAmong the many forgotten bands of the late ’60s, few shine as brightly (and unjustly overlooked) as Singapore’s own the October Cherries. From Singapore to Belgium to Abbey Road, The October Cherries reinvented themselves again and again — Truck, Col. Truck, Jade \u0026amp; Pepper — leaving behind a trail of dazzling Beatlesque pop-psych.\u003c\/p\u003e\n\u003cp\u003eOriginally released in 1974 in Singapore\/Malaysia, Truck’s \"\u003cem\u003eSurprise! Surprise!\u003c\/em\u003e\" re-arranged songs first released on the Cherries “Dreamseller” album and sounds like it could’ve been part of the 60s British psych era but filtered through early 70s production: melodic, Beatles\/Badfinger-influenced English vocals, catchy songs, lush arrangements, fuzz \u0026amp; wah‑wah guitar, electric piano, and cool analog synth \/ Moog  which gives the album a wonderful unique vibe. Featuring “Earth Song”, included by the late Trish Keenan of Broadcast in her celebrated Motorway Mix. — (via \u003ca href=\"https:\/\/guerssen.com\/product\/surprise-surprise\/\" target=\"_blank\" rel=\"noopener\"\u003eLabel\u003c\/a\u003e)\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e“Truck is a Singaporean psych rock band consisting of two brothers and another dude. There really isn’t much information about this record online, but as far as I can tell, they recorded an earlier version of it with another guy under the name The October Cherries (such a sick name), but then kicked him out, deleted his guitar parts, and replaced them with insane synth… or something?”\u003c\/p\u003e\n\u003cp\u003e“I first heard this album the same way I heard a lot of music for the first time over the last decade or so,” recalls Courtney, “while sitting in the back of the Real Estate tour van as our dear old drummer, Jackson Pollis, jockeyed the aux cord. These songs jumped out at me and I asked him who it was. He told me the name of the band and that they were from Singapore, which seemed notable to me. I asked him to burn me a cd (remember those days), and it became a driving around staple for me. The cd is long gone, but I still come back to this album on YouTube often.” \u003c\/p\u003e\n\u003cp\u003e“The main thing that has kept me coming back to this album are the songs. There really isn’t a dud on here. “Broken Chair” is a ballad for the ages, with a gargantuan chorus. An absolutely tremendous tune. I saw someone online compare this album to Wings-era Paul McCartney, and I’d say that’s fairly apt. Hyper melodic music, hooks on top of hooks, mutated by weird synth sounds and sometimes nonsensical lyrics. It’s amazing to me that this album isn’t more well known. It seems to have only been reissued once in the early 2000s by a Spanish label. Light in the Attic or whatever, take note.” — (via \u003ca href=\"https:\/\/ravensingstheblues.com\/martin-courtney-on-truck-surprise-surprise\/\" target=\"_blank\" rel=\"noopener\"\u003eRaven Sings The Blues\u003c\/a\u003e)\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e— Original artwork in hard cardboard sleeve\u003cbr\u003e— Remastered sound in 24-bit domain\u003cbr\u003e— Insert with liner notes and photos\u003cbr\u003e— Includes download card\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"352\" style=\"border-radius: 12px;\" data-testid=\"embed-iframe\" src=\"https:\/\/open.spotify.com\/embed\/album\/6uB6ktGApUKFlJYXUVQpxp?utm_source=generator\u0026amp;si=c80e9ba74562496e\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e↓\u003cbr\u003eLabel: Guerssen\u003cbr\u003eFormat: Vinyl, LP, Album, Reissue, Remastered\u003cbr\u003eReissued: 2025 \/ Originally Released: 1974\u003cbr\u003eGenre: Rock\u003cbr\u003eStyle: Pop Rock\u003c\/p\u003e\n\u003cp\u003eFile under: Singapore\u003cbr\u003e⦿\u003c\/p\u003e","published_at":"2026-06-26T13:42:32+08:00","created_at":"2026-06-26T13:42:31+08:00","updated_at":"2026-07-08T12:07:18+08:00","vendor":"Guerssen","product_type":"Vinyl - Singapore","tags":["Genre - Pop Rock","Genre - Rock","LP","New Arrivals","Singapore Music","Vinyl"],"variants":[{"id":47904430817438,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"4255805500897","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"price":"48.00","grams":800,"compare_at_price":null,"position":1,"product_id":8761776177310,"created_at":"2026-06-26T13:42:32+08:00","updated_at":"2026-07-08T12:07:18+08:00"}],"images":[{"id":44548013097118,"created_at":"2026-06-26T13:42:33+08:00","position":1,"updated_at":"2026-06-26T13:49:27+08:00","product_id":8761776177310,"variant_ids":[],"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/files\/a1526479606_10.jpg?v=1782452967","width":1200,"height":1200}],"options":[{"name":"Title","position":1,"values":["Default Title"]}]},{"id":8761773916318,"title":"Hiroshi Fukumura Quintet – Morning Flight","handle":"hiroshi-fukumura-quintet-morning-flight","body_html":"\u003cp\u003eReissued on 180g black vinyl LP with original obi strip and liner notes reproduction\u003cbr\u003eRemastered and cut by Katsutoshi Kitamura at Mixer's Lab, Warner Music Mastering, pressed and printed in Japan.\u003cbr\u003e—\u003cbr\u003e\u003cspan\u003eHiroshi Fukumura's landmark debut album as leader. A representative work of the TBM label, capturing the lyrical and aggressive masterful performance woven by the two trombones of Shigeharu Mukai and Hiroshi Fukumura. — (via\u003ca href=\"https:\/\/japan-imports.bandcamp.com\/album\/japan-import-fukumura-hiroshi-quintet-fukumura-hiroshi-quintet\" rel=\"noopener\" target=\"_blank\"\u003e Label\u003c\/a\u003e)\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"500\" src=\"https:\/\/www.youtube.com\/embed\/y_uqr5m300c?si=p78vfNwvMNdHw-Pi\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003eVinyl Tracklist\u003cbr\u003e\u003cspan\u003eA1 Morning Flight\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA2 Imagination, Opus 1\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB1 Winter Song\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB2 Cousin Mary\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB3 Soldier In The Rain\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e↓\u003cbr\u003eLabel: Three Blind Mice\u003cbr\u003eFormat: Vinyl, LP, Limited Edition, Reissue, Remastered, Stereo\u003cbr\u003eReissued: 2026 \/ Originally Released: 1973\u003cbr\u003eGenre: Jazz\u003cbr\u003eStyle: Post Bop\u003c\/p\u003e\n\u003cp\u003eFile under: Three Blind Mice\u003cbr\u003e⦿\u003c\/p\u003e","published_at":"2026-06-26T13:40:51+08:00","created_at":"2026-06-26T13:40:50+08:00","updated_at":"2026-07-08T12:07:18+08:00","vendor":"Three Blind Mice","product_type":"Vinyl - Three Blind Mice","tags":["Genre - Japanese Jazz","Genre - Jazz","Genre - Jazz - Post Bop","Genre - Post Bop","Label - Three Blind Mice","LP","New Arrivals","Vinyl"],"variants":[{"id":47904426918046,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"4547366775013","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"price":"65.00","grams":800,"compare_at_price":null,"position":1,"product_id":8761773916318,"created_at":"2026-06-26T13:40:50+08:00","updated_at":"2026-07-08T12:07:18+08:00"}],"images":[{"id":44548009787550,"created_at":"2026-06-26T13:40:51+08:00","position":1,"updated_at":"2026-06-26T13:47:34+08:00","product_id":8761773916318,"variant_ids":[],"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/files\/a2315717584_10.jpg?v=1782452854","width":1200,"height":1200}],"options":[{"name":"Title","position":1,"values":["Default Title"]}]},{"id":8753483514014,"title":"Meiko Kaji – Otoko Onna Kokoro No Aika","handle":"meiko-kaji-otoko-onna-kokoro-no-aika","body_html":"\u003cp\u003eWewantsounds is delighted to continue its extensive reissue program of Meiko Kaji's early discography, originally released by Teichiku Records in Japan between 1972 and 1974. The Quentin Tarantino muse—famous for her starring roles in Lady Snowblood and Stray Cat Rock—was also a gifted singer. \u003cem\u003eOtoko Onna Kokoro No Aika\u003c\/em\u003e is another collection of superb cinematic songs featuring Kaji's signature mix of Japanese Pop and Groove, backed by lush, atmospheric orchestrations. This includes her rendition of \"Tokyo Nagare Mono,\" the theme song for Seijun Suzuki's cult 1966 film Tokyo Drifter. This reissue features the original artwork, an OBI strip, and a four-page insert with new liner notes by Hashim Kotaro Bharoocha, who interviewed Meiko Kaji for the occasion. — (via \u003ca href=\"https:\/\/wewantsounds.bandcamp.com\/merch\/meiko-kaji-otoko-onna-kokoro-no-aika-deluxe-lp-with-2p-insert-and-obi-black-vinyl\" target=\"_blank\" rel=\"noopener\"\u003eLabel\u003c\/a\u003e)\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003eOriginally released by Teichiku Records in 1974, this album fully showcases Meiko Kaji's charm as a singer. Drawing on her sensibilities as an actress, she expresses each song like a drama, including the funky arrangement of \"Ginza no Cho\" and a cover of \"Tokyo Nagaremono,\" known as the theme song for the film \"Tokyo Nagaremono\" directed by Seijun Suzuki. Now imbued with a modern groove reminiscent of the 1970s, it radiates a new kind of charm. — (via \u003ca href=\"https:\/\/www.hmv.co.jp\/en\/artist_%E6%A2%B6%E8%8A%BD%E8%A1%A3%E5%AD%90_000000000038832\/item_%E7%94%B7%E3%83%BB%E5%A5%B3%E3%83%BB%E3%81%93%E3%81%93%E3%82%8D%E3%81%AE%E5%93%80%E6%AD%8C-%E3%82%A2%E3%83%8A%E3%83%AD%E3%82%B0%E3%83%AC%E3%82%B3%E3%83%BC%E3%83%89_16786666\" target=\"_blank\" rel=\"noopener\"\u003eHMV JPN\u003c\/a\u003e)\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e— First ever reissue since original release\u003cbr\u003e— Original Artwork, with Obi and 2p Insert\u003cbr\u003e— Includes \"Tokyo Nagare Mono\" Meiko Kaji's rendition of the theme song for Seijun Suzuki's cult 1966 film Tokyo Drifter\u003cbr\u003e— New Liner Notes by Hachim Kotaro Bharoocha who has interviewed Meiko Kaji for the reissue of the album\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"352\" style=\"border-radius: 12px;\" data-testid=\"embed-iframe\" src=\"https:\/\/open.spotify.com\/embed\/album\/4czgiFvZOlLlhV9xxB2YOl?utm_source=generator\u0026amp;si=2384c772442e40c6\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e↓\u003cbr\u003eLabel: Wewantsounds \/ Teichiku\u003cbr\u003eFormat: Vinyl, LP, Album, Reissue, Stereo\u003cbr\u003eReissued: 2026 \/ Originally Released: 1974\u003cbr\u003eGenre: Pop\u003cbr\u003eStyle: Kayōkyoku\u003c\/p\u003e\n\u003cp\u003eFile under: Japanese Pop\u003cbr\u003e⦿\u003c\/p\u003e","published_at":"2026-06-20T17:43:34+08:00","created_at":"2026-06-20T17:43:33+08:00","updated_at":"2026-07-08T12:07:18+08:00","vendor":"WeWantSounds","product_type":"Vinyl - Japanese Pop","tags":["Genre - Japanese Pop","Genre - Pop","LP","New Arrivals","Style - Kayokyoku","Vinyl"],"variants":[{"id":47872918323358,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"3700604782315","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"price":"55.00","grams":800,"compare_at_price":null,"position":1,"product_id":8753483514014,"created_at":"2026-06-20T17:43:34+08:00","updated_at":"2026-07-08T12:07:18+08:00"}],"images":[{"id":44519459848350,"created_at":"2026-06-20T17:43:35+08:00","position":1,"updated_at":"2026-06-20T17:43:36+08:00","product_id":8753483514014,"variant_ids":[],"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/files\/cover-ki-8.jpg?v=1781948616","width":600,"height":600}],"options":[{"name":"Title","position":1,"values":["Default Title"]}]},{"id":8753479581854,"title":"Various Artists – London Jazz Classics (Coloured Vinyl)","handle":"various-artists-london-jazz-classics-coloured-vinyl","body_html":"\u003cp\u003e\u003cem\u003eLondon Jazz Classics\u003c\/em\u003e was the first album collection ever to be released on Soul Jazz Records back in 1993. The album brought together rare and obscure dance tracks in a unique mix of jazz dance and fusion, funk, Brazilian and Latin grooves.\u003c\/p\u003e\n\u003cp\u003eThe album was ironically titled - none of the music was from London, none of the music was traditionally classified as jazz, and all of the tracks were at the time practically unknown to most people. Instead these were tracks that were filling dancefloors in a nascent jazz dance scene in London being created by a small group of DJs – Paul Murphy, Gilles Peterson, Sylvester, Patrick Forge and a few others.\u003c\/p\u003e\n\u003cp\u003eAs demand for these rare groove jazz tracks grew, previously unknown records such as Alive’s ‘Skindo Le Le’, Doug Richardson’s ‘Salsa Mama’, Carlos Franzetti’s ‘Cocoa Funk’ and Emilio Santiago’s ‘Bananeira’ became sort after and even-harder-to-find items with original copies going for £100s of pounds.\u003c\/p\u003e\n\u003cp\u003eThese tracks became part of the soundtrack to this jazz dance scene which has now spread across the world. This music paved the way for the arrival of many of the UK’s new wave of current artists such Shabaka Hutchings, Nubya Garcia and Ezra Collective who today offer a uniquely London sensibility of fusing jazz with wide-ranging cultural influences – everything from afrobeat to soul.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLondon Jazz Classics\u003c\/em\u003e was the first album to bring this jazz dance music featured here to a wider audience. More than 30 years since its initial release Soul Jazz Records are releasing this new 2026 edition, bringing the music once more to a new generation of listeners.\u003c\/p\u003e\n\u003cp\u003eThis album brings together tracks from across the 3 original \u003cem\u003eLondon Jazz Classics \u003c\/em\u003ealbums — (via \u003ca href=\"https:\/\/soundsoftheuniverse.com\/sjr\/product\/london-jazz-classics-2026\" target=\"_blank\" rel=\"noopener\"\u003eLabel\u003c\/a\u003e)\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e— First time in print in over 30 years\u003cbr\u003e— One-off limited edition orange coloured vinyl edition\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"352\" style=\"border-radius: 12px;\" data-testid=\"embed-iframe\" src=\"https:\/\/open.spotify.com\/embed\/album\/4L1OFmsC9agTq1A8jrIFT0?utm_source=generator\u0026amp;si=4345493bb8b748cb\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e↓\u003cbr\u003eLabel: Soul Jazz Records\u003cbr\u003eFormat: Vinyl, LP, Reissue, Orange\u003cbr\u003eReissued: 2026 \/ Originally Released: 1993\u003cbr\u003eGenre: Jazz, Latin\u003cbr\u003eStyle: Soul-Jazz\u003c\/p\u003e\n\u003cp\u003eFile under: Jazz Compilations\u003cbr\u003e⦿\u003c\/p\u003e","published_at":"2026-06-20T17:07:24+08:00","created_at":"2026-06-20T17:07:23+08:00","updated_at":"2026-07-08T12:07:18+08:00","vendor":"Soul Jazz Records","product_type":"Vinyl - Jazz Compilation","tags":["Genre - Latin Jazz","Genre - Soul-Jazz","Jazz Compilation","Label - Soul Jazz Records","Vinyl"],"variants":[{"id":47872896794782,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"5026328005911","requires_shipping":true,"taxable":false,"featured_image":null,"available":false,"price":"60.00","grams":800,"compare_at_price":null,"position":1,"product_id":8753479581854,"created_at":"2026-06-20T17:07:23+08:00","updated_at":"2026-07-08T12:07:18+08:00"}],"images":[{"id":44519401029790,"created_at":"2026-06-20T17:07:24+08:00","position":1,"updated_at":"2026-06-20T17:07:26+08:00","product_id":8753479581854,"variant_ids":[],"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/files\/10dc8d0c444797d21fa22f776ee9f764_grande_f3787af5-c986-442b-ae89-85b227064785.jpg?v=1781946446","width":600,"height":600}],"options":[{"name":"Title","position":1,"values":["Default Title"]}]},{"id":8753458872478,"title":"Jeff Parker ETA IVtet – Happy Today","handle":"jeff-parker-eta-ivtet-happy-today","body_html":"\u003cp\u003eRecorded and mixed in situ at Lodge Room by engineer Bryce Gonzales with a custom-made analog mixer and Nagra stereo tape recorder, \u003cem\u003eHappy Today\u003c\/em\u003e captures a bright moment during dark times. As Parker shares: “2025 was a very difficult year for me and my family. Dealing with being displaced from the Eaton fires for eight months, and the kind of toll that instability took on my family’s mental health and general outlook, coupled with Donald Trump being back in office and basically making life miserable for everyone… There was a lot of sadness and despair. But feeling the sense of community that we created with our concert, and later hearing the recording, seeing the beautiful footage that had been shot and the photographs of such joy to be back in that space and to be making music again: It was a very happy moment. So I called the record \u003cem\u003eHappy Today\u003c\/em\u003e. It’s meant to be a statement of joy.”\u003c\/p\u003e\n\u003cp\u003eThe past two years have been productive and busy as ever for Parker, who has long been a prominent player within a wide-range of music communities, jazz and beyond. In 2025 alone, he released new music and toured with his long-standing experimental rock band Tortoise, and brought the ETA IVtet in for an NPR Tiny Desk performance. Additionally, Parker and two other members of the IVet — Butterss and Johnson — are featured on Flea's solo debut album released March 27 on Nonesuch Records. The album, Honora, also was produced by Johnson.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHappy Today\u003c\/em\u003e is the ETA IVtet’s first recording made outside of the now-shuttered, widely-beloved Los Angeles micro-club ETA. Part laboratory, part low-stakes proving ground, ETA was where the band’s collective sound coalesced over the course of a storied seven-year Monday night residency that yielded two critically-acclaimed records — 2022’s Mondays at The Enfield Tennis Academy and 2024’s The Way Out of Easy.\u003c\/p\u003e\n\u003cp\u003eWith \u003cem\u003eHappy Today\u003c\/em\u003e, that sound — honed in such an intimate setting — is scaled up for a much larger audience and space at Lodge Room. But the essential formula remains the same, and has the same hypnotic, deeply-tuned listening effect. The almost alchemical musical communication creates a feeling of connection not only between the band members but also between the band and their audience – an ongoing trust exercise that invites listeners to become part of the exchange, and experience the joy of deep listening. — (via \u003ca href=\"https:\/\/www.intlanthem.com\/news\/announcing-jeff-parker-eta-ivtet-happy-today-lp-cd-digi-album-out-may-15th-2026\" target=\"_blank\" rel=\"noopener\"\u003eLabel\u003c\/a\u003e)\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003eThe first thing you notice in the opening moments of \u003cem\u003eHappy Today\u003c\/em\u003e is the amount of space. Hard-panned to the left and bathed in room tone, Jeff Parker’s round, resonant guitar notes have a decay tail long enough to activate the snare wires in Jay Bellerose’s kit. When Anna Butterss strikes their upright bass, the sound spreads like ink spilled on linen; when listening in headphones, you can feel it vibrate in your temples, and it’s heavy enough to trick you into thinking the ground must have shaken as well. Josh Johnson sustains a long, golden drone on his saxophone, and when he captures a loop of it, it’s as if a second Josh Johnson takes the cue and doubles the note from 10 feet away. Three minutes into “Like Swimwear,” as the ETA IVtet comes into its power, you can almost map the players’ stage positions and the dimensions of the venue, as the reflections suggest a high ceiling and considerable distance between its walls.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHappy Today\u003c\/em\u003e is just as remarkably hypnotic as the IVtet’s previous documents, but it’s perhaps more impressive to hear how commanding they’ve become as a unit. On both sidelong tracks, they take their time to establish a vibe, each member finding the right time to add another layer. “Like Swimwear” starts with Parker plucking a delicate figure, eventually sustaining certain notes to build a delicate, droning chord. Johnson follows suit, but plays a dueling figure, as Butterss and Bellerose methodically add more accents into the rhythmic backbone. Eventually, the two fully lock together, allowing Parker and Johnson the space to wriggle around, sometimes finding the cracks and crevices in the motorik churn, other times enveloping it in clouds of pure tone. Johnson experiments with chorus and reverb effects, giving his saxophone the impression of fading in and out of view. — (via \u003ca href=\"https:\/\/pitchfork.com\/reviews\/albums\/jeff-parker-and-eva-ivtet-happy-today\/\" target=\"_blank\" rel=\"noopener\"\u003ePitchfork\u003c\/a\u003e)\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"352\" style=\"border-radius: 12px;\" data-testid=\"embed-iframe\" src=\"https:\/\/open.spotify.com\/embed\/album\/1kHIfy3OzO6LiVmilaxre1?utm_source=generator\u0026amp;si=cd5b0acb3b2f4b7b\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e↓\u003cbr\u003eLabel: International Anthem Recording Company\u003cbr\u003eFormat: Vinyl, LP, Album\u003cbr\u003eReleased: 2026\u003cbr\u003eGenre: Jazz, Folk, World, \u0026amp; Country\u003c\/p\u003e\n\u003cp\u003eFile under: International Anthem Recording Company\u003cbr\u003e⦿\u003c\/p\u003e","published_at":"2026-06-20T16:13:40+08:00","created_at":"2026-06-20T16:13:40+08:00","updated_at":"2026-07-08T12:07:18+08:00","vendor":"International Anthem Recording Company","product_type":"Vinyl - International Anthem Recording Company","tags":["Genre - Contemporary Jazz","Genre - Folk","Genre - World","Label - International Anthem Recording Company ‎","LP","New Arrivals","Vinyl"],"variants":[{"id":47872608207006,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"0760944510996","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"price":"55.00","grams":800,"compare_at_price":null,"position":1,"product_id":8753458872478,"created_at":"2026-06-20T16:13:40+08:00","updated_at":"2026-07-08T12:07:18+08:00"}],"images":[{"id":44519264714910,"created_at":"2026-06-20T16:13:41+08:00","position":1,"updated_at":"2026-06-20T16:13:43+08:00","product_id":8753458872478,"variant_ids":[],"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0584\/5434\/3838\/files\/a0999850971_10.jpg?v=1781943223","width":1200,"height":1200}],"options":[{"name":"Title","position":1,"values":["Default Title"]}]}]}